Idyllwild resident Charles Schlacks, Jr. is attending his 30th Consumer Electronics Show in Las Vegas

By Marcia E. Gawecki

Today, Charles Schlacks, Jr., 80, an Idyllwild publisher and record collector, will attend his 30th  Consumer Electronics Show (CES) in Las Vegas.

The show is estimated to attract 150,000 attendees, however, it’s open to only “those in the electronics industry,” Charles says.

For the past three decades, Charles has received a “press” pass, which is an all-access pass to the vendor booths and lectures. However, this year, CES sent him an “entertainment” pass, which offers pretty much the same access. Without the pass, however, the show would cost Charles $100 a day.

Charles is considered “press” because he publishes two trade journals, “Muzaka,” about Russian music past and present; and “Music and Society in Eastern Europe,” which discusses discographies (musical histories) of open reel tapes and records.

Charles is not like the other journalists who write about their likes and dislikes of the popular trade show. He’s attending for his personal enjoyment of music. Each year, he takes about two dozen classical records (audiophile LPs) and goes from booth to booth at the Flamingo and Venician Hotels.

He’s looking for good turn tables and card readers to play his high-quality audiophile LPs. Generally, he knows everybody and returns to the same booths each year. In the four days of the show, he’ll visit about 50 of them.

The CES exhibitors take Charles’ records and play them on their stereo systems, which range from $250 to $150,000. Both enjoy the experience.

“As a whole, I found out they prefer analog to digital,” Charles said. “My records sound much better than CDs and DVDs.”

Over the past three years, however, there’s been a resurgence of turn table manufacturers and the re-release of dozens of new vinyl recordings (LP records), Charles noted.

He’s happy that companies are reissuing classical, pop and jazz records from the 1950s. Some of the originals are likely in Charles’ record collection.

Charles has been collecting classical records since 1946. He has about 45,000 now.

Since 1946, when he was about 15 years old, Charles has been collecting classical records. There’s only classical records, no rock n’ roll, jazz, pop or vocalists.

“My friends from England couldn’t believe that Charles had never heard of The Beatles,” said Jeffrey Taylor, from Green Cafe in Idyllwild, of his longtime friend. “Who hasn’t heard of the Beatles?”

But now that he’s 80 years old, Charles has amassed about 45,000 classical LPs that he stores in Hemet, with a small amount in his Idyllwild home.

Eventually, Charles plans to sell the majority of his collection to record collectors in Los Angeles and individuals over the internet. His records are his retirement, he says, and they will help him pay off his house.

Although it’s not his plan, Charles will take a list of the details of his 45,000 record collection to the CES this weekend, just in case someone is interested in buying a few hundred of them. In past years, Charles has returned from the CES with small sales that he ships out of the Idyllwild Post Office, or drives to northern California. Once, he tried to deliver records up to San Francisco in a day.

“I’ll never do that again,” Charles said of the 7-hour drive. “I was so tired that I had to stay overnight, and that cost me about $75. Next time, the buyer would have to pay shipping or my gas and lodging.”

Charles doesn’t generally attend the keynote lectures at the CES. In the past, it’s usually been someone from Microsoft, he said.

“Was it Bill Gates?” asked Jeffrey Taylor, who had worked for Apple after college.

This year, however, Microsoft is scaling back and Apple doesn’t plan to attend, Charles said. According to today’s Los Angeles Times, Microsoft has its exit planned, saying it wants to announce its products on its own timetable. The absence of Apple has long spurred manufacturers to bring out Apple-type products that quickly fade from the marketplace.

At the same time as the CES in Las Vegas, other shows are going on. At  “T.H.E. Show,” last year, Charles got a “shout out” from the keynote speaker, the editor of Stereophile magazine.

According to Charles, the speaker asked Charles to stand up and be recognized.

“I’ve seen you every year as long as I’ve been coming here,” the man said. “You must be the oldest veteran here.”

Of course, there was a round of applause, and they congratulated him afterwards on his dedication and longevity. In a few months, Charles may see some of them again.

Charles belongs to the Los Angeles and Orange County Audio Society, which will be sponsoring “T.H.E. Show” for three days in Irvine in June.

However, for the next four glorious days, Charles will busy himself with the Consumer Electronics Show, visiting 30-40 exhibitors.

“I like to meet people who enjoy good music,” Charles said.

His light blue hybrid car has vanity plates which read, “FFSS,” which stands for “full frequency stereophonic sound. The first LP with FFSS was recorded in 1958.

“It was the greatest audio recording ever,” Charles said.

In his collection, he has hundreds of audiophile recordings. For more information about his collection, email Charles Schlacks directly at: schlacks.slavic@greencafe.com.

Copyright 2012 Idyllwild Me. All rights reserved.

Amanda Taylor shows off her Iowa-inspired wall hanging

By Marcia E. Gawecki

When jewelry artist Amanda Clark Taylor closed Artisans, her art gallery in Idyllwild, it wasn’t her only loss.  Family members, including her beloved mother, had died all within a short time period. To cope, Amanda found solace in her jewelry making.

