By Marcia E. Gawecki

During this past week on Fox 11’s “American Idol,” I expected Casey Abrams, the heartthrob from Idyllwild, to shave his beard.  After all, he had to do something to top the Jennifer Lopez kiss.

Throughout Season 10, columnists, bloggers and reporters have been obsessed with Casey’s beard. Early on, he was compared to popular comedic actor Seth Rogen, but lately, some have been less than kind, calling him “a bearded doughboy.”

What is the big deal about a beard?  It looks nice on Casey. Does a beard always have to give the impression that a man is hiding something?

“He looks a little bit scruffy,” admitted  my mother when I asked her to watch the show.

My dad, a gynecologist, shaved his face every day of his professional life.

“Patients won’t come to me if I have a beard,” he said. “Medical professionals must be clean shaven.”

Probably the only one who could wear a beard without reprisal would be a psychiatrist. After all, Freud had one.

In an interview after he was cut from “American Idol” last week, Casey was asked about The Beard again. He admitted that “American Idol” judge Steven Tylor, the frontman from Aerosmith, caught his eye once and did a mock shaving motion.

“I really appreciated that gesture,” Casey said.

Casey said that he didn’t want to shave his beard because he has a receding chin.

Well, that makes sense. A beard would cover that up nicely.

During one of the show’s short videos (rather, the Ford commercial), each of the final six contestants got to poke fun at each other. When it came to Casey, everyone wore Abe Lincoln beards and talked about his zaniness. Jacob Lusk called him “odd,” but a “musical genius” at the same time. That night, even show host Ryan Seacrest, wore a mock beard.

Yep, Casey takes the beard chiding all in stride. Perhaps he takes cues from his father, Ira Abrams, a bearded film teacher at Idyllwild Arts Academy, where Casey learned his jazz moves.

Another interviewer asked Casey what his first album would look like.

“It’ll probably have an upright bass on it,” Casey said. “And a beard.”

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 4, 2011 @ 16:04

By Marcia E. Gawecki

Last night, April 8, in the midst of a spring snowfall, the Idyllwild Arts Junior Music Recitals went on without a hitch featuring classical, contemporary and student composers. Arik and Josephine performed at the Stephens Recital Hall before a 50+ audience made up of fellow students, friends and a few local folks.

Arik, a piano student from Maui, performed four selections from Liszt, Hayden, John Adams and himself.  This is the third time Arik’s own musical composition, “Cain’s Lament,” was performed before a live audience. The first time was in early March at the “Idyllwild Arts Day in L.A.,” the second was last month before a student audience, and last night at the recital.

“Cain’s Lament,” was one of four collaborations between students in the Honors Music Composition Class and the Creative Writing Department. Whitney, a creative writer and childhood friend of Arik’s, wrote the original poem that he set to music.

Arik described the piece as a bit “melancholy,” yet the right the mood that it called for.

“‘Cain’s Lament’ is not so much about Cain and Abel from the Bible, but more about the state of the world,” explained Kevin Michael Sullivan, the instructor for the Honors Music Composition Class, beforehand. “It’s saying that God is sad.”

Arik played “Cain’s Lament” as his third piece, after “Two Consolations in D Flat Major” by Liszt and “Tempo di Menuetto, Hob. XVI:22, No. 37” by Hayden. Samuel, a classical voice major, sang Whitney’s words to “Cain’s Lament,” while Arik played on piano.

“The end of the world is a decade too late,” was among some of the somber lyrics. Appropriate for the Idyllwild area, Whitney also used rabbit and raccoon images to convey strong her strong feelings. After the piece was over, Sam acknowledged Whitney in the audience.

Nelms McKelvain, Arik’s piano teacher, said that he chose the songs for Arik’s recital, except for the last one, “China Gates.”

“He can play it without sheet music,” Nelms said. “In fact, he performed it for us without any music just yesterday. He memorized it bar-by-bar.”

Arik said that memorizing Adams’ “China Gates” was challenging at first.

“It’s about the gates in the Great Wall of China,” Arik explained. “Each ‘gate’ is a key change.”

He said that it was challenging to memorize. He had to memorize the notes with his left hand first, and then sight read with his right.

“Sometimes, I’d have to move my left hand off the key quickly because my right hand needed to play it right after,” Arik said.

