All any artist can ever hope for is that their images will live on, inspiring others, long after they’re gone.

The suede and wool jacket was in a blue garment bag hanging over a chair at the Dorothy Ramon Learning Center in Banning, California.

“This must be it,” said the volunteer. “But I cannot believe that someone would leave it here while we’re painting the building.”

Inside, was a jacket made of soft brown suede with gnarly white sheep’s wool lining. Hanging next to it was a shoulder bag made of the same material. But the design on the outside was the most amazing. It showed bold lines and strong characters, things that are held dear and sacred to the Hopi Indians.

“It’s a design created by Michael Kabotie,” said the volunteer. “And someone else put the image on the jacket and bag.”

The suede jacket and shoulder bag were going to be on display next Sunday, during a tribute to the Hopi Indian painter, poet, silversmith and philosopher who taught at Idyllwild Arts for 26 years.

According to news reports, Michael Kabotie, 67, died Friday, Oct. 23, 2009, at Flagstaff Medical Center after battling the H1N1 flu and associated complications.

He was from the village of Shungopavi, located on Second Mesa on the Hopi reservation, but had also lived many years in Flagstaff and New Mexico.

He created many beautiful works of art, among them murals at Sunset Crater and the Museum of Northern Arizona, and a gate he designed to look like a piece of overlay jewelry at the Heard Museum in Phoenix.

According to his web site, Michael Kabotie was born in 1942 on the Hopi Indian Reservation in northeastern Arizona. He grew up in Shungopavi and graduated from Haskell Indian School in Kansas. In his junior year there, he was invited to spend the summer at the Southwest Indian Art Project at the University of Arizona, where he met  Joe Hererra, who became a lifelong friend and mentor.

Michael studied engineering at the University of Arizona, but left to hold a one-man show at the Heard Museum in Phoenix. His work was featured on the cover of Arizona Highways magazine.

In 1967, Michael underwent his Hopi manhood initiation into the Wuwutsim Society and was given the Hopi name, “Lomawywesa,” which means, “walking in harmony.”

Both Michael and his father, Fred Kabotie, have been innovators in the Native American

Fine Arts Movement, creating paintings that reflect traditional Hopi life in contemporary media. Fred was one of the Hopi artists responsible for developing the trademark overlay methods used by many Hopi silver and goldsmiths today. He is also the painter of the “Desert View Watchtower” murals in the Grand Canyon.

In his silver work, Michael used the overlay technique developed by his father and friends, but in his own jewelry, he developed a unique style of his own that is also reflected in his paintings. In 1973, Michael was a founding member of “Artist Hopid,” a group of painters who experimented in fresh interpretations of traditional Hopi art forms.

Michael’s works appear in several museums around the world, from the Heard Museum in Phoenix to the British Museum of Mankind in London, England, and the Gallery Calumet-Neuzzinger in Germany.

His book of poetry, “Migration Tears,” was published in 1987 by UCLA. Michael has lectured across America, in Germany, Switzerland and New Zealand, and has taught Hopi overlay techniques at Idyllwild Arts for many years.

To honor him, Idyllwild Arts will host a “Tribute to Michael Kabotie,” on Sunday, July 11, with a pottery trunk show, with discussions by his son, Paul, and other family members.

The tribute kicks off the weeklong “Native American Arts Festival” at Idyllwild Arts that includes Native American performances, lectures, films and pottery demonstrations. According to the invitation, the festival will explore topics that were of particular interest to this extraordinary artist and teacher: the trickster concept, the artist’s journey, healing and recovery, music and chanting traditions, and cross-cultural dialogue.

Moreover, you will see Michael Kabotie’s images all summer long at Idyllwild Arts. The T-shirts worn by the Summer Program staff, counselors and students features a bright pink Hopi image similar to the one featured on the suede jacket.

The tribute to Michael Kabotie and the Native American Arts Festival events are free and open to the public. For more information, call Idyllwild Arts at (951) 659-2171, extension 2365, or visit www.idyllwildarts.org, and hit “Summer.” 

Besides the horses, marching bands and floats, they’ll be plenty of “colorful” locals in this Saturday’s Independence Day Parade in Idyllwild, including Raye De Ross, and her belly dancing troupe, “The Outskirts.”

Raye’s the front desk secretary-receptionist for Idyllwild Arts Academy, but also teaches belly dancing classes once a week at The Chakra Shack.

“The Out-Skirts” belly dancing troupe is made up of her friends and customers, namely Sherry Cheney, Dakota Bailey, and her mother (who begged not to be identified for this article.)

“I have to live in this town!” she exclaimed.

She also insisted that she be covered in black from head to toe, including a veil for her face, that only exposes her eyes.

“If no one knows who I am, I can be free to have a little fun,” she said.

“Then we’ll have to put a lot of eye makeup on you, and put a bindi on your forehead,” De Ross said.

She is dressing the rest of them in colorful outfits with veils that cover their faces, long skirts that show off their waists, and belts that “chime” as they move.

