By Marcia E. Gawecki

When the ceremony was over, they said goodbye to their favorite teachers and friends, and celebrated over lunch. Then most of the Idyllwild Arts graduates headed home for the summer. They were glad to be done with recitals, finals and homework. But one classical music major still had work to do.

Yuet Ka “Keri” Hui, from Hong Kong, had one more week to prepare for a piano competition in South Carolina. So every day, while the guys from the Idyllwild Arts maintenance department cleared away the debris, and housekeeping cleaned the rooms, Keri went to the practice room for three hours each day. No other students were around.

The South Eastern Piano Festival is important to Keri because she had to learn and memorize two new pieces, including a concerto and solo piece. When she goes to a week-long summer school, the competition will be at the end.

She’s a little nervous about it.

“All the students in the competition are really good,” Keri said. “It’ll be hard to win.”

There’s master classes every day, and the students learn from each other.  For more information, visit www.sepf.music.sc.edu.

In the fall, Keri will be going to the University of Southern California (USC).

“It has a great program for pianists,” Keri said.

She said she was grateful to go to a school in Southern California. A few months ago, she went to several auditions in Boston, New York and Indiana. Snow was on the ground, and there was a nip in the air. Her hands were always cold, she said.

Cold weather is not only hard on the hands, but on instruments too, other Idyllwild Arts students say. Senior auditions are always held in the wintertime, and they worry that their instruments will warp and change because of the cooler temperatures.

But no worries for Keri. South Carolina and Southern California will be warm and sunny.

During her years at Idyllwild Arts, Keri entered many piano competitions.

“It’s great practice to play in front of a live audience,” she said.

On May 14, she attended the 26th Annual Glendale Piano Competition with her boyfriend, Tianpeng “Timmy” Yu. Weeks earlier, they both had performed in the competition. Keri won an Honorable Mention in the Senior Division and walked away with a $300 check. Timmy took first prize.

Earlier that year, Keri competed in the Steinway Society competition in Palm Springs, but wasn’t at her best, she said. Her wrist was hurting and she was sick with the flu. Yet, she forged on, and played like a champ.

Now that she’s graduated and been accepted to USC, why does she need to continue to compete?

Just like professional dancers and athletes, classical musicians need to continue to practice and perform to remain at the top of their game.

“I heard about the competition last year, but didn’t apply. It’s a good program and it’s only one week long,” Keri said. “I got a full scholarship this year, and the competition is at the end.”

But sometimes competition comes at a high price.  Injuries can incur that can make or break a career.

Starting piano at age 8, Keri was considered late in playing the piano. (Her boyfriend started at age 5). After a few years, she switched to violin. However, two years ago, she had such terrible pains that she could no longer play the violin.

“I had no strength left in my arms,” Keri said. “It was like they were hollow.”

Yet, after a year as an Interdisciplinary Arts major, Keri fell in love with the piano again. To make up for lost time, Keri feels she has to work harder to catch up with her peers.

“Keri is a good player,” said Benny, who plays classical and jazz piano at Idyllwild Arts. “She works hard and is just as good as the rest of them.”

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jun 8, 2011 @ 15:41

By Marcia E. Gawecki

Tonight, the Idyllwild Arts Jazz Department will showcase their final concert at 7:30 p.m.  It will be the culmination of a year of many successes for the tight-knit, talented group.

“We’re listening to a great jazz performance by high school kids,” you have to keep pinching yourself.  It’s always is comparable to any professional jazz concert.

The start of their Big Year came last fall, actually. Jacob, a saxophone and flute player, was featured on the back cover of the annual “Jazz in the Pines” program. Then he and Caleb, a trumpet player, took the stage with Marshall Hawkins, head of the jazz department, to play a few numbers.

“We always love to be onstage,” Jacob said.

It was also a good way to show the folks that attended the jazz fest that their scholarship money was going to help talented youth like Jacob and Caleb.

Then came Master Class jam sessions with friends of Marshall’s, attending jazz concerts off the hill, and entering jazz contests, where they almost always leave with the top prize.

Jacob made it to the Semifinals of the 2011 Spotlight Music Awards, where winners get to strengthen their audition and performance skills. He also won second place in the “Student Jazz Competition” in Ventura. On May 5, Jacob also got to perform with Earth, Wind & Fire’s trumpet player in front of a live audience.