“I had lots of time on my hands when I was closing up my father-in-law’s house in Iowa, of all places,” Amanda said. “But I fell in love with the area and the people.”

At first, Amanda was frustrated because she couldn’t find her normal bead supply stores, or even the brighter colors in her artist’s palette. So she began working with square beads in earth tones and took a few classes.

“I drove to a bead class in Iowa City, which was four hours away,” Amanda said. “The trip wasn’t so bad because there were frozen custard stops along the way.”

The result was an impressive wall hanging made out of square beads.

“It started out as a 3-by-7-inch bracelet,” Amanda explained. “And then I just kept going, and made it into a square. Well, that didn’t look right, so I made it into a larger rectangle.”

Right now, she’s in the process of making the 26-by-13-inch sculpture so it can hang on a wall. She’s weighted the bottom and is attaching a backing to the top so that it can take a hanger.

“Ribbons,” the Iowa-inspired wall hanging is shown on her personal web site, Bead by Bead by Bead, but there are no prices listed—yet.

“I didn’t put any prices on my web site because they were all for sale at Artisans Gallery,” Amanda said.

The beaded wrap for this sculpture broke three times before Amanda perfected it

At her gallery openings, she was famous for wearing her own large, colorful jewelry with the price tag hanging out. When well-intentioned people would tell her to hide the tag, she’d laugh and tell them it was for sale.

“I sold a lot of pieces that way,” Amanda joked.

Over the Fourth of July weekend, Amanda and her friend, Tawny Crist of Banning, were selling their excess bead supplies at Oh My Dog Gallery in Idyllwild, which is right next door to where Artisans Gallery used to be. It’s now The Hub, a new bike shop.

Amanda has no bitterness about being so close to her former location.

“I miss the artists, but not the business end of running a gallery,” Amanda said.

But she talked about her transformation as an artist.

“I am now an artist who uses beads, instead of a beader who did artwork,” she said.

Tawny was sitting cross-legged on the floor of Oh My Dog Gallery looking at several of Amanda’s necklaces. The two she most wanted were made of Venetian coils about 15 years ago.

“There’s just something so special about the colors that she uses,” Tawny said. “She’s a true artist.”

"Amanda is a true artist," said friend Tawny Crist, with dog, Mick.

Amanda’s new art emphasis will not be on the beads, but the sculptures that she creates with the beads.

Another piece that she had created during a workshop last year depicted a round, dark stone in the middle. The “wrap,” or beaded attachment, was a challenge, Amanda said, because it broke three times.

“The first time, the thread wasn’t strong enough, and then the stitch wasn’t right (too open),” Amanda explained. “Now the wrap is made with 14-pound fishing line with a peyote stitch.”

She said that the stone, which has a natural white line carved into it, weighed about 10 pounds.

Amanda plans to use more organic material like stones into her future work. Right now, she’s working on a beaded nest for a large ostrich egg. And she’s also making a patchwork quilt with 2 1/2-inch squares made with her leftover beads.

Amanda sold her excess beads to help pay for a class with Betsy Youngquist in Chicago

With the money she made by selling her leftover beads, Amanda is planning on taking a class with Betsy Youngquist of Chicago, whom she met through a friend.

On her iPhone, she showed us a picture of “Otto,” an octopus Betsy created with beads. (You can see the image on www.byart.com).

“Isn’t that wonderful?” Amanda said with glee. “Of course, we won’t be making octopuses like that right away. They’re starting us off with spoons.”

Taking this class will help Amanda move her art in a new, and more challenging, direction, she said.

To view Amanda’s art, visit Bead by Bead by Bead at www.beadbybeadbybead.com.

Copyright 2011 Idyllwild Me. All rights reserved.

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Jewelry case showcasing the work of Metals Week artists

By Marcia E. Gawecki

More than 25 artists from the Idyllwild Arts Summer Program showcased a variety of works at the Opening Reception at the Parks Exhibition Center on Monday night, June 27.

The featured artwork came from instructors who are teaching workshops during Metals Week, Hot Clay, and Native American Arts Week, as well as select faculty artists and staff members. The items included jewelry, pottery, paintings, sculptures, and Indian artifacts and toys. The show ends this week.

“Everyone helped out to make this show a success,” said Christy Scott, who works at the gallery this summer. “David Wells (guest curator) came and helped us out, and so did his assistant, Ian Erickson-Kery. Kristin Coffin helped us arrange all of the jewelry. It was a group effort.”

Christy said that about 120 people showed up on Opening Night and several items were sold. Among them two female figurative sculptures by Debra Fritts, a studio artists from Georgia. Her husband, Frank Chelton, a painter/poet/teacher, was there taking pictures of her artwork, while she was teaching her figure class.

Debra Fritts' husband, Frank Chelton, showcases her work

“By the Wings of the Raven,” a multiple fired stoneware of a nude woman inside a vessel. Debra’s price tag was $3,600 dollars, and it sold. “White Wing,” a larger nude female torso, sold for $3,200 dollars.

Although the facial images on Debra’s pieces looked similar, Frank said that it’s not anyone in particular.

“She’s just perfected the image over the years,” he said.

