By Marcia E. Gawecki

If you do anything in Idyllwild this Memorial Weekend, go see the final show of “Murder at the Howard Johnson’s.” It’s a fast-paced comedy about a love triangle between a married couple and their dentist. It promises an evening full of old fashioned belly laughs. The last show is at 7 p.m. Monday night.

“This is not high art,” quipped Connor O’Farrell, the show’s director. “Good plays have layers and depth, but this one just offers joke after joke.”

“Murder at the Howard Johnson’s” is about trouble in relationships. Anyone who has been married or has been in a relationship can relate, and laugh at themselves,” adds Conor.

As it turns out, Conor and his wife, Holly O’Farrell, both performed in the first act of Sunday night’s show.

As Doug Austin, the Master of Ceremonies, explained: “Murder at the Howard Johnson’s” will be portrayed in three acts, with nine players, all in similar costumes.”

“The reason we’re using nine actors is because so many talented actors showed up at the auditions, and we couldn’t turn them away,” Doug said. “Actually, last year, everyone kept forgetting their lines, so we had to split it up!”

Doug’s reference was to last year’s comedy, the “Odd Couple” starring Vic Sirkin and Lou Bacher, two locals, who had to memorize 600 lines of dialog each. During their performances, they had their scripts on their laps and were calling for lines, Conor explained.

“Every now and then, they’d get this ‘deer in the headlights’ look, wait about five seconds, and then deliver their lines,” Conor recalled.

During Sunday’s performance, there were only two of those “deer” moments, but they recovered quickly and the audience laughed along with them.

“You end up memorizing the whole play, really,” explained Lou Bacher, president of the Idyllwild Help Center, who also plays one of the dentists.

“If Vic doesn’t give me the right line, I’m screwed,” Lou explained. “I don’t know where to go next. So you end up memorizing their lead-in lines, your lines, and basically the whole show.”

That’s a big bill for a man in his 70s, but someone has to do it.

Sunday night’s show could have been a bust because of the weather. It had been raining all day, with no sign of letting up at showtime. Yet, those hearty folks with tickets ate their spaghetti dinner in their laps, and didn’t complain about eating ice cream and cookies in chilly weather.

“Even if they cancelled the dinner, it wouldn’t matter,” said one part-timer from Carlsbad. “All of the proceeds go to the Help Center.”

Sunday night’s show was the third performance for the acting troupe with their final show tonight, Monday, May 30, at 7 p.m.

Ticket sales were going well. Before the show, Steve Taylor, a board member, said that they had already achieved $13,000 of their $15,000 goal. After the show, Lou said it was even higher at $14,000.

When I heard that nine actors would be playing three people in the same outfits and wigs, I was skeptical. But since there was only three characters in each act, it was easy to follow.

“I’m the only natural curly-headed redhead, so I don’t have to wear a wig,” claimed Betty Anderson, an Idyllwild newcomer with musical theater experience.

Speaking of wigs, the ones worn by the gigolo dentist were so cheesy that it was painful to watch. That shaggy, 70s Peter Frampton style wig was so ill-fitted and ridiculous on all three dentists.

Yet, it was the snappy dialog that carried this play. Written by Ron Clark and Sam Bobrick, it reminded me of those wonderful Neil Simon comedies set in New York. You’re just laughing and reacting to the first joke, when they’re onto the next one.

Conor, who plays Paul, the husband in the first act set on Christmas, is surprised to see his wife and dentist in the same room at the Howard Johnson’s hotel. Their affair surprises him, yet he has no idea about their dark and dubious plan.

“Didn’t I satisfy you sexually?” Paul asks Arlene, ignoring Mitchell (played by Frank Ferro, the dentist with the bad wig).

“A marriage is like baseball,” Paul explained. “Sometimes you pitch, sometimes you catch. Sometimes it goes into extra innings, and sometimes it’s rained out. But you love the game, so you’re in for the long haul.”

Arlene (played by Holly O’Farrell, his real-life wife), would hear none of that. She wanted sex, freedom and excitement. Nothing Paul, the hardworking husband and weekend couch potato, had to offer.

Yet, the banter between husband and wife, as they sort things out, is precious.

“Wait until you see how cleverly we planned this,” Arlene brags to her husband as they’re tying him up.

Later, she worries that he’ll catch a cold in the bathtub water before they drown him.

The second act is in the same hotel room six months later on the Fourth of July. Exit Conor, Holly and Frank Ferro. Enter a new trio comprised of Phil Drell as the dentist, Chris Singer as Arlene and Pete Caparelli as the husband.

The wigs, costumes and dialog works. The audience is laughing out loud.

“It was a great way to handle the show,” said Trish, a local, who is also an actress with the Isis Theater Company. “That way, the actors don’t have to recite so much dialog, and no one gets bored.”

Trish went on to say that she liked the show’s reference to locals like Elaine Bacher and the Town Crier newspaper.

“We should do that with the Isis Theater,” Trish said. “It’s a great way to connect with a local audience.”

In the audience Sunday night were some actor’s own fan clubs. The group of five women sitting ahead and next to me came to see Chris Singer in a curly red wig. They were staying at her Silver Pines Lodge and laughed at every joke, except for a few by the show’s MC, Doug Austin.

“Did he really say that?” one of the women asked. “I thought this was a family show!”

For the second act set on the Fourth of July, Arlene used a ploy to get her husband and lover into the same room. Yet, clearly hadn’t figured out her loyalties. Both men longed for her, out of habit and lust. Her hardworking husband lacked excitement, yet her lover lacked his earning power.

What surprised me was both men were willing to resort to murder to keep this ditzy redhead. Conor said to take this show at face value, but you just wanted to shake those two men into reason! Yet, both blamed popular culture (namely newspaper and magazine articles) as the culprit for Arlene’s dissatisfaction with their flawed relationships.