De Ross started belly dancing 16 years ago, when her then-5-year-old daughter, Colleen, exclaimed that she wanted to take lessons. They were living in Seattle at the time, and had just watched an international belly dancing competition on TV.”

“It’s a misconception that belly dancing is erotic dancing,” said De Ross, who encouraged both of her pre-teen girls to take lessons. “It was originally created by women for women.”

She said belly dancing builds self esteem in young women and in larger women like her, who often don’t feel coordinated and pretty.

“Belly dancing is embracing our sacred feminine,” she said.

De Ross and “The Out-Skirts” plan to be walking more than dancing in the parade, however.

“Anyone who has been to a parade knows there’s a lot of standing around, waiting for everyone to catch up,” she said. “But, this year, we’re behind the jeeps.”

Like other parade participants, De Ross will be handing out candy and maybe some business cards to the crowd. She hopes to drum up more clients for her $10 lessons on Tuesdays at The Chakra Shack.

Idyllwild Independence Day Parade begins at 10 a.m. on Saturday, July 3rd, at the top of North Circle Drive, then winds down to the center of town. For more information, call the Idyllwild Rotary at (951) 659-4957. For belly dancing lessons by Raye De Ross, call The Chakra Shack at (951) 659-3191.

Jewelry designer and teacher Kristin Coffin and her boyfriend, Lewis, loaded up the last of their valuables from their studio apartment near the Jewelry District in LA. The rest of their stuff they were storing at a friend’s house. This is what they’d been waiting for: Summer Camp at Idyllwild Arts.

Kristin was going to teach jewelry making to children, and Lewis, a graphic designer, would be a counselor for nearly three months in Idyllwild.

Kristin came to Idyllwild Arts Summer Program two years ago in response to an advertisement online. Like most teachers they attract, Kristin is an accomplished professional. She graduated Summa Cum Laude from the University of Vermont with a BA in metalsmithing and jewelry design. She was the goldsmith at the couture gallery, Grannis Gallery, one of the premier art jewelry galleries on the east coast. Currently, she is the metalsmith for Belle Brooke Designs in Los Angeles.

There, she admitted to unusual sales tactics.

“We’d go to lunch and always wear the jewelry from the store,” Kristin said. “But we’d leave the tag out on purpose. Women would always tell us about the tag, and we’d start a conversation about the necklace.”

Los Angeles is great, but she likes the slower pace of Idyllwild.

“I love it here,” she said, as they headed toward the San Jacinto Mountains. “I’m a small town girl, and Idyllwild reminds me of home.”

This winter, however, she spent a lot of time in the hi-rise buildings of LA’s  Jewelry District.

“It’s bigger than the one in New York City,” Kristin said. “Each of the shops in these hi-rises has a specialty, such as diamonds only four carats and up.”

She said that only those in the jewelry business could shop there, however, and because shop keepers are showing precious jewels, gold and silver, everyone had to be “buzzed” inside.

There, she bought pliers and other tools for her classes, and jewels and materials for her own jewelry that she describes as “organic.”

“It’s kind of feminine use gems only as accent pieces,” Kristin explained. “I use mostly silver and gold, and sometimes blacken the silver, so it creates a nice contrast to the gold.”

For a jewelry maker and teacher, she wears no jewelry at all.

“I used to wear a lot of jewelry, but I’m working in the shop all the time, so it doesn’t make sense to wear it when I’m forging,” she said.

‘METALS WEEK’ KICKS OFF SUMMER PROGRAM

Speaking of forging, it happens to be the focus of one of the classes during “Metals Week” at Idyllwild Arts that starts today, Sunday, June 27, and runs until Thursday, July 1st.

According to the catalog, “Metals Week” is a week of intensive metals studies in which adult students can work with one of six outstanding jewelers and metalsmiths.

“Everyone comes here to learn a skill, such as etching, trapping, sculpting or tool making,” explained Kristin, who is helping out another teacher this week. “It doesn’t make sense for everyone in the class to do one project. You can do that anywhere.”

“Forging Collars, Pendants and Sildes,” is a class taught by Fred Zweig,who has been a metalsmith and teacher for more than 30 years. For the first part of the weeklong class, adult students will take a heavy sterling silver gauge rod and create a stylish neck collar. Then the rest of the time will be spent designing and creating slides and pendants that will hang from the collar.

Other classes that make up “Metals Week” include: “Resin Inlay,” by Karen Christians from Waltham, MA; “Etching,” by Deborah E. Love Jemmott from San Diego, CA; “Sculpted Bezels & Non-Traditional Stone Settings,” by Pauline Warg from Scarborough, ME; and “Trapping Found Objects,” by Joanna Gollberg from Ashville, NC;  and “Tool Making & Alterations,” by Val Link from Houston, TX.

Tuition for all of these classes are $655 plus a lab fee that ranges from $35 to $85, that includes using the school’s tools and equipment. All are limited to 12 adult students.