“Her work is incredible,” added Jessica Schiffman, an Idyllwild illustrator and painter, who teachers a summer class. She attended Opening Night and said that Debra’s work stood out.

Other items that sold were jewelry from Metals Week instructors, including Kristin Coffin, from Los Angeles. Last year, we featured a story on her jewelry making (see Idyllwild Me post entitled, “Metals Week at IA” on June 27, 2010). She had started to sell her jewelry on Etsy, a specialty web site for handcrafted gifts.

Since then, Kristin’s jewelry has become more specialized, making mostly wedding bands, said Jackie Ryan, her roommate in LA who is also a painting assistant in the Summer Program.

(from L) Christy Scott helps Alison Yates with a ring

Alison Yates, from Idyllwild Arts Academy, was there looking at Kristin’s rings a couple of days after the show.

“I just love her work, and her prices are reasonable,” Alison said.

She purchased a gold band of Kristin’s for $65 dollars.

Another popular jeweler is Emma McMenamin, from the Summer Program. Her stone and glass beaded jewelry already has a signature style. One of her necklace-and-earrings ensembles was called, “Rain Forest.” Its green and gold beads and jewels was a fitting tribute to that marvel of nature in South America.

Ian read from Emma’s tag:

Ian showcases Emma's "Rain Forest" necklace with non-identical earrings

“It has jasper, Czech glass beads, Czech and Japanese seed beads, and gold-filled earrings,” he said. “It costs $525 dollars.”

At closer inspection, we noticed that the “Rain Forest” earrings were not identical. In fact, the styles were very different.

“That’s edgy,” exclaimed Ian.

Did Emma do that on purpose, or did she simply run out of beads?

“I thought since the necklace was asymmetrical, then the earrings needed to follow suit,” Emma said.

Although there are hundreds of beads in the necklace, Emma said that it only took her about 20 hours to make.

“I started it while watching ‘The Sound of Music,’ and it just took shape quickly,” Emma said. “It was actually one of my first tries at freeform bead weaving – a form that does not have a set pattern, but rather it takes on a life of its own.”

When a woman tried it on, it was surprisingly lightweight, even with the multitude of beads woven into it.

Neil looks at some of the wooden Native American toys in the show

Emma said that she thinks her jewelry will remain in the case until the end of the summer.

Christy and Ian said that the Monday, July 4th show will focus on “Hot Clay” images.

The summer exhibition season at the Parks Exhibition Center runs from June 27 to August 20. Opening Receptions will be held on Mondays July 4, July 11, and July 18; and on Tuesdays July 26 and August 9.

For more information, call the gallery at the Parks Exhibition Center at (951) 659-2171, extension 2251, or visit www.idyllwildarts.org and click on “Summer.”

Copyright 2011 Idyllwild Me. All rights reserved.

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Idyllwild Sculptor Jan Jaspers-Fayer and his butterfly sphere

By Marcia E. Gawecki

When he arrived in California from Amsterdam after WWII, sculptor Jan Jaspers-Fayer took a job in a glass factory. At the time, it helped pay the bills for his growing family. Later, the thick glass that he worked with made its way into his steel sculptures that adorn his steep back yard in Idyllwild. In the spring and summer, garden clubs, schools and other groups enjoy touring his Idyllwild Sculpture Garden.

Many of the sculptures featured in the garden are his older works, such as the old man, that measures 12 feet high and is made from forged steel. It must be 15 years old now, but just as beautiful as the day it was cut from the same steel plate.

“There’s no title, just an old man,” said Jaspers-Fayer, 82.

In the back of his sculpture garden, a large steel-and-glass sculpture catches the sunlight and reflects a prism of colors onto the ground.

“That’s the glass that I used to work with,” Jaspers-Fayer explained. “Diachronic glass is hard to cut, so I end up breaking it in pieces, and then sanding the edges.”

Over the years, Jaspers-Fayer has created many stained-glass images with diachronic glass, including one at the Episcopal Church in Idyllwild.

Jan Jaspers-Fayer with another large sculpture in his garden

However, the new sculptural creation that he’s excited about doesn’t have any glass in it at all. It’s a large wire sphere made up of interconnecting images. His artist’s prototype hanging from a large oak tree in his backyard is comprised of 12 butterflies. The sphere has about a 15-inch radius.

“I can make these spheres any size,” Jaspers-Fayer said. “Some people like them larger for outside in the garden, or smaller, to hang on your porch.”

Other art sphere themes that he’s working on include: acrobats, flowers, and birds.  Since he lives among nature in Idyllwild, Jaspers-Fayer often draws from nature for many of his sculptures, paintings and prints that decorate his home and area galleries.

To make the spheres, Jaspers-Fayer first draws the image out by hand on cardstock. He then cuts them out and tapes them together. After close inspection, he’s ready to move from cardboard to making the metal spheres. The pieces are cut out of a sheet of metal with an electric saw and then powder-coated paint is applied for long-lasting durability. Jaspers-Fayer said that he previously painted them with acrylic paint, but found that powder coating (which chemically bonds paint to metal) had more vibrant colors that worked best for his images.

Close up of Jan's butterfly sphere

Jaspers-Fayer said that his art spheres are also easy to disassemble and transport.