Yet, Arlene didn’t appear to be the “evolved” woman she claimed to be. Like a bee, she’d flit from man to man, still trying to “find” herself.

The final trio, comprised of Lou as the dentist/lover, Vic as the husband and Betty Anderson as Arlene, appear in the same hotel room on New Year’s Eve. As a group, they’ve been through a lot together.

When Arlene and Paul attempt to murder Mitchell, he tries to wiggle out with his so-called sincerity. He opens the window and shouts, “Hey world! I love Mrs. Paul Miller!”

“I think he means it, honey,” Arlene says to her husband. “He needs an apology.”

The audience knows that “Mrs. Paul Miller,” is a trophy between two sparring men, but not a true declaration of love.

Besides snappy dialog, audience members can expect lots of physical comedy, such as jumping on beds and walking on skyscraper ledges. All are done exceedingly well with minimal props.

Was one acting trio better than another? You be the judge. As a cohesive play, it worked. The actors weren’t taxed out in rehearsals, yet the audience wasn’t bored.

Yet, it didn’t take a local to follow along.

Charlie and Linda, a couple from San Diego, were visiting Idyllwild Memorial Weekend. They heard about the play at their hotel, and decided to give it a try. Years ago, their son had attended Idyllwild Arts Academy.

From the back row, they laughed along heartily with everyone else.

“We just love local theater,” Charlie said. “This was a lot of fun!”

“I have two rules to live by,” Mitchell (played by Lou Bacher) explained. “No lipstick and no personal checks.”

Yet, seeing Lou in red lipstick sporting a Peter Frampton wig is well worth the $35 ticket price.

The show is MC’d by Doug Austin who tells corny jokes, but keeps the auction items going. A weekday getaway at Silver Pines Lodge (for two) garnered $150, while two photos of Frank Ferro (fully clothed in 70s attire) brought in another $50 or so.

By tonight’s show, (Monday, May 30th) it looks like the troupe will surpass their $15,000 goal. Which is a pretty incredible feat given our tough economy.

“We’re serving customers at the Help Center now who once donated to us,” Lou said pointedly after Sunday night’s show.

Besides the Mary Austin Scholarship Fund, the show had help from Sysco Foods, Cafe Aroma, Community Lumber, Isis Theater Company, John Simpson for graphic design, Linda Anderson for spearheading the meal and all of the Help Center volunteers.

Tickets to tonight’s show (Monday, May 30) are still available.  Get them at the Help Center, Silver Pines Lodge or by calling (951) 659-4335. Dinner will be held from 5 p.m. to 6:30 p.m. Show starts promptly at 7 p.m.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

This Memorial Weekend, student volunteers at Idyllwild Arts will be hosting a charity car wash. All proceeds go to the ongoing earthquake and tsunami relief efforts. The car wash will be held Saturday and Sunday from noon to 4 p.m. in the van lot on campus.

Cassaundra Dunbridge, who works at the Student Health Center at Idyllwild Arts, is spearheading the event. As a registered nurse, she is aware of the monumental task of the Japanese Red Cross Society.

“We wanted the Japanese Red Cross to know that we continue to support their efforts,” Cassaundra said Saturday. “Our hearts go out to them and everyone in Japan.”

She and a legion of student volunteers worked the event on Saturday, May 28. They made homemade signs and posted them on Tollgate Road and along the fences on campus. They also put a large sign on their bench by the van stop at Strawberry Creek Plaza in Idyllwild.

And since three school vans were going back and forth to town Saturday and Sunday transporting students, the volunteers soaped the windows to advertise the car wash. Other volunteers handed out flyers in town announcing the two-day event.

There was no set price for a car wash, only that all donations would go to the Japanese Red Cross Society.

“Some people donated $5 and even $10,” said Paris, a dance major and car wash volunteer. “One woman gave us more when she heard it was for Japanese tsunami victims. She kept pulling more and more bills out of her purse.”

Soap, water hoses, brushes, rags and buckets were donated by the Idyllwild Arts Transportation Department.

Tucker McIntyre, head of Transportation, moved his fleet of eight vans out of the way, so people would have a place to park while they waited. He even helped Cassandra and the students wash cars and trucks.

John, a theater major, set up a stereo system and cranked it up loud so that the students would stay motivated.

As Saturday afternoon lagged on, Paris and Shanty, another dance major, took one of the signs and stood at the edge of campus calling out to drivers to come to their car wash.

Other student volunteers put flyers on cars in the parking lot at Strawberry Plaza.

“It didn’t matter if they were dirty or clean, we put one on every car,” one student said. “It was about 35 flyers.”

By days end, Cassaundra said they had raised $274 for their efforts, and hoped for more the next day.

However, on Sunday, May 29, Mother Nature dampened their charity car wash with a steady rain that didn’t let up before their noon start time.

“That’s OK,” Paris said. “We’re already making plans for next year.”

Some changes to their car wash efforts included more wooden signs and balloons further down Tollgate Road.

“I had no idea there were so many yard sales along Tollgate,” said Maria, a Creative Writing student and volunteer, as she rode in the van after the event on Saturday. “We had a lot of competition.”

Although rain may have washed out their efforts on Sunday, Cassaundra plans to continue to collect donations for the Japanese Red Cross Society until the school year ends on June 3rd. Donations can be dropped off at the Student Health Center on campus. For more information, call Cassaundra Dunbridge at (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

I like coming to opening nights. Everything is always edgy and raw. Bugs need to be worked out, things don’t always go the right way, but there’s an electricity in the air. You were there and You Saw it First.

Friday night was Opening Night of the Film Screenings at Idyllwild Arts. There were four shorts and one super-short, or a 3-2-1. The short films included: “Penelope,” “Fitz,” “Dead Serious” and “Rock Stars: The Pete Weaver Experience,” all created by women writer-directors. And the super short was entitled, “Bonding at Breakfast.”