“Although ‘Metals Week’ classes begin today, we’ll still take walk-ins late,” said Emma Showalter, Assistant Director of the Summer Arts Program. “We will accommodate anyone who wants to come to the classes.”

Idyllwild Arts has a plethora of activities for students during “Metals Week,” including a faculty lecture and slide show tonight at 7 p.m. at the Krone Library; an arts exhibition, hot clay lecture and opening reception at 7 p.m. on Monday at the Parks Exhibition Center; a potluck dinner and auction on Wednesday, June 30 at Studio D and a student exhibition on Thursday, July 1, on the Krone Library’s patio.

For more information on classes and activities for “Metals Week” at Idyllwild Arts, call the registrar at (951) 659-2171, extension 2365; fax (951) 659-4552 or visit the web site at www.idyllwildarts.org, and click on “summer session.”

By Marcia E. Gawecki

Outside his Idyllwild home every weekend, Peter Hopper sets out tables, hardware shelves, beach umbrellas and the American flag. On display are his homemade bird houses, including single dwelling, three-room “condos,” and one unique gingerbread “mega mansion.” Stacked off to the side are flower boxes with flowers or geometrical designs on them. And around the corner is a massive bird feeder mounted on a nine-foot pole.

Although these are the work of a master craftsman, it more of his “calling card,” and an opportunity to teach his two young boys about his old world craft.

“These bird houses are a friendly way to get to know people,” said Hopper, who has lived with his family in Idyllwild since 2000.

Hopper, is tall, clean-shaven (including his head), and speaks with a heavy Austrian accent. Although he looks like “Mr. Clean,” he is soft spoken and philosophical, especially when talking about his family.

“I’m working with my boys on weekends trying to teach them carpentry–like I learned from my father in 1976,” Hopper said.

“Idyllwild is a great place to be because there’s nature all around, not lots of traffic and people are friendly,” he added.

Behind him in the open garage are a plethora of table saws, drills, a planer and boxes of tools. Sawdust is all over the floor and tables.

“As a carpenter, you need high quality equipment,” Hopper said. He mainly does commercial work that includes installing of hardwood floors, marble and porcelain tiles, restoration of antique furniture, and plumbing that includes sprinkler and drip systems.

One of his recent jobs in Idyllwild was on Country Club in which he built several small decks, and an ornate brick entryway. He’d like to do more local work, so he wouldn’t have to commute to Oceanside.

In the meantime, however, he’s content to teach his boys about carpentry on weekends.

His son, Liam, age 15, helps him create the bird houses and flower boxes, while Dylan, age 9, is the salesman. Dylan’s homemade sign reveals the prices: $35 for the single-dwelling bird houses, $45 for the stacked, three-room condos, $180 for the gingerbread mega mansion, and $85 for the bird feeder.

“Dylan doesn’t like the sawdust, so we made him the salesman,” Hopper explains. “He’s great at selling, but doesn’t always understand adult humor. Like when a customer offered to pay for a bird house with a credit card, Dylan was left speechless.”

“We lost the sale, but Dylan knows next time to tease them right back,” Hopper added. “We told him to say, ‘No, we don’t accept credit cards, but we’ll take your cash or a check.'”

All of the bird houses have a standard-sized opening, but Hopper will custom fit them with a smaller wooden insert, if you’d like. Bluebirds, for example, need smaller holes, to keep the larger bluejays out.

There are primarily two styles Hopper sells, a plain one with a slanted roof, and a modified log cabin style (to match many of the homes in Idyllwild). The “condo,” bird house, coined by Dylan, has three rooms.

He created that style when he had seen a tree at his sister-in-law’s place that housed as many as 50 birds.

“Some birds are more social,” he said. “So you can mount two of these condos side-by-side on the tree and make a lot of birds happy.”

However, his latest bird house, the “mega mansion” (also coined by Dylan), shows off Hopper’s carpentry skills. There is great detail in the pitched roof with double chimneys, and the wrap-around porch. It looks like a gingerbread home you’d might find in Austria.

It takes some time for he and the boys to create this masterpiece, so the price is reasonable at $180. They sold two of them last year, with one customer mounting it on a pole, while the other hung it from a tree.

Although ornate, there is no paint or waterproof coating on the mansion–and the other bird houses as well. Hopper said that most of his customers prefer to paint, seal or decorate them themselves.

However, the flower boxes are decorated, stained and sealed with a waterproof coating.

The designs include flowers, geometric patterns, and more recently, children’s cartoon faces. Hopper pencils in the design on the box to start, then carves them with a hand-held router. Then he sands it off and finishes with a wood stain and a polyurethene coating.

You may have seen his handiwork outside the beauty shop in town, the Help Center, and Strawberry Creek Inn.  Adding a name to the flower box costs $15 more.

“People come to me with newspaper clippings and drawings, and ask me to duplicate the design,” Hopper said. “We are happy to accommodate  everyone.”