“They arrive in pieces, but anyone can put them together with a screwdriver,” he said.

Sphere prices range from $1800 on up, depending upon the size. Already several are on back order, and more came after his May show at Honey Bunns and Joe Bakery in Idyllwild.

For more information on Jaspers-Fayer’s artwork or for a free group tour of his Idyllwild Sculpture Garden, call (951) 659-5240 or visit idyllwildartandsculpturegarden.com.

Copyright 2011 Idyllwild Me. All rights reserved.

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In September, Jeffrey Taylor hung this dolphin banner outside Green Cafe

By Marcia E. Gawecki

Taiji, Japan is 8,342 miles from Idyllwild, California.  Yet, the distance is not stopping one Idyllwild resident from doing his part to pressure the Taiji government to stop their 20,000 annual dolphin slaughter.

It all began in March when Jeffrey Taylor, from Green Cafe, showed “The Cove,” this year’s Academy Award winning documentary, to about 25 residents, which included professors, scientists and animal activists. It was part of his weekly “Cafe Cinema” series that he’s held in Idyllwild for 10 years.  Many of his friends couldn’t bear to see dolphins killed onscreen, yet, those who went said it wasn’t such a graphic portrayal, and getting out the message was key.

“The Cove is a stunning heist-like story that is half Jacques Cousteau and half James Bond,” said Taylor. “A ‘dream team’ of activists venture to Japan to expose the secretive work of fishermen who slaughter dolphins so they can sell the meat nationally and abroad.”

Ric O’Barry, who rose to popularity with “Flipper,” the popular TV show about dolphins in the 1960s, said that he became an activist when he saw that dolphins would rather die than be in captivity.

O’Barry collaborated with Louie Psihoyos in creating “The Cove” documentary to get the word out of the 20,000 dolphin slayings that are held each year from September to March in Taiji, Japan. In a small cove, 26 local fishermen herd dolphins in from the sea by forming a line of boats and making noises with metal poles. The process is known as “oikomi.”

“Dolphins are keenly sensitive to noise,” O’Barry said in the movie. “They are afraid of the noise and swim to the cove to get away from it. There, they are herded into nets and the bottle nosed dolphins are sent to marine parks like “Sea World,” while the other dolphins are slaughtered with spears.

Since showing 'The Cove,' Jeffrey Taylor has continued the fight

Since the showing, Taylor has not been quiet about the Taiji dolphin slaughter. He regularly visits web sites dedicated to dolphin preservation, and e-mails updates to his friends and customers. Among the information that he’s sent include news reports about the toxic levels of mercury in Taiji;  O’Barry’s recent trip to Toyko; a You Tube video account of a young woman who swam in the Taiji Cove; and a slide show by Leilani Munter, a dedicated volunteer.

All of the portrayals show worldwide support of the ban on the dolphin killings. When O’Barry visited Toyko (because nationalists threatened him in Taiji) with 100 other supporters, he had a list of 155,000 signatures from supporters all over the world.

Some of the supporters are from Idyllwild, and, like Taylor, are unwilling to give up the fight.

In September, the start of the dolphin killing season in Taiji, Taylor hung a banner outside his Green Cafe office in Idyllwild. It was a birthday present from his artist girlfriend. It depicts a torso of a smiling dolphin swimming in a sea of red with the text, “Stop the Slaughter, Taiji.”

Taylor hopes to pressure Taiji from killing 20,000 dolphins

“At first, I was worried about posting a political banner outside my business,” said Taylor. “But then I realized that most of my customers agree with the message.”

However, many Japanese do not know about what is going on in Taiji, and would likely not approve of it. In the documentary, tests prove that dolphin meat has toxic mercury levels, and is not good for human consumption. In fact, in the May 10th issue of the Japan Times (another article sent by Jeffrey Taylor), the National Institute of Minamata Disease (NIMD) stated that many Taiji residents have unusually high levels of mercury in their systems.

Even with mercury poisoning, Taiji’s 3,000 residents remain defiant. They say that killing dolphins is no different than killing cows or pigs, and people should mind their own business.

But the more people know, the more they want to help.

In the comment section after an article about O’Barry’s trip to Taiji, one woman wrote: “After watching ‘The Cove,’ like many others, we felt helpless about the dolphin killings in Taiji, Japan. My daughters asked me if we could sell all of our things and go to Taiji in support of the dolphins. I told them that we would sell what we could and send the money to the conservation groups.”

In one You Tube video, O’Barry was asked by a reporter, “What can people do to help?”

“Don’t buy a ticket to ‘Sea World’ or any other dolphin show,” O’Barry said. “It’s a 1.6 million dollar business, and its all about supply and demand. If people won’t pay to see the dolphin shows anymore, then the fishermen will stop capturing and killing them.”

In his blog dated Sunday, September 26, 2010, Ric O’ Barry wrote:

“It’s with a heavy heart that I write today’s post. Despite all our efforts and despite the worldwide condemnation of the cruel dolphin slaughter, the Japanese government remains defiant and has allowed the first dolphin kill of this season at Taiji.