Caleb also walked away with a medal and title of “Trumpet Player of the Year” at a jazz competition in Reno in March. The Idyllwild Arts jazz group won third prize that time.

However, at another jazz competition in Boston, they took first prize. (Yet, these cats are too cool to mention it!)

Alejandro, Ashi, Inigo and Eddie, recently joined Scarlett, the director to record the soundtrack for “Penelope,” one of the year’s student films that will be released next weekend. The jazz group worked for several hours for pepperoni pizza.

“It’s all about the experience,” Alejandro said of the recording session with his friends. “We would’ve done it for nothing.”

I know that I’m leaving out a lot of other jazz accolades and accomplishments. (Most of the information I garner for my blog stories come from driving these students around, and talking to them. But they have a favorite driver who takes them everywhere, so I have to gather information when and where I can).

But I do know that Jacob, Caleb, and Lake all got to play with “Season 10 American Idol” heartthrob and jazz bass player Casey Abrams at Cafe Aroma many times before he became nationally famous. My favorite picture of all of them  is a back shot of them playing at night on the deck. It was taken by someone at Cafe Aroma. They look hip, happy and wise beyond their youth.

So, in other words, the final jazz concert tonight, with these talented jazz students will be beyond any jam session that you’ve ever attended. More than likely, Marshall Hawkins and Paul Carman will be playing along with them (like proud parents).

The place will be packed, so get there early. It all starts at 7:30 p.m. at Stephens Recital Hall located at the end of Tollgate Road. It’s free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

Photos courtesy Idyllwild Arts Academy.

Published on: May 24, 2011 @ 15:14

By Marcia E. Gawecki

Tonight at 7:30 p.m., two Idyllwild Arts music students will ‘wow’ you at their senior recital. Regina will play oboe, while Helga will sing a selection of jazz and pop songs–with the help of one popular local musician.

For “Both Sides Now,” Helga’s accompanist will be local pianist Barnaby Finch. Since 1982, Barnaby has been a touring member of Lee Ritenour’s band, and has recorded with such notables as George Benson, Lionel Ritchie and Earl Klugh. He also writes his own music and has produced his own albums.

“I was lucky that he was available,” Helga said Sunday, as she headed to meet him for rehearsal. “He was in New York last week.”

Helga, who switched from classical voice to jazz last year, is originally from Sweden. Her mother arrived yesterday for her recital and graduation.

Helga said that she wanted to sing, “Both Sides Now,” but didn’t like the darker tone of Joni Mitchell’s rerelease of that song in 2008. She mentioned this to Paul Carmen, a jazz staff member and saxophone player.

“Oh, Barnaby Finch has a better rendition of that song,” Paul told her. “Barnaby even plays in a band that only performs Joni Mitchell songs.”

Paul set up the meeting with Helga and Barnaby, who agreed to perform at her recital tonight.

After their rehearsal, Helga was glowing with excitement.

“Everything went great! He’s such a nice man, and I love his interpretation of ‘Both Sides Now,'” she said. “I can’t wait for everyone to hear it tonight.”

Barnaby Finch has always been a big supporter of the Idyllwild Arts Academy. At graduation each year, he gives a scholarship award to one outstanding student. He plays at the “Jazz in the Pines” concert in the fall and occasionally at Cafe Aroma.

“Regina is working hard too,” Helga said of the classical oboe player who will also perform tonight.

Regina and Helga’s senior recital, with guest pianist Barnaby Finch, will be held tonight at 7:30 p.m. at Stephens Recital Hall (at the end of Tollgate Road) on the Idyllwild Arts campus. Like all recitals, it’s free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Barnaby Finch and Paul Carman photos courtesy Idyllwild Arts Academy.  Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 23, 2011 @ 10:38

By Marcia E. Gawecki

Tonight, in celebration of the school’s 25th Anniversary, the Idyllwild Arts Academy Orchestra will showcase New Music by several contemporary composers. However, some compositions are only a few weeks old.

“I need to finish my orchestra piece,” Peter Askim, music director and composer-in-residence had said during Spring Break in March.