The flower box dimensions are approximately 33 inches long, by 8 3/4 inches wide and 7 1/2 inches high. Hopper recommends inserting plastic liners into the boxes so that there is protection between the dirt and wood. The liner also serves another purpose.

“At night, you can easily pick up the liner and bring your flowers into the house,” said Kelly, his wife. ” That way, you’ll keep them from freezing, or bothered by animals.”

It was also her idea to add color to the flowers on the flower boxes.

“We’re always looking for ways to improve,” she said.

The bird feeder that sits in front of their house is remarkable. It has a large roof to protect against rain and snow, with a large opening for several birds to feed at once. There is about a one-inch rim around the bottom to keep the seeds or peanuts inside.

Like the bird houses, Hopper recommends that people use a plastic liner for easy inserting and cleanup.

It costs $85, but you can also purchase a nine-foot pole for $10 that can be mounted into a pipe into the ground. Some need help installing the bird feeder, and Hopper helps them for free.

It’s all about teaching, family togetherness, and not so much about the money. He doesn’t have to say it. His sales speak for themselves.

Last year, Hopper and his sons sold about 15 bird houses, and 25 flower boxes, but gave 50 of them away, mostly to schools and children.

He knows that he could beef up sales by opening up a shop in town, or selling online on eBay. None of these options appeals to him right now.

“My family is number one. Here, I have all of my tools and my boys to help me,” Hopper said. “If I have to make 100 bird houses, then it becomes work, and not so much fun.”

He’s been through all that, he said, 30 years ago when he worked 2o-hour days for someone else. Now, he’s just happy to do custom work and making a few bird houses with his boys.

To see the Hopper family bird houses, visit them at 53675 Tollgate Road in Idyllwild, or call (951) 659-5909.

Copyright 2010 Idyllwild Me. All rights reserved.

“Inquire, Negate & Repeat,” which featured the work of four student artists, were large, clean, and thought-provolking about nature, especially dolphins. The show included sculptures, ceramics, fiber art, paintings, and drawings. It opened at the Parks Exhibition Center at 6 p.m. on Friday, May 21, and will run until May 28.

The show’s title, “Inquire, Negate & Repeat,” came from a meditation, said Jade, one of the artists. The others included Anna, Angelica and Karina.

“Anna is the ceramics guru of our department,” said one student.

It was easy to see why they were in awe. Anna’s ceramics were outstanding. As you walked into the show, and looked to the left, there were a variety of her ceramic “flowers,” in variable dimensions with mirrors inside, all mounted to the wall. The arrangement was called, “Frames of Mind.”

“That would make a great statement in your home’s entryway,” said one Idyllwild resident.

Anna had four other equally outstanding ceramic pieces, including a large ceramic basket, with dainty flowers nestled inside. The piece also had fine wires for stems, and a rope edge to the basket.

Three other ceramic pieces by Anna were maddenly entitled, “Untitled.”

“I don’t know if artists don’t like to title their work, or if they just forgot,” said another art student later. “The titles should really help you understand the pieces, especially if the artist isn’t there to help explain things.”

The top of the larger “Untitled” ceramic by Anna (on the shelf) had a top that resembled a leafy vegetable. Like the flowers in the other flower basket, they appeared live, and not ceramic.

“People 2010,” was Anna’s final ceramic installation, which resembled a chessboard full of kings and rooks. Or, a closed city made up only of castles with no surrounding countryside.

The finish on the “People 2010” pieces were crackled, or antique looking with neutral glazes.

“Angelica, your work is some of the best I’ve seen here,” said Samuel, a voice major in the school van later.

Angelica’s sculptures and ceramic painting were large, clean and thought-provolking.

The first thing everyone saw was the mixed media sculpture on the floor entitled, “Separation of Ego,” which had a deer’s head at the front, a woman’s torso with a maroon portrait painted on its chest, and a woman’s legs pointing upward at the back. Each of these sections was separated by panes of glass.

The woman’s portrait on the torso of “Separation of Ego,” also appeared in her ceramic painting on the wall entitled, “The Glass Bead Game,” and in the alabaster sculpture, “The Shower.”

“It looks like a self portrait, but they could be different,” said Miriam-Grace, another visual artist, later. “I saw her working on it from a photograph.”

The ceramic portrait was sectioned off into squares, that looked like ceramic tiles. Attached in random places were ceramic flowers, in a pretty glaze.

Angelica’s final piece, a sculpture called, “The Shower,” was created in alabaster. The face was delicately carved, but the torso was left rough and unfinished. Its smooth and roughness beckoned people to touch it.

If you were to squint, the rough parts could be considered soap suds in a shower.

“I got a chance to carve a little bit on it,” added Miriam-Grace. “It’s not particularly a soft stone, but you have to be careful. There are many cracks inside, and pieces can come off in chunks.”