“This defies all logic, both because of the brutal inhumane abuse of dolphins and because it is now proved that the dolphin meat is poison — containing dangerous levels of mercury.

“Throughout the first month of the season several captures have taken place with select dolphins retained for export to zoos and aquariums. The rest of the pod were released back into the wild. However, a few days ago one group of 15 Risso’s dolphins was brutally killed and taken to the slaughterhouse.

“I can’t tell you how angry this makes me. And I know it makes you angry, too. Many of you will be frustrated, but I don’t want you to lose hope. I also am more convinced than ever that our campaign to generate worldwide pressure for an end to the slaughter is right and must succeed.

“We must be vigilant and turn up the heat. The Japan government’s defiance must not be allowed to stand.

“Change does not happen overnight, and we have only just started to get the word out to the Japanese people.

“We are working to keep people on the ground in Taiji to monitor the Cove and report back to the world. Take a look at this video done by one of our dedicated volunteers, Leilani Münter.”

“Taiji will stop their annual dolphin slaughter only when world pressure hits them in the pocketbook,” Taylor added. “One thing we can do is stop buying Japanese products. If 10 percent of Americans stopped buying Japanese products, I’ll bet Taiji would stop killing dolphins.”

For more information, visit www.savejapandolphins.org, and www.takepart.com. And if you want to receive Jeffrey Taylor’s dolphin updates, e-mail him at webmaster@greencafe.com.

Copyright 2010 Idyllwild Me. All Rights Reserved.

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This Friday night, Cafe Cinema/Green Cafe will feature a film and discussion about wildflowers, including the Lemon Lily

As one of the sponsors of this weekend’s “Lemon Lily Festival,” Jeffrey Taylor, from Green Cafe/Cafe Cinema, will show a film this Friday that examines the ecology and biodiversity of the earth.

Taylor chose an episode from the stunning 1984 BBC documentary, “The Living Earth,” in which David Attenborough predicts the fate of the world, if the current pace of industrialization continues.

Before the film, Ina Lengyel, San Jacinto State Park Ranger Aide, (and wife of Richard, who retired from the post office), will give a brief presentation of our native wildflowers, including the Lemon Lily.

“She really loves to talk about wildflowers,” Taylor said. “And she has a bunch of Lemon Lillies growing on her property.”

Main sponsors of this weekend’s “Lemon Lily Festival” plan to plant Lemon Lillies along Strawberry Creek’s bed to help preserve them. Part of Friday’s film presentation and lecture will emphasize the importance of protecting the Lemon Lily’s habitat.

Yesterday, Tucker McIntyre, head of Transportation at Idyllwild Arts, took a hike with his wife, Megan, up by the switchbacks, and found a single Lemon Lily growing by a creek bed.  McIntyre took several pictures of it on his cell phone, but left the flower intact.

“It was the only one out there,” McIntyre said, as he showed off the pictures of the vibrantly colored, yet delicate looking flower. “We found it at about 6,000 feet.”

“The Living Earth” documentary and Lengyel’s talk starts at 7:30 p.m. this Friday, July 16, at the Green Cafe office, located at 26364 Saunders Meadow Road (next to Mile High Cafe) in Idyllwild.

Food, beverages and admission is free. For more information on Cafe Cinema’s weekly film series, visit www.cafecinema.org. And for more information on the “Lemon Lily Festival,” held July 16-18 in Idyllwild, visit www.lemonlilyfestival.com.

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Will Waddell, a teacher at Idyllwild Arts, views Angelica's sculpture

“Inquire, Negate & Repeat,” which featured the work of four student artists, were large, clean, and thought-provolking about nature, especially dolphins. The show included sculptures, ceramics, fiber art, paintings, and drawings. It opened at the Parks Exhibition Center at 6 p.m. on Friday, May 21, and will run until May 28.

The show’s title, “Inquire, Negate & Repeat,” came from a meditation, said Jade, one of the artists. The others included Anna, Angelica and Karina.

Ceramics by Anna entitled, "States of Mind" covered one wall

“Anna is the ceramics guru of our department,” said one student.

It was easy to see why they were in awe. Anna’s ceramics were outstanding. As you walked into the show, and looked to the left, there were a variety of her ceramic “flowers,” in variable dimensions with mirrors inside, all mounted to the wall. The arrangement was called, “Frames of Mind.”

“That would make a great statement in your home’s entryway,” said one Idyllwild resident.

Anna had four other equally outstanding ceramic pieces, including a large ceramic basket, with dainty flowers nestled inside. The piece also had fine wires for stems, and a rope edge to the basket.

Three other ceramic pieces by Anna were maddenly entitled, “Untitled.”

“I don’t know if artists don’t like to title their work, or if they just forgot,” said another art student later. “The titles should really help you understand the pieces, especially if the artist isn’t there to help explain things.”

The top of the larger “Untitled” ceramic by Anna (on the shelf) had a top that resembled a leafy vegetable. Like the flowers in the other flower basket, they appeared live, and not ceramic.

"Untitled" ceramic by Anna looked organic

“People 2010,” was Anna’s final ceramic installation, which resembled a chessboard full of kings and rooks. Or, a closed city made up only of castles with no surrounding countryside.