His new viola concerto was specially created for Roger Myers, a notable violist and chair of the strings department at the University of Texas at Austin. Myers is regarded as one of the foremost performers and teachers of his time. He will be performing the piece for the first time tonight.

Chris, a classical viola student at Idyllwild Arts, will be paying special attention to Myers performance from his orchestra seat. Chris took a master class with Myers earlier in the year, and plans to attend the University of Texas at Austin because of him.

“He’s an awesome teacher and performer,” Chris said. “I can’t wait to hear him perform with us.”

When asked what they think of Peter’s new viola concerto, some string students say that it’s difficult to play. But then again, all of Peter’s pieces have been known to be difficult.

For the orchestra students, New Music is a great diversion from their classical repertoire. In preparation for a piece, some students go to the library or purchase the song online.  That way, they can listen to the music  in the quiet of their practice room. However, for these New Music pieces, there is no record, CD or track to refer to, and it can be a little nerve wracking.

“We don’t just listen to songs written by dead people,” Peter chided students before a New Age concert they attended at the LA Philharmonic last year.

Besides Peter Askim, the works of three other contemporary composers will be featured at the New Music orchestra concert tonight. They include: Rufus Reid, Pierre Jalbert and Jan Radzynski.

“Spanning traditions and crossing genres, the program is a microcosm of the world of Contemporary American Music, and a celebration of the diversity of cultures and styles that Idyllwild Arts represents,” states copy on Peter Askim’s web site.

The program includes the World Premiere of a new orchestral work by renowned jazz bassist Rufus Reid. “A recipient of a Guggenheim Award, Reid’s new work blends and blurs the boundaries of jazz and classical orchestral music,” Peter’s web site states.

“Recipient of the Rome Prize, the BBC Masterprize, the Chamber Music Society of Lincoln Center’s Stoeger Award and a 2010 American Academy of Arts and Letters award, composer Pierre Jalbert’s astonishingly beautiful music is at once immediately accessible and refreshingly new.

“A native of Poland and former resident of Israel, Jan Radzynski writes music that transcends borders, cultures and time itself. His new work for violin and orchestra is intellectually probing, cross-cultural and deeply moving.”

There will be two chances to listen to the New Music Concert this weekend. It will be performed at 7:30 p.m. tonight, Saturday, April 7, at the IAF Theater on campus. The concert is free and open to the public. Then at 4 p.m. on Mother’s Day, Sunday, April 8, the group will perform at REDCAT at Disney Hall in Los Angeles. General admission ($25) or student tickets ($10) are available at REDCAT, 631 W. 2nd Street in Los Angeles or by visiting www.redcat.org.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 7, 2011 @ 12:21

By Marcia E. Gawecki

During this past week on Fox 11’s “American Idol,” I expected Casey Abrams, the heartthrob from Idyllwild, to shave his beard.  After all, he had to do something to top the Jennifer Lopez kiss.

Throughout Season 10, columnists, bloggers and reporters have been obsessed with Casey’s beard. Early on, he was compared to popular comedic actor Seth Rogen, but lately, some have been less than kind, calling him “a bearded doughboy.”

What is the big deal about a beard?  It looks nice on Casey. Does a beard always have to give the impression that a man is hiding something?

“He looks a little bit scruffy,” admitted  my mother when I asked her to watch the show.

My dad, a gynecologist, shaved his face every day of his professional life.

“Patients won’t come to me if I have a beard,” he said. “Medical professionals must be clean shaven.”

Probably the only one who could wear a beard without reprisal would be a psychiatrist. After all, Freud had one.

In an interview after he was cut from “American Idol” last week, Casey was asked about The Beard again. He admitted that “American Idol” judge Steven Tylor, the frontman from Aerosmith, caught his eye once and did a mock shaving motion.

“I really appreciated that gesture,” Casey said.

Casey said that he didn’t want to shave his beard because he has a receding chin.

Well, that makes sense. A beard would cover that up nicely.

During one of the show’s short videos (rather, the Ford commercial), each of the final six contestants got to poke fun at each other. When it came to Casey, everyone wore Abe Lincoln beards and talked about his zaniness. Jacob Lusk called him “odd,” but a “musical genius” at the same time. That night, even show host Ryan Seacrest, wore a mock beard.