You gotta love the Film Department at Idyllwild Arts. They really “roll out the red carpet” for these films. While people are standing in line, they’re treated to exceptional jazz music from the Jazz Department, stand on a red carpet and buy standard concessions, which includes popcorn, pop and chocolates. Proceeds go to help fund an upcoming film trip to Ethiopia.

If you’re planning on going to Saturday nights’ Film Screening, plan to come 30 minutes early. No kidding, it’s essential to stand in line to get a seat, or you’ll be standing in the back row. As you head down the hallway towards the theater,  try not to pick your nose or say anything embarrassing because “You’re on Candid Camera!”

Things went reasonably well for Opening Night. There was a schedule change. “Penelope” would be the first film, followed by “Fitz.” After intermission, “Dead Serious” would be first, and then Rock Stars: The Pete Weaver Experience.”

Because it was unexpected, “Bonding Over Breakfast,” a short short (or 3-2-1) by Alexa, was delightful. Like getting a free bon-bon. It featured Melanie, a Theater major, as the mother, and a young girl as her daughter. All I can say is that girl was wonderful, bright and wise beyond her years.

“Penelope,” written and directed by Scarlett, actually started out as a conversation with her father as they were listening to the song, “Penelope” on the radio.

“This would make a good movie,” both had agreed. Fast forward six months, and Scarlett’s father is gone, but not the dream for the movie. In short, it’s gonna be a tear jerker.

Set in WWII, Penelope, a nightclub singer, meets Elijah, and falls in love. Then Pearl Harbor is attacked, and the U.S. enters the war. Elijah leaves in full uniform, and Penelope’s world crumbles.

All I can say is that 20 minutes of “Penelope” is not long enough. I could have used about 20 minutes more. It was romantic, tragic and beautifully acted and filmed.

Scarlett made a good choice in selecting Paley as her lead and Analia Lenchantin,a classical pianist and actor from Argentina who now lives in Idyllwild.

As Penelope, Paley’s voice sounds like it’s whiskey and cigarette tainted. Her face expresses every complicated emotion. However, we wouldn’t expect anything less. Paley’s got good genes. Her mother is a famous comedic actress in Mexico.

If Scarlett decides to expand “Penelope” into a feature film, it has my vote.

A lot of the other students thought “Fitz” was the best film of the night.

“It had everything,” exclaimed Benny, a classical music major. “The story was great, and the lighting and the cinematography were spectacular!”

Benny was seated next to Andrew Leeson, a Creative Writing staff member, who agreed.

“Yep, that’s the one,” Andrew said.

“Fitz,” was written by Brit, produced by Malcom, filmed by Kai and edited by Paris.

In his opening remarks, Malcom gave the audience part of the back story.

“Brit brought Kai and I the script, and said that she had written it over the summer and wanted us to take a look,” Malcom said.

They did, and told Ira Abrams about it, who agreed it was a gem.

Fitz, short for Fitzgerald, is a co-ed boarding school, much like Idyllwild Arts. The only exception is the uniforms. “Fitz” centers on one newcomer, (exceptionally portrayed by Michael Minor, a classical bass player).

It’s hard to imagine that Michael Minor was just a bass player, until this movie came along. He had never acted before, and to take the lead was nothing short of astounding. Some people are just natural actors, and Michael is one of them.

Anyway, the story is about students who overcome an overbearing headmaster and take over the school. The cast of local talent shines, including headmaster.

“Dead Serious,” is a female teen angst film, complete with mean girls and a tragedy.

“It’s a black comedy,” Andrew Leeson explained, as  I complained that the mother was so callous.

Brooke was spectacular as the nice girl who gets bullied. Like Greta Garbo, the camera loves her face.

Madi, a Creative Writing major, was good as the Mean Girl. All of us have been bullied some time in our youth. Hats off to Sorrelle, one of Madi’s friends, who continually “hisses” at Brooke, like a pissed-off cat.

“Rockstars: The Pete Weaver Experience,” the fourth and final show, features a young boy who dreams of becoming a rock star. Hard to imagine the script from this show was originally about a poet who sent off his poems into the universe via helium balloons.

In the storyline. a young writer is at odds with his father who owns a Camero body shop. More than anything, he’d rather be writing and playing rock songs. Naturally, his dad wants him to focus on the task at hand.

However, when Pete has a chance to meet one of his rock star idols (played by dance instructor Jonathan Sharp), he takes a risk that changes his outlook.

It should be pointed out that Conor O’Farrell, an accomplished TV, film and screen actor, plays an exceptional grease monkey father. He notes his son’s artistic dreams, and makes a deal that could help him.

Writer-director Laura, not only plays his onscreen love interest, but also writes and records songs. In essence, “Rock Stars: The Pete Weaver Experience” is about her, and other songwriters, trying to make their mark on the world.

In short, the four, shorts shown at the Idyllwild Arts’ “Film Screenings 2011” are outrageous, funny and dramatic. They will make you laugh, cry and left longing for more!

Saturday night’s Student Film Screenings starts at 7:30 p.m. at the IAF Theater on campus. All shows are free and open to the public. Arrive early to get a good seat.

For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved. Photos courtesy of Idyllwild Arts Academy.

Published on: May 28, 2011 @ 8:47

By Marcia E. Gawecki

As the school year ends at Idyllwild Arts Academy, there is a mad cumulation of recitals, concerts, readings, plays, and art shows to attend. Sometimes two are three are scheduled for the same night, and you have to choose. Yet, one event stood out because it moved.