The show then switched from hard to soft sculpture with Jade’s “Knit Up in Sleep Performance,” a 24-foot black and white acrylic yarn sculpture that was draped over a black wire chair.

The title car read, “24 feet and expanding,” which gave the impression that she wasn’t finished yet. The balls of yarn left under the chair were also a good indication that she might finish it over the summer.

Along the wall next to the yarn sculpture were black and white ink drawings, all uniform in size, yet organic in subject matter. Some looked like amoebas or pieces of yarn under a microscope. They were all mounted to four large boards and entitled, “864-Static.”

As much as I like titles to pieces, “864-Static,” didn’t help me one bit. Was the number an equation? It certainly was more than the 100 or so drawings mounted to the boards. Was it an apartment number? Or the number of strokes from her pen?

Karina’s “Herd” installation, “Swarm” print, “Flock/Pod” drawing and “Burnt Ball” acrylic painting all had a focus on nature.

Luckily, she was still around talking to friends towards the end of the show. She said that  the 100 or so small antelope looking pieces were made of resin.

“I took a mold (of a plastic buck) and filled it with resin,” Karina explained. “As you can see, some of them turned out better than others.”

All were arranged in a swirling, migration formation, from right to left, and mounted on a light box.

“The light box was the hardest part to make,” Karina confessed. “I wanted to resemble a herd migration, like something that you’d see on the Nature Channel.”

Side by side on the far wall were two tall pieces, one a painting, the other a drawing on vellum. The drawing, “Flock/Pods,” showed a creative ariel view of birds (a flock) in flight over pods of dolphins swimming in the ocean.

Logistically, she put the flocks on vellum, as an overlay, to the drawing of the many dolphin pods underneath. Although only created in black graphite, the drawings were strong and solid. Her ariel view you could only see in a helicopter or plane. It was a God’s eye view.

It’s sister painting, created in bright acrylics, “Burnt Ball,” gave me pause. It was also an ariel view of a sun overlooking dolphin pods in the ocean. Although beautiful, something about it was unsettling. Karina and all of the other patrons had gone, and I was left alone with “Burnt Ball,” and my unsettling thoughts about dolphins and the Academy Award-winning documentary, “The Cove.”

Having an inquiring mind about animals, I wished Karina’s “Burnt Ball” was a statement about the depleting dolphin population in Taiji, Japan.

I had seen a viewing in Idyllwild at Movie Night at the Green Cafe (see Idyllwild Me blog post from March 30).

“Director Louie Psihoyos took home this year’s Oscar for Best Documentary for his stunning heist-like story that is about half Jacques Cousteau and half James Bond,” said Jeffrey Taylor, who showed “The Cove.” “A ‘dream team” of activists venture to Japan to expose the secretive work of a small community of fishermen who slaughter dolphins so they can sell the meat nationally and abroad.”

Richard O’Barry, who rose to popularity with “Flipper,” the popular TV show in the 1960s, said that he became an activist when one of the dolphins committed suicide right in front of his eyes.

“The next week, I was sitting in a jail cell for letting captive dolphins go,” O’Barry said in “The Cove.”

O’Barry collaborated with Psihoyos in creating “The Cove,” to get the word out of the massive dolphin slayings that are held each year from September to March in Japan. In a small cove in Taiji, fishermen herd dolphins in from the sea by forming a line of boats and making noises with metal poles. The process is known as “oikomi.”

“Dolphins are keenly sensitive to noise,” O’Barry said in the movie. “They are afraid of the noise and swim to the cove to get away from it. There, they are herded into nets and the bottle nosed dolphins like the ones in “Flipper” are sent to marine parks like “Sea World,” while the other dolphins are brutally slaughtered.

Many Japanese do not know that this is going on, and would likely not approve of it. In the documentary, tests prove that dolphin meat has toxic mercury levels, and is not good for human consumption. In fact, in the May 10th issue of the Japan Times, the National Institute of Minamata Disease (NIMD) stated that many Taiji residents as having unusually high levels of mercury. Taiji, where they have a tradition of eating whale and dolphin meat.

However, the more “inquiring minds”  know, the better the chances of stopping it. For more information, Google “The Cove,” visit www.takepart.com, or text the word DOLPHIN to 44144.

Someone once said, “Artists are the first and last to speak.”

Well, one artist in Mountain Center is speaking out about the current state of traffic around his metal sculpture garden.

There’s too many motorcycle accidents happening there, he said.

About two years ago, CalTrans, along with a contractor, attempted to fix the curve on the road from Mountain Center leading up to Idyllwild. They widened the road and added caution stripping to the middle, but many accidents still happen there.

“They fixed the road, so people think they can go faster now,” said Dore Capitani, a metal sculptor whose shop sits at the end of the curve. He closes his eyes and sighs. He’s seen his share of motorcycle accidents.

One time, he said, the motorcycle rode right onto his property, near his metal building where he was working.

“The guy fell off it earlier, but the motorcycle came pretty fast around the curve and landed on my property,” Capitani said.