The finish on the “People 2010” pieces were crackled, or antique looking with neutral glazes.

“Angelica, your work is some of the best I’ve seen here,” said Samuel, a voice major in the school van later.

Angelica’s sculptures and ceramic painting were large, clean and thought-provolking.

The first thing everyone saw was the mixed media sculpture on the floor entitled, “Separation of Ego,” which had a deer’s head at the front, a woman’s torso with a maroon portrait painted on its chest, and a woman’s legs pointing upward at the back. Each of these sections was separated by panes of glass.

"The Glass Bead Game," a ceramic painting, by Angelica

The woman’s portrait on the torso of “Separation of Ego,” also appeared in her ceramic painting on the wall entitled, “The Glass Bead Game,” and in the alabaster sculpture, “The Shower.”

“It looks like a self portrait, but they could be different,” said Miriam-Grace, another visual artist, later. “I saw her working on it from a photograph.”

The ceramic portrait was sectioned off into squares, that looked like ceramic tiles. Attached in random places were ceramic flowers, in a pretty glaze.

Angelica’s final piece, a sculpture called, “The Shower,” was created in alabaster. The face was delicately carved, but the torso was left rough and unfinished. Its smooth and roughness beckoned people to touch it.

Wayne Parker inspects "The Shower" sculpture by Angelica

If you were to squint, the rough parts could be considered soap suds in a shower.

“I got a chance to carve a little bit on it,” added Miriam-Grace. “It’s not particularly a soft stone, but you have to be careful. There are many cracks inside, and pieces can come off in chunks.”

The show then switched from hard to soft sculpture with Jade’s “Knit Up in Sleep Performance,” a 24-foot black and white acrylic yarn sculpture that was draped over a black wire chair.

Jade's 24-foot yarn sculpture was slated to expand further

The title car read, “24 feet and expanding,” which gave the impression that she wasn’t finished yet. The balls of yarn left under the chair were also a good indication that she might finish it over the summer.

Along the wall next to the yarn sculpture were black and white ink drawings, all uniform in size, yet organic in subject matter. Some looked like amoebas or pieces of yarn under a microscope. They were all mounted to four large boards and entitled, “864-Static.”

As much as I like titles to pieces, “864-Static,” didn’t help me one bit. Was the number an equation? It certainly was more than the 100 or so drawings mounted to the boards. Was it an apartment number? Or the number of strokes from her pen?

Karina’s “Herd” installation, “Swarm” print, “Flock/Pod” drawing and “Burnt Ball” acrylic painting all had a focus on nature.

Luckily, she was still around talking to friends towards the end of the show. She said that  the 100 or so small antelope looking pieces were made of resin.

“I took a mold (of a plastic buck) and filled it with resin,” Karina explained. “As you can see, some of them turned out better than others.”

All were arranged in a swirling, migration formation, from right to left, and mounted on a light box.

Karina's "Herd" installation was made of resin pieces placed on a light box

“The light box was the hardest part to make,” Karina confessed. “I wanted to resemble a herd migration, like something that you’d see on the Nature Channel.”

Side by side on the far wall were two tall pieces, one a painting, the other a drawing on vellum. The drawing, “Flock/Pods,” showed a creative ariel view of birds (a flock) in flight over pods of dolphins swimming in the ocean.

Logistically, she put the flocks on vellum, as an overlay, to the drawing of the many dolphin pods underneath. Although only created in black graphite, the drawings were strong and solid. Her ariel view you could only see in a helicopter or plane. It was a God’s eye view.

It’s sister painting, created in bright acrylics, “Burnt Ball,” gave me pause. It was also an ariel view of a sun overlooking dolphin pods in the ocean. Although beautiful, something about it was unsettling. Karina and all of the other patrons had gone, and I was left alone with “Burnt Ball,” and my unsettling thoughts about dolphins and the Academy Award-winning documentary, “The Cove.”

Having an inquiring mind about animals, I wished Karina’s “Burnt Ball” was a statement about the depleting dolphin population in Taiji, Japan.

I had seen a viewing in Idyllwild at Movie Night at the Green Cafe (see Idyllwild Me blog post from March 30).

Karina's "Burnt Ball" reminded me of the dolphin demise depicted in "The Cove"

“Director Louie Psihoyos took home this year’s Oscar for Best Documentary for his stunning heist-like story that is about half Jacques Cousteau and half James Bond,” said Jeffrey Taylor, who showed “The Cove.” “A ‘dream team” of activists venture to Japan to expose the secretive work of a small community of fishermen who slaughter dolphins so they can sell the meat nationally and abroad.”

Richard O’Barry, who rose to popularity with “Flipper,” the popular TV show in the 1960s, said that he became an activist when one of the dolphins committed suicide right in front of his eyes.

“The next week, I was sitting in a jail cell for letting captive dolphins go,” O’Barry said in “The Cove.”

O’Barry collaborated with Psihoyos in creating “The Cove,” to get the word out of the massive dolphin slayings that are held each year from September to March in Japan. In a small cove in Taiji, fishermen herd dolphins in from the sea by forming a line of boats and making noises with metal poles. The process is known as “oikomi.”