The “Student Choreography Dance Concert 2011” was held for three nights, from May 11 to May 13, in the Lewitsky-Fisher Dance Studio on campus. Every night, after the thunderous applause, attendees would spill out into the parking lot and gather in groups by their cars talking about which one they liked the best. Sometimes they lingered for a long time.

That happens a lot at events at Idyllwild Arts Academy. People enjoy the performances so much they don’t want to go home. If they could simply hit “replay,” and watch it all over again, they would.

Needless to say, the “Student Choreography” was packed every night. Even though the program lasted two hours, some students admitted to attending all three nights. There were 19 dances listed in the program complete with interesting titles, such as, “Look What I Can Do,” “Kneeling Before God,” “December Follies” and “Nerds.”

The 19 dances listed in the program was a significant increase from the 13 performed last year. Each junior and senior dance student created a piece. Some chose to perform their own choreography, while others did not. Yet, each of the 19 choreographers performed in as many as three other dances. The junior and senior dancers included: Christina, Gerard, Ariann, Morgan, Adrianna, Cheyenne, Geneva, Delaney, Will, Madison, Gina, Giovanna, Sorrelle, Lani, Ximena, Allison, Olivia, and two Natalias.

It would be impossible to review every dance, therefore we’ll just hit a few highlights from the final performance on Friday, May  13 (which was not an unlucky evening at all!)

“Look at What I Can Do,” was perfectly titled for Morgan, a new dancer who plans to become a circus clown. His story focused on two dancers, himself and Christy, his love interest. As dancers would come in and out across the stage, Morgan would juggle, perform difficult acrobatic moves and whistle along to the circus-like music.

“The Last Ones Standing,” a piece by Adrianna, a senior, was notable for its music, which included XXX, Lykke Li, Postal Service, and Laura, an Idyllwild Arts film student. She was surprised that “Time Bomb,” the song that she wrote for one of the movies last year, would be used to dance to.

Everyone around Laura kept nudging her during Adrianna’s performance, saying, “That’s your song!” But she already knew.

“I had come to the dance studio the day before to get something, and heard them practicing,” Laura admitted. “It was really cool watching a dance performance to my own song.”

“Tonic and Gin,” by Natalia, was one of the crowd pleasers for its fun and festivity. The piece begins as Andy, one of the dancers, drinks from a wine bottle and staggers across the stage. The seven dancers, in peasant costumes all dance merrily to the music by Beirut. Props like balloons, the bottle, and flowers in the girl’s hair added a nice touch.

“It was so very European,” one woman exclaimed, as she sat cross-legged on the floor.

“December Follies,” choreographed by Delaney, featured three dancers to simple piano music. It must’ve been bittersweet for Delaney, as she stood in her leg sprint on the sidelines. A couple of weeks earlier, she had been rushing to a Sunday practice, and twisted her knee.

“Oh, my God! What happened?” screamed Jose, a fashion major, along with dancers Gina and Giovanna, as they got off the school van, and headed toward Delaney strapped in a gurney inside the ambulance with red flashing lights.

Delaney, who had been through this many times before with her knee, took it all in stride.

“It looked worse than it was,” she said.

Yet, as Adrianna, Marianna and Sorrelle slammed down to the floor, and dragged themselves by their arms across the stage, one couldn’t help but think “December Follies” was about a recent accident.

“Kneeling Before God,” the Lady Gaga piece before the intermission was a huge crowd pleaser. It wasn’t surprising that Will would use Lady Gaga for his music and inspiration. In fact, two years in a row, Will has dressed up as Lady Gaga for Halloween, complete with dress, wig and six-inch heels. Yet, this time, he left the Gaga costumes aside, and just stuck with the glittery makeup.

“It sounded like one piece, but it was really five mixed into one,” explained Kai, a film major, who mixed the Lady Gaga music for Will. The five songs included: “Alejandro,” “Bad Romance,” “Pokerface,” “Telephone” and the “Vitamin String Quartet.”

Just like Lady Gaga, Will likes a big performance. Not only were there eight dancers with glittery tears (including Will), but three shirtless male models (er, theater and visual art students) who brought in the large columns.

A fast moving strobe light enhanced the Michael Jackson-type unison moves, as Lady Gaga sang, “Judas is coming/let the baptism begin.” When the music ended, all eight dancers were sweating and smiling happily, but none more than Will.

After intermission, some of the people had cleared out, and there was room to breathe in the Lewitsky-Fisher Dance Studio.

First up was “Cualacino,” choreographed by Madison, and the only ballet piece in the all-modern show.

“I can’t blame them,” Maddy said afterwards. “We perform so much ballet every day, that everyone just wants to choreograph something else.”

Yet, with its four dancers in chiffon tutus and point shoes, to calming classical music, it was a welcome break.

“I picked four younger dancers that I knew who loved ballet and could pull it off,” Maddy said.

The four dancers included: Anna, Ximena, Annalise and Isabel.

Ximena held her own in “Kouche,” a modern piece with five dancers in similar navy and white dresses, who danced mostly in unison. It focused on one particular girl, Natalia, who kept pushing the other dancers away, until finally, in the end, she was left all alone.

Other choreographers brought in models or mixed up crazy music, but Olivia brought in another type of dance altogether. For “If I Should Die,” she invited Ryturo and Mitch, two theater majors, who knew how to dance hip-hop.

“I choreographed the hip-hop part,” explained Ryturo, who was shown leaping on the Spring Choreography program. “And Olivia did the rest.”

Although the hip-hop parts was brief onstage, it added a different tempo to Olivia’s modern piece.

“Bambara,” the final act choreographed by the other Natalia, was epic in its magnitude. Like Will’s piece, it featured dramatic makeup, costumes and a large number of dancers. The jungle sounding music used heavy drums and bird sounds to create an intense and chaotic story.

The seven dancers, looking like wild animals, began the piece huddle together in a large cage. As the jungle story enfolded, the dancers would leap, crawl and dance back and forth across the stage. In the end, only two broke away from the pack, and the cage, to form a new life.