After that, he wasn’t taking any chances. With the help of Josh Whitney, who owns a tree cutting business in Idyllwild, they stacked up several huge wooden tree trunks that act as a barrier to his property. It kept the motorcycles from coming in, but didn’t stop the accidents from happening.

So last week, Capitani decided to put up a life-sized metal sculpture of a crashed motorcycle and attach it to the wooden tree stumps.

“I had an old junker motorcycle, and about three wheels laying around,” Capitani said. “So I made a crash sculpture.”

Well, some Idyllwild townsfolk and at least one CHP officer thought it was real, and became alarmed.

“One police officer came over the wood pile looking for the body,” Capitani said. “These guys are used to fighting crime, but he couldn’t see that the motorcycle was welded to the wood!”

“Then Larry from the hardware store said that I better add something to the sculpture because people were concerned,” Capitani added. “So I added the word, ‘OUCH!'”

“Ouch!” is welded next to the motorcycle in bright, red letters, so there’s no more confusion. But there’s still bad feelings.

He said that several motorcyclists have stopped by his art garden and said they weren’t happy with his sculpture.

“They don’t have to like it,” Capitani said.

He hopes that it might make a few motorcyclists and drivers stop and think about going too fast on that curve. It’s clearly marked “25 mph” on either end, but most of them go 50 mph.

One CHP officer, who was assigned up in Idyllwild for years, grew weary of the motorcycle accidents. When he was writing up a report about one, he asked the kid how fast he was going. The kid, who had a broken leg, didn’t lie.

“I was going 50 mph,” he said.

“It’s marked 35 mph,” the officer scolded. “That means 35 mph, not 36, not 37, but 35 mph.”

That motorcyclist was lucky that he only sustained a leg injury, but his bike was “totalled.”

Capitani’s motorcycle crash sculpture is located just after the curve in Mountain Center at 28815 Hwy. 243. Visit Dore’s Mountain Metals Sculpture Garden for other large metal and wood sculptures made by him or call (951) 659-0791.

The final student art show of the year will be held tonight, Friday, May 21, at the Parks Exhibition Center on the Idyllwild Arts campus.

“Inquire, Negate and Repeat” showcases the work of four visual artists, who are also seniors at Idyllwild Arts Academy. They include: Jade, Angelica, Karina and Anna.

The show’s posters appear on doors and windows all over town, including Fairway Market and Cafe Aroma. It features the arms and hands of the four artists participating in the show.

“On one of the arms, it looks like there’s a tattoo,” said Jade, “But it’s not real. We just superimposed the words, ‘Inquire, Negate and Repeat.”

In fact, the bluish color of the overall poster was a mistake, but they kept it.

“When Brent (a student photographer) was taking our shots, he forgot to change the setting on his camera from indoor to outdoor light,” Jade explained. “But we liked the effect, so we kept it.”

The title of the show took some research and thought, Jade said. It came from a meditation technique.

“Each of us is focusing on an art project that requires repetitive motion. For me, it’s knitting rows and rows, but for others, its the constant turning of the ceramic wheel.”

A Chicago artist who created door-sized panels made up entirely of yellow Post-it Notes, once said, “There’s beauty in repetition,” such fish laying out to dry, or boats lined up on a dock.

Artist Andy Warhol loved repetition. Although he painted mostly portraits in a Pop Art style, he often made several versions of the same thing. Case in point: “Triple Elvis,” from 1963. Warhol depicted a full-length portrait of the pop icon in a cowboy outfit pointing a gun at the viewer. The altered image had three heads and six legs.

Jade has been performing a repetitive motion for months. She’s knitting a scarf that is now taller than she is. Attached to the oversized scarf will be a variety of small drawings.

She said that she likes knitting because it’s comforting, and it’s something she can do while doing something else, such as watching a movie or listening to music.

Earlier this semester, these four artists had to submit their proposals to Rob Rutherford, head of the Visual Arts Department at Idyllwild Arts. Together discussed the message, the means, and even if the project was feasible.

Karina, who has four large pieces in the show, including paintings and sculptures, said that her part of the show is nothing extraordinary.

“I’m going to show what I can do,” she said. “I don’t believe a senior show should be pushed to the limits.”

She wouldn’t be specific about her four pieces, but welcomed everyone to come and see the show for themselves.

Each of the artists will be on hand early to discuss their work. Many of them have family and friends visiting from afar.

“Inquire, Negate and Repeat,” opens tonight at 6 p.m. at the Parks Exhibition Center on the Idyllwild Arts campus. The show is free and open to the public. It continues until Friday, May 28.

For more information, visit www.idyllwildarts.org or call (951) 659-2171, ext. 2200.

“Her work is great, very strong, and we’re happy to have her in our gallery,” said Amanda Taylor, owner of Artisans Gallery.

She was talking about a teenager’s work that’s going to be featured at her gallery today, Saturday, May 15, from 4 p.m. to 7 p.m.