“Dolphins are keenly sensitive to noise,” O’Barry said in the movie. “They are afraid of the noise and swim to the cove to get away from it. There, they are herded into nets and the bottle nosed dolphins like the ones in “Flipper” are sent to marine parks like “Sea World,” while the other dolphins are brutally slaughtered.

Many Japanese do not know that this is going on, and would likely not approve of it. In the documentary, tests prove that dolphin meat has toxic mercury levels, and is not good for human consumption. In fact, in the May 10th issue of the Japan Times, the National Institute of Minamata Disease (NIMD) stated that many Taiji residents as having unusually high levels of mercury. Taiji, where they have a tradition of eating whale and dolphin meat.

However, the more “inquiring minds”  know, the better the chances of stopping it. For more information, “The Cove,” visit www.takepart.com, or text the word DOLPHIN to 44144.

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By Marcia E. Gawecki

On Friday, March 12 at 7 p.m., there was a quiet showing of “The Cove,” this year’s winner of the Academy Award for Best Documentary, at the Green Café in Idyllwild.

In his e-mail prior to the show, Jeffrey Taylor wrote: “Director Louie Psihoyos took home this year’s Oscar for Best Documentary for his stunning heist-like story that is about half Jacques Cousteau and half James Bond. A ‘dream team” of activists venture to Japan to expose the secretive work of a small community of fishermen who slaughter dolphins so they can sell the meat nationally and abroad.

“As hard as it may be to envision, this sensitive and revealing film is both unflinching and mesmerizing in the activists attempt to get answers a la ‘Ocean’s Eleven’ means. Please don’t let the subject matter deter you from seeing this beautifully-crafted film, either tonight or at a later time.”

“I’m going to tell my friends to see this film,” said an elderly woman, one of 15 residents who attended the showing that night. “There’s only about five minutes of graphic killing that I had to turn away. But they have to see it because the message is important.”

Others in the audience included animal lovers, activists and teachers from Idyllwild Arts and Astro Camp.

“Documentaries aren’t like first-run feature films. They don’t come out in DVD right away. It might appear on TV sometime, but it’s going to be hard to rent or buy it, unfortunately,” he said.

Will Waddell liked "The Cove"

However, Taylor plans to show “The Cove” to Idyllwild Arts students following their Spring Break in early April. Betty Bailey, a film instructor, was excited about the possibility of showing “The Cove” to film students and perhaps the entire Idyllwild Arts student body. She didn’t see the film, but had heard good things about it from Will Waddell, an Idyllwild Arts teacher, who did.

For more than a decade on Friday evenings at his Green Café office, Taylor shows a variety of little-known films, including Film Noir, silents, comedies, westerns, horrors and documentaries like “The Cove.” After the Academy Awards last year, Taylor showed the ‘Best Documentary’ winner about a tightrope walker who scaled two skyscrapers.

“I didn’t expect anyone to show up,” Taylor admitted. “But I thought the message was important. They’re killing mammals unnecessarily.”

Those who braved the movie showing said they were surprised that it was less about a brutal portrayal of the killings, and more of a message about how it all started and what one talented filmmaker and activist did to get the message out.

Richard O’Barry, who rose to popularity with “Flipper,” the popular film about a bottle-nosed dolphin in the 1960s, said that he became an activist when “Cathy,” one of the dolphins from the show, committed suicide right in front of his eyes.

Committed suicide? How is that possible? In the movie, O’Barry said that dolphins are intelligent mammals, like us (but with bigger brains), and each breath has to be taken willingly. He thought that Cathy must’ve been depressed about being held in captivity, and killed herself by not breathing.

“She took her last breath and fell to the bottom of the pool,” O’Barry said in the film. “And a week later, I was sitting in jail after cutting dolphins loose.”

O’Barry collaborated with Psihoyos in creating “The Cove,” to get the word out of the massive dolphin slayings that are held each year from September to March in Japan. In a small cove in Taiji, fishermen herd dolphins in from the sea by forming a line of boats and making noises with metal poles. The process is known as “oikomi.”

“Dolphins are keenly sensitive to noise,” O’Barry said in the movie. “They are afraid of the noise and swim to the cove to get away from it. There, they are herded into nets and the bottle nosed dolphins like the ones in “Flipper” are sent to marine parks like “Sea World,” while the other dolphins are brutally slaughtered.

Jeffrey Taylor thought "The Cove" was important to show

“From September to March, the Taiji fishermen slaughter about 1,000 dolphins a week,” Taylor added.

Their meat is barely edible, because it has high degrees of mercury in it.  At one time, the meat was being given to Japanese school children for their lunches. Mercury poisoning can lead to many kinds of abnormalities, especially en vitro. Since the film came out, the dolphin meat in lunch program has been halted.

But the killing of the 20,000 dolphins has not.

“It’s a little more complex than you think,” said Larry, one of the attendees of “The Cove” showing, who works at Astro Camp, and is also Japanese. “Japan is a small country and doesn’t like being told by anyone what to do.”

He said that he thought “The Cove” showed an accurate portrayal, and didn’t unnecessarily blame Japan for the slaughter.