Everyone knows that choreography is the brains behind the show. It takes time, skill and practice to put on a good show. This year, these 19 juniors and seniors have “raised the bar” a little higher. Their efforts were appreciated. It was truly spectacular to watch.

For those who missed it, keep looking for excerpts to show up on You Tube.

Copyright 2011 Idyllwild Me. All rights reserved. Special thanks to Ryturo and Idyllwild Arts Academy for all of the dance photos.

Published on: May 27, 2011 @ 8:59

By Marcia E. Gawecki

If you’re up for a little murder-mystery-mayhem this Memorial Day Weekend, “Murder at the Howard Johnson’s” offers your best ticket.

It’s put on by the same group of community actors that brought you “The Odd Couple” last year.

So before you begin groaning or giggling, keep in mind this troupe raised more than $11,000 in ticket sales and auction items for the Idyllwild Help Center last year.

And since this year presents an even greater need, their goal is now $15,000. To achieve this, Director Conor O’Farrell has expanded the performances from three to four, to accommodate everyone’s schedule Memorial Weekend. Dinner shows run from Friday, May 27 to Monday, May 31.

“We added another night because of the popularity of ‘The Odd Couple,’” Conor said. “For the last show, we turned about 20 people away.”

Town Hall has a capacity of 120 seats. An Italian dinner is included into the $35 ticket price and will be served on the grounds around Town Hall.  Sysco Foods, Café Aroma and Help Center volunteers all worked together to make it happen, said Lou Bacher, who is now president of the Idyllwild Help Center, as well as an actor in the show.

“But instead of 600 lines that I had to recite for ‘The Odd Couple,’” I only have 200 lines,” Lou said.

The combination of a light comedy dinner theater worked for the Help Center last year, so Conor has agreed to another show. He chose “Murder at the Howard Johnson’s for this troupe because he had performed 15 years ago, and local audiences loved it.

“It’s a silly play, really,” Conor said over coffee at Café Aroma. “Great drama has layers and texture. This has nothing like that. It’s just joke after joke.  But if you want to laugh and have a good time, then we’ll deliver.”

Conor added that during “The Odd Couple,” performance Lou and Vic had their books in hand onstage and were still calling for lines.

“We were entertained by their screw ups,” he said.

But this time, Conor isn’t going to tax out his actors by making them learn so many lines. He’s assigned different actors for each of the acts.

“Wigs and costumes will be the same to help clarify things,” Conor explained.

You see, the story centers around an unhappily married couple and their dentist. Scenes are set at a Howard Johnson’s Hotel on New Year’s Eve, the Fourth of July and Christmas.  Without spoiling the show, just know that two of the three main characters conspire to kill one other. Murder, mystery and mayhem ensue.

The cast includes Betty Anderson, Holly O’Farrell, Frank Ferro, Chris Singer, Phil Drell, Pete Caparelli, Lou Bacher and Vic Sirkin.

“Without naming names, there’s one actor who is really awkward onstage. It’s so bad it’s funny,” Conor said.

Vic bristled.

“We didn’t invite you here to put us down and steal the whole interview,” he said.

“I went into acting because it’s always about me,” Conor said, and reminded Vic that play practice started in 15 minutes.

“What’s your first line?” Conor asked Vic, holding up a crisp piece of bacon.

Vic licked his lips and began panting loudly.

“Where are the towels?” Vic shouted.

“Good boy!” Conor exclaimed.

However, not everyone in the cast is a novice. Betty Anderson has been a model and actor for awhile. She and her family moved from San Diego to Idyllwild because her daughter, Gemini, is studying theater at Idyllwild Arts.

“Did Conor tell you about himself?” Betty asked.

Not only is Conor a good director, but an accomplished Hollywood actor. He’s appeared in film, theater and television. Some of the more popular TV shows include “NCIS,” “CSI,””Cold Case,” “The Mentalist,” “Star Trek: Enterprise” and “Without a Trace.”

“Fame aside, he’s just Conor, a crabby, egomanic director when he’s here in Idyllwild,” Vic reminded us.

One popular auction item will feature a semi-nude Frank Ferro, owner-manager of Cafe Aroma.

“Since the show uses lots of towels as props, we’re auctioning off a framed photo of Frank in a towel,” Conor said.

Last year, a photo of Frank in nothing but an apron raised $250 for the Help Center.

“Everyone thinks Frank is sexy,” Conor added. “They didn’t ask Vic or me to pose in a towel.”

Other auction items include movie box sets, a director’s chair and other autographed items.

Tickets for “Murder at the Howard Johnson’s” are available at the Idyllwild Help Center, Silver Pines Lodge and by calling (951) 659-4335. The $35 ticket price includes dinner, which will be served from 5 p.m. to 6:30 p.m. at Town Hall. Shows start promptly at 7 p.m.

All ticket proceeds go to the Idyllwild Help Center. The show was made possible, in part, by a grant from the Mary Austin Grant & Scholarship Fund.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Tonight three seniors from the Creative Writing Department will recite some of their favorite works from their time spent at Idyllwild Arts.

It’s the second night of a two-part series. Wednesday night featured works by Katie, Taylor and Madi. Tonight’s event featuring Amber, Austin and Austin will be held at 7:30 p.m. at Stephens Recital Hall.

Stephens is the place where great music happens. All of the junior and senior classical instrumental recitals were held there. And the classical and jazz voice majors sang there too. On Tuesday night, the place was packed and sweaty with jazz fans eager to hear the Final Jazz Concert. Even empty, the place resonates with sound.

Granted, it doesn’t sound like much excitement will be happening tonight at Stephens. Three seniors will come up to the mike at the podium and read. What could be more boring that that? Two guys and a girl reading passages from a book? No music, no dancers, not even video in the background.