Caleigh, a senior at Idyllwild Arts Academy, is going to New York University for art in the fall. This is her first gallery experience. (See “Student’s Work at Artisans Gallery” blog from March 6, 2010).

When Taylor received Caleigh’s portrait of Robert Towne a couple of month’s ago, she immediately put in on the fireplace mantle, a place of honor, and the first place most people look when they enter the gallery.

According to the Imdb web site, Towne is a writer, director, producer and actor. He got his start working with legendary exploitation director/producer Roger Corman. Considered one of the best script doctors in Hollywood, Towne contributed crucial scenes to such films as “Bonnie and Clyde” and “The Godfather.”

Although we cannot show you photos of Towne because of copyright infringements, we welcome you to visit www.imdb.com, and see how Caleigh got a good likeness of him. According to Taylor, Caleigh has met the famous screenwriter.

Caleigh’s 20 x 30 inch portrait of  Towne is a mixed media painting that appears to have writing mixed into the paint.

“See how she blends the oranges and reds into the painting,” Amanda pointed out. “That’s technique that adds a lot of warmth to an otherwise black and white painting.”

“People’s reaction to Caleigh’s work has been positive,” Amanda added. “They really like her work.”

Caleigh will feature nine large-sized acrylic and mixed media paintings. She will be on hand from 4 p.m. to 7 p.m. today to discuss her work.

Artisans Gallery, located in the Oakwood Village Center, features paintings, pottery, fiber art, sculptures, photography, and jewelry of mostly local artists.

Artisans is located at 54425 North Circle Drive. For more information, call (951) 659-9091, or visit www.idyllwildartisans.com.

From oversized phones that hope to contact aliens to a tea cup that only “Alice in Wonderland” could drink from, it was all about oversized art sculptures at the  Idyllwild Arts “Visual Art III” opening on Friday night, May 7, at the Parks Exhibition Center. The show continues through Friday, May 14.

The five seniors participating in the show are  Jasmine Marin, Yoo Bin Cha, Sana Liu, Bella Oh and Brent Terry.

Walking down to the Parks Exhibition Center from campus, the first thing you’d see is a large, lightweight sculpture of a phone. Not a cell phone, mind you, but just the handset of an old fashioned phone, made up of wood, wire and cheese cloth. This phone was mounted on the roof.

“Did you see the phone on top of the roof?” asked Rob Rutherford, head of the Visual Art Department at Idyllwild Arts.

“Bella (Oh) wanted to stay even after she mounted it up there,” Rutherford said. “She wanted to see if it would contact any aliens.”

Once you see Bella Oh’s series of alien drawings, everything fits together. Like an architect’s blueprint, Oh drew the phone sculpture to scale, including the mounting platform and attachments.

She printed her alien drawings on velum, because you cannot print large-scale drawings on paper, Rutherford explained. Architects used to, but nobody prints large scale anymore.

Oh also drew a rendering of a crop circle from the air, outlining all of the parts. Crop circles are large-scale circles created by flattening of crops, such as wheat, barley and corn. Skeptics dispute it, while alien enthusiasts believe they could be caused by freak meteorological phenomena or messages from extraterrestrials.

In another large drawing, Oh drew an alien, that looks like the ones portrayed in the movies, with an oversized head and eyes, and a slight body with elongated arms.

“Do you believe in aliens?” someone asked her the next day. She was surprised at the question at first, but “Yes,” was all she said.

In the same show, there was another larger-than-life sculpture: a sugarplum and marshmallow tea cup hanging from the ceiling. It was created by Sana Liu, who said that it was part of her “Home Sweet Home” series.

“I was watching her create that teacup,” said Haley Kuhlmann, another visual arts student. “And she wasn’t using any glue at all. She just pushed the gumdrops and marshmallows through the wire.”

Half white miniature marshmallows, and half multicolored gum drops made up the tea cup’s design.

Everyone around it marveled at his size, and the amount of time it took to create it, not to mention the bags and bags of marshmallows and gumdrops.

Oversized modern art has been done by many artists over the years, including Cristo, who was best known for “wrapping” things, such as cars, buildings and canyons. However, Cristo also created 3,100 oversized umbrellas that he mounted on hillsides in California and Japan. These yellow and blue umbrellas measured 19 feet, eight inches high and measured 26 feet, 5 inches wide. Without the base, each weighed about 450 pounds.

During their 10-year exhibition, Cristo had some trouble with the umbrellas detaching in the wind, but Oh wasn’t taking any chances with her phone and Idyllwild’s tulmultous weather. On Sunday, May 9, Oh heard there was a 20 percent chance of snow, and took the phone down from the roof.

“It’s made of wood, wire and cheesecloth,” she said. “But it’s not that strong.”

Hopefully, she moved it inside the Parks Exhibition Center for everyone to enjoy.

Although not oversized, Brent Terry’s series of black-and-white photographs were an interesting character study.