Yep, Casey takes the beard chiding all in stride. Perhaps he takes cues from his father, Ira Abrams, a bearded film teacher at Idyllwild Arts Academy, where Casey learned his jazz moves.

Another interviewer asked Casey what his first album would look like.

“It’ll probably have an upright bass on it,” Casey said. “And a beard.”

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 4, 2011 @ 16:04

By Marcia E. Gawecki

Last night, April 8, in the midst of a spring snowfall, the Idyllwild Arts Junior Music Recitals went on without a hitch featuring classical, contemporary and student composers. Arik and Josephine performed at the Stephens Recital Hall before a 50+ audience made up of fellow students, friends and a few local folks.

Arik, a piano student from Maui, performed four selections from Liszt, Hayden, John Adams and himself.  This is the third time Arik’s own musical composition, “Cain’s Lament,” was performed before a live audience. The first time was in early March at the “Idyllwild Arts Day in L.A.,” the second was last month before a student audience, and last night at the recital.

“Cain’s Lament,” was one of four collaborations between students in the Honors Music Composition Class and the Creative Writing Department. Whitney, a creative writer and childhood friend of Arik’s, wrote the original poem that he set to music.

Arik described the piece as a bit “melancholy,” yet the right the mood that it called for.

“‘Cain’s Lament’ is not so much about Cain and Abel from the Bible, but more about the state of the world,” explained Kevin Michael Sullivan, the instructor for the Honors Music Composition Class, beforehand. “It’s saying that God is sad.”

Arik played “Cain’s Lament” as his third piece, after “Two Consolations in D Flat Major” by Liszt and “Tempo di Menuetto, Hob. XVI:22, No. 37” by Hayden. Samuel, a classical voice major, sang Whitney’s words to “Cain’s Lament,” while Arik played on piano.

“The end of the world is a decade too late,” was among some of the somber lyrics. Appropriate for the Idyllwild area, Whitney also used rabbit and raccoon images to convey strong her strong feelings. After the piece was over, Sam acknowledged Whitney in the audience.

Nelms McKelvain, Arik’s piano teacher, said that he chose the songs for Arik’s recital, except for the last one, “China Gates.”

“He can play it without sheet music,” Nelms said. “In fact, he performed it for us without any music just yesterday. He memorized it bar-by-bar.”

Arik said that memorizing Adams’ “China Gates” was challenging at first.

“It’s about the gates in the Great Wall of China,” Arik explained. “Each ‘gate’ is a key change.”

He said that it was challenging to memorize. He had to memorize the notes with his left hand first, and then sight read with his right.

“Sometimes, I’d have to move my left hand off the key quickly because my right hand needed to play it right after,” Arik said.

Several people in the audience last night said that “China Gates” sounded like water or rainfall.

“Adams wrote about raindrops on the Great Wall of China,” Arik explained. “And within the rain, there’s a melody.”

Afterwards, Music Conductor Peter Askim and Nelms went backstage to congratulate Arik on a job well done.

“You did a nice job,” Peter said, noting that he’s come a long way on the piano in choosing “China Gates.”

“All of the ‘colors’ (of your selections) were different,” Peter said.

Later, Arik explained that ‘colors’ meant a nice choice of heavy and light music selections.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Apr 9, 2011 @ 12:17

By Marcia E. Gawecki

It’s the season for junior and senior music recitals at Idyllwild Arts. Starting this Friday, April 8, until early June, there will likely be one or two music recitals each week.

The Junior Music Recital held this Friday night features two pianists and a bass player. Arik and Josephine will play their favorite selections for 30 minutes each, making it an hour show.

Arik, a pianist from Maui, will be playing some of his favorite selections from Liszt.

He also will be playing “Cain’s Lament,” his own composition, that he created with childhood friend and creative writer, Whitney.

It was showcased with three other original music compositions at Idyllwild Arts Day in L.A. on May 12. Samuel, a classical voice major, will be singing Whitney’s words, while Arik will perform his composition on piano.

Arik, one of four honor students in the music composition class, enjoys writing piano music as well as playing.

“‘Cain’s Lament’ is a bit melancholy, but that’s what the poem called for,” Arik said.