But I can’t think of any place that I’d rather be tonight.

Writing is so powerful that you don’t need “all that jazz.” You can just read out loud and captivate your audience. Remember story time at preschool? And bedtime stories with your family? We’d all gather around my dad on the bed and have him read book after book until his eyes crossed.

“Read it again, Daddy!” my sister would exclaim.

Sometimes he would read the same book again, or pick another. The worst words were when he’d yawn loudly and say, “OK, that’s enough for tonight. Everyone get some sleep.”

I miss people reading to me so much that I’d even get “warm fuzzies” when my boyfriend would read the directions out loud on how to install a new appliance.

“Read it again, honey,” I’d say. “I didn’t hear the last part.”

So tonight, when Amber, Austin and Austin (what are the chances of that?) will read some poetry, plays and short stories excerpts, I want to be front row and center. Nothing is more exciting to hear a writer recite his own words that he started long ago on a blank page.

Most writers don’t have great voices. They can be kind of weasly and quiet. The pen takes over where they lack in sound. However, to their credit, Austin and Austin both have great voices. Perhaps it comes from all of that reading practice in class. One of the Austins was a lead in a student movie called, “Penelope,” that will be released next week. Maybe saying, “Oh, my love!” so many times helped his voice.

Boring setup, weasly voices aside, it’s the content that we die for. These writers will recite the best of what they’ve written while they’ve been here at Idyllwild Arts. Maybe some of their best works came during their freshman year, when they were younger and more naive. Perhaps years of living in the woods has opened up their eyes to the wonder of nature. Or years of co-ed living has given way to love and lust that can only be expressed on paper.

If you want to get a preview of some of tonight’s works, pick up a copy of “Parallax, the Spring 2011 Edition.” It’s available for free in the bookstore and in the Parks Exhibition Center. It’s less than 150 pages, but chock full of stories, poetry, plays, and peppered with photographs and illustrations from the Visual Art Department.

Some of the word choices and content will be shocking. Lesbian love, menstrual cycles and butt picking are a few that I came across.

Austin only laughed at me.

“We’re teenagers,” he said. “We’re supposed to shock.”

Scarlett, another writer, didn’t agree.

“What is so shocking about that?” she asked.

So tonight, you be the judge. Come early and sit on the folding chairs, amongst students and staff members that you haven’t met yet. But know that you are among friends who’ve all come together for one reason: To hear gifted young writers read to us.

The show starts at 7:30 p.m. at Stephens Recital Hall. It’s free and open to the public. Stephens is located on campus at the end of Tollgate Road in Idyllwild. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Photos courtesy of Idyllwild Arts Academy.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 26, 2011 @ 7:28

By Marcia E. Gawecki

This weekend will showcase four short films created by the Idyllwild Arts Film Department.

It is a year’s worth of hard work writing, directing, casting, filming, scoring, and editing.

“It’s a running joke on campus that the film students never get to see the light of day,” one film student said.

Yet, it’s also the year in which all four films were written and directed by women. (Although this may be remarkable in Hollywood, in which men tend to dominate, the ratio of women to men on the Idyllwild Arts campus is about four to one.)

The four films featured include: “Rock Stars: The Pete Weaver Experience,” written and directed by Laura; “Dead Serious,” written and directed by Ellen; “Penelope,” written and directed by Scarlett, and “Fitz,” written and directed by Brit.

The films, ranging from 15 to 21 minutes each, are as diverse as the students who created them.

“I’m glad that I was first to shoot my film this year,” Laura said of “Rock Stars: The Pete Weaver Experience.” “That way, I could take my time to finish and edit it the entire year.”

Laura not only wrote and directed the film about a lovestruck rock star, but also wrote the music score for two of its songs. Last year, she wrote and sang in one film and acted in another. In fact, her 2010 single, “Time Bomb,” is also featured on iTunes.

It’s not unusual for a script to go through many changes over the course of the school year, especially when others get involved and offer their opinions. Originally, “Rock Stars” was written about a guy who wrote poems and sent them sailing into the universe via helium balloons. However, along the way, Laura decided that a quiet boy and balloons wouldn’t make a good movie.

The poet turned into a rock star, featuring one of the school’s ballet instructors.

“Jonathan Sharp is perfect for the role,” Laura said. “He’s good looking and gregarious. He’s the ultimate rock star.”

Luckily, the 30 film students can draw from many talent resources, including student actors, dancers and musicians, who are willing to work for free to be in a movie.

Although Laura’s film changed a lot over the course of the year, Brit’s film, “Fitz,” did not. It’s about a prep school in which some of the students take over the school. “Fitz” is short for “Fitzgerald,” the name of the school, but the title could be ambiguous on purpose.

C.D., a musical theater major, was eager to try out.

“My role in ‘Fitz’ was to basically play a ‘psycho,'” C.D. said.

To nab the role, C.D. knew that he had to pull out all the stops. He had to make a lasting impression on the casting crew.

“I showed up in my underwear!” he exclaimed.

They were boxer briefs, actually, and C.D. also had on a navy blue preppy blazer and shoes.

“We couldn’t stop laughing,” Kai recalled of C.D.’s audition. “His clothing choice was ingenious, but he won us over by his dialogue.”

Kai, who won acclaim for his lighting of “The Other Side,” a dramatic short film from 2010, was dumbfounded to discover that lighting for dramas and comedies is not the same.

“I was surprised that Brit challenged and changed my lighting choices,” Kai recalled the early days on the set. “But she was right. I had to rethink my style from drama to comedy.”

From casting to filming on location, the film students don’t leave out any details. Case in point: Ellen needed a photo for her poster for “Dead Serious,” so she and her crew went to a cemetary in San Jacinto, near Hemet.