“I annoyed a lot of people,” Terry said of his photography set-up in the campus bookstore. Like the opening of an industrial meat locker, Terry attached long plastic strips over the front door at the bookstore. Generally, the strips are used to keep the bugs out, and the cool air in.

“The cool part,” Terry said, “was that the bookstore kept his whole project  a secret.”

When students would walk into the bookstore, they had to pass through the strips, he said.

“It was disorienting and annoying to most of them,” Terry said, whose photographs portrayed mostly silhouettes of students with bowed heads, arms flayling. In one of Dakota Bailey, you can only see her dance tutu jutting forth.

Terry said that the idea came from a photography experiment that he did in New York. He had put the same plastic “meat locker” strips over a door in a flea market.

“But this time, I put myself in front of them,” Terry said.

Many of the students didn’t know their photographs were part of his senior art show until the opening Friday.

“Hey, that’s me!” several students said to Terry. It didn’t matter that they didn’t look their best, were obviously annoyed or distressed by the plastic barriers.

For those who came to the show late, they didn’t get to sample Jasmine Marin’s homemade ginger beer. She had made 28 bottles for the show, and they were gone quickly.

Haley Kuhlmann was one of the lucky ones. “It had a strong ginger taste, with a hint of lemon,” she explained.

“But it didn’t taste like gingerale, but more like a beer,” she said.

Jade Huggins, another visual art student, said that she tried a sample earlier in the week, and it was sweet.

Marin made the ginger beer for her senior show because she questioned the idea of art always having to be “pretty.”

“I want to make art that can be enjoyed by me and my friends,” she said.

There was a pretty element to the ginger beer installation, however. The brown bottles that were suspended on wires from the ceiling had small watercolor and ink drawings on them, along with French words.

On one of the bottles, there were portraits of women without faces. On another, there was a nude woman’s torso. Still another depicted a large, “Bumpstead-style” sandwich, with a tongue hanging over the side. Marin admitted to making great sandwiches.

“Something tells me that she’s also a good cook,” said one student. “Making ginger beer is an advanced cooking technique. I couldn’t do it.”

The last piece, or pieces, in the show were created by Yoo Bin Cha. They were Asian-style plates with feet on them. These plates are similar to sushi plates at a Japanese restaurant. However, instead of the standard black or white, Cha’s ceramic plates were painted in colorful greens, pinks and blues. Some had flower decorations on them.

It was hard to count how many plates that Cha created, but there were a lot. Some were even used to display the food at the reception outside. What type of food they had on them was not known, because, like the ginger beer, if you arrived after 6 p.m., the food is gone.

So Cha showed that her ceramic plates were not only colorful, but functional as well.

The “Visual Art III” show continues on display until Friday, May 14 at the Parks Exhibition Center. For more information, contact Morgan Satterfield at (951) 659-2171, ext. 2251.

Jasmine Marin, a visual arts student at Idyllwild Arts, was making batches of ginger beer last weekend.

“This batch didn’t turn out so well,” she said, disgusted. “I’ll have to try again this afternoon.”

Normally, the school probably wouldn’t allow a student, even a senior in good standing, to make beer in her room. (Actually, it was in her dorm parent’s room.) However, this project was approved by Rob Rutherford, head of the Visual Arts Department.

Marin plans on distributing her homemade ginger beer at “Visual Art III,” the next student art show held this Friday, May 7, at 6:00 p.m. at the Parks Exhibition Center.

The four other visual artists in the show, including Yoo Bin Cha, Sana Liu, Bella Oh, and Brent Terry, are planning their art around a food theme too.

“Brent Terry is going to show photos of meat,” Marin added.

Yoo Bin Cha plans on showcasing Asian food on ceramic plates that she created, and Sana Liu has miniature marshmallows attached to a sculpture, but it won’t be edible.

Marin said that the food theme wasn’t planned, but just worked out that way.

She said that she proposed this ginger beer installation because she’s questioning why art always has to be pretty.

“I just wanted to create art that can be consumed by my friends,” she said.

The ginger beer recipe came from the Food Network, and calls for a lot of fresh squeezed lemons and ginger.

“I must’ve squeezed 100 lemons last night,” Marin said. “My hands feel like they’re going to fall off, but it’s worth it.”

Besides the test tasting, the visual aspect of her ginger beer installation will feature drawings on the labels attached to the empty beer bottles suspended from the ceiling, she said.

Marin said that there probably won’t be art on the labels of the 28 ginger beer bottles that will be consumed at the art opening.

“I hope that they return the bottles,” Marin said.

At school, recycling is encouraged, with containers available everywhere. In fact, ginger ale is the only soft drink that is served in the school’s cafeteria.

“Visual Art II,” the next senior art show, is free and open to the public. It will be held at 6:00 p.m. this Friday, May 7, at the Parks Exhibition Center on the Idyllwild Arts Campus. The show runs until May 14. For more information, call (951) 659-2171 or visit www.idyllwildarts.org.