Josephine, or “Jo,” from Korea, plays the bass, one of the largest instruments in the student orchestra. Often relegated to the sidelines because of their size, Jo’s bass music will be “front and center” during this junior music recital.

The event kicks off at 7:30 p.m. this Friday, April 8, at Stephens Recital Hall. The event is free and open to the public. For more information, call (951) 659-2171 or visit www.idyllwildarts.org.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Apr 5, 2011 @ 10:45

On Wednesday, March 23rd, “American Idol” gave a tribute to Motown’s soul-infused pop songs, and its many stars. Most of the 11 remaining contestants presented their own spin on these classics, however, one contestant missed the mark. James Durbin, who sang, “Living for the City,” gave a rousing, over-the-top performance of Stevie Wonder’s 1973 sad song about racial inequality.

For their part, the American Idol judges had high compliments for James Durbin. Granted, he’s a talented singer, and has quickly become a national role model for those with Tourettes and Asperger’s Syndrome. However, the show’s advisors should have told him to demonstrate some respect for the original song about a young black man growing up in “hard time Mississippi.”

Some of the lyrics include:

“His father works some days for 14 hours/ and you can bet he barely makes a dollar.”

“His brother’s smart/ he’s got more sense than many/ His patience’s long/ but soon he won’t have any/To find a job is like a haystack needle/Cause where he lives/ they don’t use colored people.”

Why would James sing a song about black unequality in such a rousing way?  That night, it was all about the great beat, and his personal showmanship, and nothing about the lyrics.  If James was empathetic about their plight, it didn’t show. He did a peppy dance move while singing, “His father works sometimes for 14 hours/and you can bet/he hardly makes a dollar. And he mugged for the cameras while singing, “His mother scrubs the floors for many/and you can bet/she hardly gets a penny.

For a white guy, singing a song happily about black inequality was a risk that he should not have taken.

Jennifer Lopez, an outspoken judge, continually tells the other contestants to “tell a story with their songs.”

The story told in “Living for the City” would clearly resonate with everyone in today’s recession. But James Durbin didn’t sing it with empathy, compassion or even a hint of sadness. He just sang it with his signature bravado.

For their part, the audience gave James a standing ovation. They liked the way he sang the song.  Shortly afterwards, still reveling in the afterglow, James had to be brought back to reality by JayLo.

Yet, I didn’t hear any criticism from Randy Jackson, the black judge, about James’ bravado take on the song. Did he not feel the slap in the face? Or is he just working from Idol’s “happy script?” James Durbin is popular with Idol fans, so don’t criticize him.

In my opinion, “American Idol” should be less about a popularity contest and more about retaining some musical integrity. If not, just take the “American” part off the title because I don’t want any part of it.

For the true spirit of Stevie Wonder’s “Living for the City,” visit You Tube. Stevie’s version. Its 70s-era video showcases inner city poverty, police brutality, and violence.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

A new honors music composition class is quickly gaining popularity at Idyllwild Arts. Mostly because of its recent collaboration between music students and poetry students on campus. The two groups are teaming up for a performance for “Idyllwild Arts Day” in Los Angeles on Saturday, March 12.

They are taking original poems and setting them to music. However, some of their collaborations will be previewed this Tuesday night, March 1, at 7:30 p.m. as part of an Idyllwild Arts Music Faculty Concert at Stephens Recital Hall.

Each of the four hand-picked music students in the comp class get individual attention, said Kevin Michael Sullivan, the instructor. The four students are Caleb, a trumpet player; Arik and Benny, pianists; and Chris, a viola player.

“They keep me on my game,” Kevin said of the group who has helped him with his own music compositions. “They’re good kids and very sharp.”

Oftentimes in class, Samuel, a classical vocal music student, sings their compositions out loud, so they can make adjustments.

“The first few class sessions were hard,” Sam said. “Mostly because the writer and the composer didn’t always see eye-to-eye.”

Benny said that his first composition climaxed too early, and it wasn’t exactly what he wanted.

“Do you think I could transpose it?” he asked Kevin, while eating lunch in the cafeteria.

“I think that would work,” Kevin said.

Sam, who sang Benny’s first song, agreed that it needed a change.

“The high ranges almost killed my voice,” he said, jokingly.