“The story’s about a girl who gets bullied in school,” Ellen said, trying not to give too much away. “But someone ends up dying.”

Ellen, Alyssa and Brooke, a musical theater major who plays the lead in the film, all went to take pictures among tombstones. Even during the day, the location was a bit spooky. During the shoot, Brooke gave a mocking smile.

Could they have grabbed a tombstone from the internet and PhotoShopped it in? Sure, but it wouldn’t have been the same. If you knew these Idyllwild Arts film students, you’d know they never take short cuts. They continue long into the night, if that’s what it takes.

Just this past Sunday, Scarlett was putting the finishing touches on “Penelope,” a romantic period piece set in Mexico. Four jazz music students followed Scarlett to a local recording studio on Sunday evening to record a song. They worked from 5:30 p.m. to 10 p.m., breaking only once for pepperoni pizza.

Anna or “Paley,” a post grad theater major from Mexico, plays the female lead. It was the first film she had starred in, and a welcome project at the end of the year. Acting comes naturally for the 18-year-old whose mother is a famous comedic actor in Mexico.

“She was perfect for the role,” Scarlett said.

It wasn’t easy for Scarlett to watch Paley kissing her boyfriend. But it was all for the movie’s sake. You see, Scarlett’s boyfriend, Austin, plays Paley’s love interest.

“Whenever we’d kiss on the set, I’d look over at Scarlett, and she’d be turning her head,” Paley said jokingly.

“Rock Stars,” “Dead Serious,” “Penelope” and “Fitz” promise an evening’s worth of comedy, passion and intrigue this Memorial Day Weekend. Shows start at 7:30 p.m. on Friday and Saturday at the IAF Theater (located in the Bowman building). Shows are free and open to the public, but come early to get a good seat.

For more information, visit www.idyllwildarts.org or call (951) 659-2171. Some film trailers may appear Friday on You Tube.

Copyright 2011 Idyllwild Me. All rights reserved. Most photos courtesy of Idyllwild Arts Academy.

Published on: May 25, 2011 @ 2:07

By Marcia E. Gawecki

Tonight, the Idyllwild Arts Jazz Department will showcase their final concert at 7:30 p.m.  It will be the culmination of a year of many successes for the tight-knit, talented group.

“We’re listening to a great jazz performance by high school kids,” you have to keep pinching yourself.  It’s always is comparable to any professional jazz concert.

The start of their Big Year came last fall, actually. Jacob, a saxophone and flute player, was featured on the back cover of the annual “Jazz in the Pines” program. Then he and Caleb, a trumpet player, took the stage with Marshall Hawkins, head of the jazz department, to play a few numbers.

“We always love to be onstage,” Jacob said.

It was also a good way to show the folks that attended the jazz fest that their scholarship money was going to help talented youth like Jacob and Caleb.

Then came Master Class jam sessions with friends of Marshall’s, attending jazz concerts off the hill, and entering jazz contests, where they almost always leave with the top prize.

Jacob made it to the Semifinals of the 2011 Spotlight Music Awards, where winners get to strengthen their audition and performance skills. He also won second place in the “Student Jazz Competition” in Ventura. On May 5, Jacob also got to perform with Earth, Wind & Fire’s trumpet player in front of a live audience.

Caleb also walked away with a medal and title of “Trumpet Player of the Year” at a jazz competition in Reno in March. The Idyllwild Arts jazz group won third prize that time.

However, at another jazz competition in Boston, they took first prize. (Yet, these cats are too cool to mention it!)

Alejandro, Ashi, Inigo and Eddie, recently joined Scarlett, the director to record the soundtrack for “Penelope,” one of the year’s student films that will be released next weekend. The jazz group worked for several hours for pepperoni pizza.

“It’s all about the experience,” Alejandro said of the recording session with his friends. “We would’ve done it for nothing.”

I know that I’m leaving out a lot of other jazz accolades and accomplishments. (Most of the information I garner for my blog stories come from driving these students around, and talking to them. But they have a favorite driver who takes them everywhere, so I have to gather information when and where I can).

But I do know that Jacob, Caleb, and Lake all got to play with “Season 10 American Idol” heartthrob and jazz bass player Casey Abrams at Cafe Aroma many times before he became nationally famous. My favorite picture of all of them  is a back shot of them playing at night on the deck. It was taken by someone at Cafe Aroma. They look hip, happy and wise beyond their youth.

So, in other words, the final jazz concert tonight, with these talented jazz students will be beyond any jam session that you’ve ever attended. More than likely, Marshall Hawkins and Paul Carman will be playing along with them (like proud parents).

The place will be packed, so get there early. It all starts at 7:30 p.m. at Stephens Recital Hall located at the end of Tollgate Road. It’s free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

Photos courtesy Idyllwild Arts Academy.

Published on: May 24, 2011 @ 15:14

By Marcia E. Gawecki

Tonight at 7:30 p.m., two Idyllwild Arts music students will ‘wow’ you at their senior recital. Regina will play oboe, while Helga will sing a selection of jazz and pop songs–with the help of one popular local musician.

For “Both Sides Now,” Helga’s accompanist will be local pianist Barnaby Finch. Since 1982, Barnaby has been a touring member of Lee Ritenour’s band, and has recorded with such notables as George Benson, Lionel Ritchie and Earl Klugh. He also writes his own music and has produced his own albums.

“I was lucky that he was available,” Helga said Sunday, as she headed to meet him for rehearsal. “He was in New York last week.”

Helga, who switched from classical voice to jazz last year, is originally from Sweden. Her mother arrived yesterday for her recital and graduation.

Helga said that she wanted to sing, “Both Sides Now,” but didn’t like the darker tone of Joni Mitchell’s rerelease of that song in 2008. She mentioned this to Paul Carmen, a jazz staff member and saxophone player.