To make the documentary, the filmmakers went illegally into the cove at Taiji, because they wouldn’t have been allowed in otherwise. It’s a Japanese national park, but “Keep Out” and “No Trespassing” signs are posted everywhere. Furthermore, the fishermen are aggressive in not allowing visitors there during the dolphin-hunting season. Armed with video cameras, the fishermen try and get O’Barry and other activists arrested.

According to the film, anyone can be held in a Taiji jail for 30 days without sentencing.

“Most times, people confess to their crimes after they’ve tortured, which is legal in Japan,” O’Barry said in the movie. He is savvy enough to stay out of jail, but receives regular visits from the mayor of Taiji and the chief of police.

Psihoyos and his ‘dream team’ took high-tech video cameras illegally from the U.S. and brought them in to Taiji to depict the slaughter. They hid the cameras in rocks, on top of the hillside and underwater.

“It was important for us for people to hear the slaughter, as well as to show it,” Psihoyos said.

The crew hid the cameras at night and nearly got caught. Two deep-sea divers who could hold their breaths for 300 feet hid the audio cameras in the cove. Before, they had swum with dolphins and enjoyed the interaction.

Throughout the film, the crew interviewed Japanese politicians who insisted that the dolphin killings were humane because dolphins eat too much of the ocean’s fish, which is depleting rapidly.

“That is so absurd, that I cannot even address that comment,” said one of the representatives at the International Whaling Organization where Japan has presented its case for whaling and dolphin hunting. Dolphins and whales are not depleting the world’s fish population; we are with our massive consumption.

The Japanese government told the Taiji fishermen that they are doing a good community service by killing dolphins, because they are fish-eating parasites.

Unfortunately, “The Cove” doesn’t have a happy ending. In barely six months from now, the Taiji fishermen will continue their annual slaughter of dolphins. “They are nervous, but undeterred,” was the text at the end of the film. Fortunately, dolphin meat, with its toxic levels of mercury, is no longer being fed to Japanese schoolchildren.

What can you do? Visit “The Cove’s” web site, www.takepart.com, or text the word, DOLPHIN, to 44144, for answers. There, they tell you to write your congressmen, donate money and get the word out to others to help stop the slaughter for good.

“I had to show the movie, even if only one person saw it,” Taylor said.

In the weeks following “The Cove” showing, he has remained diligent in getting the word out. He’s put a banner on his web site, www.greencafe.com, which generates about 1,000 hits a day. He also sends weekly e-mails to his mailing list about when “The Cove” makes the news, such as when an LA restaurant was closed for selling illegal whale meat, and when “Heroes” actress Hayden Panettiere visited Taiji recently to meet with Japanese officials. Hayden had appeared in “The Cove” documentary, as one of the surfers who peacefully demonstrated in Taiji.

“Japan would have to do something if 10,000 people descended on Taiji in September,” said a local supporter, who was ready to book her flight. “Babies and animals need our voices, because they don’t have their own. ‘Flipper’ is crying out to us right now.”

For more information, visit www.takepart.com, or text the word DOLPHIN to 44144.

Copyright 2010 Idyllwild Me. All rights reserved.

Wes Rizor stands near tree fallen on power line

By Marcia E. Gawecki

At approximately 3:36 a.m. on Wednesday, Feb. 10, a mild earthquake shook Idyllwild. It only lasted a couple of seconds, but came on the heels of several natural onslaughts in recent days.

On Tuesday evening, Feb. 9, Idyllwild received about six inches of more snowfall. This was added to an already snow-packed base on the ground from a couple of weeks ago. Around 9 p.m. after it stopped snowing, Highway 243 was relatively clear, but the side streets were still hard to maneuver and vehicles were moving cautiously.

There were some trees that had fallen on power lines, but none has caused any power outages. “It’ll take a lot more than that tree to put out the power,” said resident Wes Rizor, who lives near Idyllwild Arts Academy, and used to drive for them. “I remember one year before spring break, the snow was falling so hard that we couldn’t even get the vans up the hill to the girl’s dorm,” Wes said. “They had to walk down the hill with all of their suitcases.”

Moreover, on Saturday afternoon, Feb. 6. a mud and rock slide caused major road damage to a section of Hwy. 74 at the Cottonwood burn area (at the base of the hill). The California Highway Patrol closed Hwy. 74 from Mountain Center to Hemet until further notice. Steve Hudson, an Idyllwild resident, said that it may take up to one month for the road to be fixed. In the meantime, residents are going through Garner Valley and Banning to get down the hill.

On Jan. 29, on Hwy. 243, near the U.S. Forest Service Alandale Station, a boulder slid onto the road around 10:30 p.m. (see post on this site for photos and more details). It was safely removed within a few hours.

Boulder moved to side of Hwy. 243

For the latest weather information in Idyllwild, visit the Town Crier web site, www.towncrier.com, and for up-to-the-minute earthquake information, visit the Green Cafe web site, www.greencafe.com. This local site uses earthquake information programmed from government web sites. As a service, it provides information about earthquakes that occur near Idyllwild and from around the world.

Copyright 2010 Idyllwild Me. All rights reserved.