Sam said that he takes notes on the poems during the composition class to see what the best interpretation might be. He said that he considers himself a “vehicle” for the writer, in keeping the words “sacred.”

The creative writers who are providing the poems and collaborating with the musicians, include: Rebecca, Whitney and two Austins.

Caleb, who is working with Austin on his poem, “New World Order,” about mankind, said that he heard it at last year’s Parallex (a student publication) reading, and liked it.

Caleb is setting Austin’s poem to modern music, using a bunch of different instruments from a sound mixer to achieve the desired effect.

“Caleb’s piece is really cool, but very complex,” Sam said.

With most of the poetry collaboration songs, Sam will sing them onstage at the “Idyllwild Arts Day in LA. However, with Caleb’s piece, Austin’s voice will be prerecorded. Austin will be reciting the words, while Sam will be singing the melody.

“Caleb decided that only my voice was right for the voice over,” Austin said.

At the same time, Sam is a little nervous about the Caleb-Austin collaboration, because he’ll be out of town with his own senior vocal auditions while it’s being completed.

“It’ll all work out,” Sam said. “It always does.”

Whitney, a creative writing student who is working with Arik, a piano player, is also a little nervous about her collaboration.

“I don’t want to say, ‘nervous,’ because it sounds like I don’t trust him,” Whitney said.

She said this was the first time that one of her poems has been set to music. She is looking forward to seeing it performed onstage.

“It’s terrifying to hear your work performed onstage,” Kevin said. “You’re like a parent in the audience, and have no control over what’s being done up there.”

At the last faculty recital, one of Kevin’s pieces was performed by Idyllwild Arts faculty and students. During Tuesday night’s faculty recital, not only will Kevin’s pieces be performed, but he will also be playing the saxophone.

Even though they are not completed, some of these music composition-poetry collaborations will be performed at the recital this Tuesday night, March 1, at 7:30 p.m. at the Stephens Recital Hall on campus.  Faculty and guest artists will perform oboe, sax and piano, along with some classical music and jazz students.

All recitals and concerts at Idyllwild Arts are free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

: Feb 27, 2011 @ 10:13

By Marcia E. Gawecki

Looking for a special way to celebrate Valentine’s Day? Consider bringing your loved one to a free student piano recital at the Idyllwild Arts Academy.

Tianpeng, known as “Timmy,” at Idyllwild Arts, will host his senior piano recital on Monday, Feb. 14 at 7:30 p.m. at the Stephens Recital Hall on campus.

You may remember Timmy as the winner (classical instrumental) of the 21st Annual Music Center Spotlight Awards two years ago. As a sophomore, he beat out 2,000 other high school student musicians from Southern California. In addition to prize money and a summer internship, Timmy performed before a large crowd at the Dorothy Chandler Pavilion in Los Angeles.

In a close up video for the Spotlight Awards, Timmy talked about growing up in China, and how music grew into a bigger part of his life.

Nelms McKelvain, Timmy’s piano teacher, said that he had enormous music potential.

“When you get a student as good as Timmy, it requires you to be the best possible teacher than you can ever be,” Nelms said. “Because you have a responsibility.”

“Music is a language that I can understand,” Timmy said in that same video. “And it understands me.”

During performances, Timmy is known for playing very soft and gentle. His fingers barely emit a sound from the keys. And then, suddenly, he is playing forcefully, thrusting his head and shoulders forward, hair in his eyes, as his fingers race across the keyboard. Needles to say, Timmy is an entertaining performer.

In fact, you can watch and hear Timmy play his 2009 Spotlight Performance on You Tube.  (Just “2009 Tianpeng Yu Performance” or “2009 Tianpeng Yu Up Close”).

On Valentine’s Eve, Timmy will play selections from some of his favorite composers, including Bach, Beethoven, Chopin, Rachmaninoff, Debussy, and Copeland. One can imagine that some of the selections will be romantic in nature.

Like all music recitals at Idyllwild Arts, Timmy’s Valentine’s Evening recital is free and open to the public. It starts at 7:30 p.m. sharp at Stephens Recital Hall off Apela Drive (at the end of Tollgate) on campus. For more information, call (951) 659-2171 or visit www.idyllwildarts.org.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Feb 13, 2011 @ 23:09