Several people in the audience last night said that “China Gates” sounded like water or rainfall.

“Adams wrote about raindrops on the Great Wall of China,” Arik explained. “And within the rain, there’s a melody.”

Afterwards, Music Conductor Peter Askim and Nelms went backstage to congratulate Arik on a job well done.

“You did a nice job,” Peter said, noting that he’s come a long way on the piano in choosing “China Gates.”

“All of the ‘colors’ (of your selections) were different,” Peter said.

Later, Arik explained that ‘colors’ meant a nice choice of heavy and light music selections.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Apr 9, 2011 @ 12:17

By Marcia E. Gawecki

A new honors music composition class is quickly gaining popularity at Idyllwild Arts. Mostly because of its recent collaboration between music students and poetry students on campus. The two groups are teaming up for a performance for “Idyllwild Arts Day” in Los Angeles on Saturday, March 12.

They are taking original poems and setting them to music. However, some of their collaborations will be previewed this Tuesday night, March 1, at 7:30 p.m. as part of an Idyllwild Arts Music Faculty Concert at Stephens Recital Hall.

Each of the four hand-picked music students in the comp class get individual attention, said Kevin Michael Sullivan, the instructor. The four students are Caleb, a trumpet player; Arik and Benny, pianists; and Chris, a viola player.

“They keep me on my game,” Kevin said of the group who has helped him with his own music compositions. “They’re good kids and very sharp.”

Oftentimes in class, Samuel, a classical vocal music student, sings their compositions out loud, so they can make adjustments.

“The first few class sessions were hard,” Sam said. “Mostly because the writer and the composer didn’t always see eye-to-eye.”

Benny said that his first composition climaxed too early, and it wasn’t exactly what he wanted.

“Do you think I could transpose it?” he asked Kevin, while eating lunch in the cafeteria.

“I think that would work,” Kevin said.

Sam, who sang Benny’s first song, agreed that it needed a change.

“The high ranges almost killed my voice,” he said, jokingly.

Sam said that he takes notes on the poems during the composition class to see what the best interpretation might be. He said that he considers himself a “vehicle” for the writer, in keeping the words “sacred.”

The creative writers who are providing the poems and collaborating with the musicians, include: Rebecca, Whitney and two Austins.

Caleb, who is working with Austin on his poem, “New World Order,” about mankind, said that he heard it at last year’s Parallex (a student publication) reading, and liked it.

Caleb is setting Austin’s poem to modern music, using a bunch of different instruments from a sound mixer to achieve the desired effect.

“Caleb’s piece is really cool, but very complex,” Sam said.

With most of the poetry collaboration songs, Sam will sing them onstage at the “Idyllwild Arts Day in LA. However, with Caleb’s piece, Austin’s voice will be prerecorded. Austin will be reciting the words, while Sam will be singing the melody.

“Caleb decided that only my voice was right for the voice over,” Austin said.

At the same time, Sam is a little nervous about the Caleb-Austin collaboration, because he’ll be out of town with his own senior vocal auditions while it’s being completed.

“It’ll all work out,” Sam said. “It always does.”

Whitney, a creative writing student who is working with Arik, a piano player, is also a little nervous about her collaboration.

“I don’t want to say, ‘nervous,’ because it sounds like I don’t trust him,” Whitney said.

She said this was the first time that one of her poems has been set to music. She is looking forward to seeing it performed onstage.

“It’s terrifying to hear your work performed onstage,” Kevin said. “You’re like a parent in the audience, and have no control over what’s being done up there.”

At the last faculty recital, one of Kevin’s pieces was performed by Idyllwild Arts faculty and students. During Tuesday night’s faculty recital, not only will Kevin’s pieces be performed, but he will also be playing the saxophone.

Even though they are not completed, some of these music composition-poetry collaborations will be performed at the recital this Tuesday night, March 1, at 7:30 p.m. at the Stephens Recital Hall on campus.  Faculty and guest artists will perform oboe, sax and piano, along with some classical music and jazz students.

All recitals and concerts at Idyllwild Arts are free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

: Feb 27, 2011 @ 10:13

By Marcia E. Gawecki

Looking for a special way to celebrate Valentine’s Day? Consider bringing your loved one to a free student piano recital at the Idyllwild Arts Academy.