“Oh, Barnaby Finch has a better rendition of that song,” Paul told her. “Barnaby even plays in a band that only performs Joni Mitchell songs.”

Paul set up the meeting with Helga and Barnaby, who agreed to perform at her recital tonight.

After their rehearsal, Helga was glowing with excitement.

“Everything went great! He’s such a nice man, and I love his interpretation of ‘Both Sides Now,'” she said. “I can’t wait for everyone to hear it tonight.”

Barnaby Finch has always been a big supporter of the Idyllwild Arts Academy. At graduation each year, he gives a scholarship award to one outstanding student. He plays at the “Jazz in the Pines” concert in the fall and occasionally at Cafe Aroma.

“Regina is working hard too,” Helga said of the classical oboe player who will also perform tonight.

Regina and Helga’s senior recital, with guest pianist Barnaby Finch, will be held tonight at 7:30 p.m. at Stephens Recital Hall (at the end of Tollgate Road) on the Idyllwild Arts campus. Like all recitals, it’s free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Barnaby Finch and Paul Carman photos courtesy Idyllwild Arts Academy.  Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 23, 2011 @ 10:38

By Marcia E. Gawecki

After the Saturday night, May 21st performance of “The Spitfire Grill,” the audience was on its feet whooping it up. One might expect that from an audience made up of family, friends and faculty, but this one was made up largely of Idyllwild residents.

“I was told to bring tissues,” admitted Beth, one Idyllwild resident who is also an actor.

Others were drawn to the theater for the first time. What was the attraction to this performance about a small town in Gilead, Wisconsin, that struck a cord?

Perhaps it could have been a tale about Idyllwild.

“Didn’t it remind you a lot of Idyllwild?” Beth asked at intermission.

Yep, there were lots of similarities, good and bad. Small town gossips, rigid folks unwilling to accept newcomers, those harboring deep secrets, homeless folks living in the woods and  those who couldn’t wait to leave. But “The Spitfire Grill” also touched on topics that would interest locals like lost logging, natural beauty and escapism.

The story is interesting enough. It’s about Percy (played by Melissa), a young woman who leaves prison to start a new life in Gilead. She had seen a newspaper clipping of the changing fall leaves along Copper Creek. It seemed as likely place as any, yet most of the townsfolk don’t share in Percy’s plan.

Even her new boss/landlord  Hannah (played by Becca), a grouchy, bitter woman (who harbors a big secret) is strict with Percy and holds her at arm’s length. In spite of it all, Percy doesn’t buckle. As a newcomer, she appreciates windows without bars and  the beauty of her natural surroundings, even from inside a greasy grill.

Speaking of grills, The Red Kettle in Idyllwild got a callout in the program. It reads: “Special thanks to Martha and the gals at The Red Kettle.”

In fact, the three leads in the show, Melissa, Becca and Paulina, all went to The Red Kettle a couple of weeks ago for more than just lunch.

“We just ate and talked,” said Paulina and Becca sheepishly.

Likely they were talking to Martha and her waitresses about what it’s like to own and work in a local grill, day in and day out. Martha would give it to them straight.

Well, their research paid off. The show had a homespun feel to it. (Just like looking in the mirror, Idyllwild). There were likeable characters, like Shelby (played by Paulina), a shy housewife who is bullied by her husband. And Hannah, who took in an ex-convict without waitress or culinary skills. And Joe, the town sheriff, (played by Milan) who initially resents being Shelby’s parole officer, but later opens his to the natural beauty before him.

The annoying cast members included Effy, the nosy postwoman (played by Savannah), whose gossipy ways made everyone cringe, and Caleb, Shelby’s verbally abusive husband (played by Jake), who resents living in his cousin’s shadow.

“Jake cut his hair short for the sake of the show,” said Will, Jake’s friend.

Jake’s preppy locks were cut military-style to fit his angry, rigid personality.

“I just hated your character,” one woman admitted after the show.

“That’s a sign of a good actor,” said Will, proudly.

Like others, 16 songs in a two-hour show sounded a bit too much. The storyline was serious enough. Did it needed to be punctuated with song after song?

Yet, they made the whole story about The Spitfire Grill in Idyllwild, er Gilead, even richer. Anyone can recite dialog, but it takes talent to sing your way though a play, and make the locals laugh, cry and stand up and cheer.

You’re going to love all the lyrics by James Valcq and Fred Alley. You’d swear they’ve visited Idyllwild before.

Like “The Colors of Paradise,” sung by Percy and Shelby, as they wrote an ad about visiting Gilead and The Spitfire Grill. “Ever want to lose yourself/Come to a place where you can grow/where there’s people that you know/Own a piece of heaven where hummingbirds sing/and roots so deep into the earth, they’ll never pull away.”

Or “Digging Stone,” the song sung by Caleb, that could also reflect local frustrations about work and the economy.

“They kick you hard and make you crawl/A man is more than just blood and stone.”

But “These Wide Woods,” sung by Joe and Percy sums it all up beautifully:

“If these woods were mine/Dreams would come to me.”

Of course, none of the songs in “The Spitfire Grill” musical would be possible without the music. Instead of canned music on disk, this Idyllwild Arts musical had a live band. Five staff members and classical music majors played each sound effect, intermission music, set scene music and accompanying numbers for two hours. The band included: Nelms McKelvain on piano, Keth McCabe on guitar and mandolin, Patrick Doran-Sheenan on accordian, and music students Manje and Miley on violin and cello. When you see their tired arms after the show, tell them to take a bow.

You have one more chance to see “The Spitfire Grill” on Sunday, May 22 at 2 p.m. at the IAF Theatre on campus. All shows are free and open to the public, but come early to get a seat.

For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me.  All rights reserved.

Published on: May 22, 2011 @ 0:07