Tianpeng, known as “Timmy,” at Idyllwild Arts, will host his senior piano recital on Monday, Feb. 14 at 7:30 p.m. at the Stephens Recital Hall on campus.

You may remember Timmy as the winner (classical instrumental) of the 21st Annual Music Center Spotlight Awards two years ago. As a sophomore, he beat out 2,000 other high school student musicians from Southern California. In addition to prize money and a summer internship, Timmy performed before a large crowd at the Dorothy Chandler Pavilion in Los Angeles.

In a close up video for the Spotlight Awards, Timmy talked about growing up in China, and how music grew into a bigger part of his life.

Nelms McKelvain, Timmy’s piano teacher, said that he had enormous music potential.

“When you get a student as good as Timmy, it requires you to be the best possible teacher than you can ever be,” Nelms said. “Because you have a responsibility.”

“Music is a language that I can understand,” Timmy said in that same video. “And it understands me.”

During performances, Timmy is known for playing very soft and gentle. His fingers barely emit a sound from the keys. And then, suddenly, he is playing forcefully, thrusting his head and shoulders forward, hair in his eyes, as his fingers race across the keyboard. Needles to say, Timmy is an entertaining performer.

In fact, you can watch and hear Timmy play his 2009 Spotlight Performance on You Tube.  (Just Google “2009 Tianpeng Yu Performance” or “2009 Tianpeng Yu Up Close”).

On Valentine’s Eve, Timmy will play selections from some of his favorite composers, including Bach, Beethoven, Chopin, Rachmaninoff, Debussy, and Copeland. One can imagine that some of the selections will be romantic in nature.

Like all music recitals at Idyllwild Arts, Timmy’s Valentine’s Evening recital is free and open to the public. It starts at 7:30 p.m. sharp at Stephens Recital Hall off Apela Drive (at the end of Tollgate) on campus. For more information, call (951) 659-2171 or visit www.idyllwildarts.org.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Feb 13, 2011 @ 23:09

Today, Jan. 12, at 4 p.m., three faculty members from the Idyllwild Arts Music Department will showcase their talents in songwriting and musical performance. They will be joined by friends on flute and guitar, and a student string quintet for a concert that you won’t want to miss.

Ryan Zwahlen, who heads the Music Department, will be playing oboe, Nelms McKelvain, who teaches piano, will be playing piano. “Composition for English Horn and Guitar,” a new piece written by Kevin Michael Sullivan, will be performed by the group, which includes friends of Ryan’s, Johanna Borenstein, on flute, and Roger Allen Cope, on guitar.

Ryan is one of Southern California’s most sought-after oboists. He has performed with the Los Angeles Philharmonic and the San Diego Symphony, as well as the LA Ballet, Riverside Philharmonic, Bakersfield Symphony and the Vancouver Symphony Orchestra (Washington) as its Principal Oboe. His work also has been featured on films and commercials.

Ryan, Nelms, Johanna, Roger, and Idyllwild Arts music students (a string quintet), will be playing selections from eight composers, including Henri Tomasi, Giles Silverstrini, Benjamin Brill, Jenniven Stevesnon, Jenni Brandon, Mario Castlenuovo-Tedesco, Eric Ewazen and Kevin Michael Sullivan.

For his piece, “Composition for English Horn and Guitar,” Kevin admitted to being a little nervous.

“I feel like a parent sitting in the audience,” Kevin said of his piece. “I’m proud, but feel that it’s entirely out of my control. I’m sure they’ll play it beautifully.”

Kevin said that he finished the piece just a few short months ago, in Dec. 2010.

The Faculty Recital today, Jan. 12, will begin at 4 p.m. at the Stephens Recital Hall off of Apela Drive (Tollgate Road) on campus. The concert is free and open to the public. For more information, contact Idyllwild Arts at (951) 659-2171, ext. 2200.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Each day, the music students at Idyllwild Arts Academy work together to hone their crafts. They learn from their teachers, by their own discovery and from each other. However, most say the best teacher is a professional musician currently working in the field.

This afternoon, Feb. 11, Courtney Kaiser, a popular singer and songwriter, will teach a Master Class to Interdisciplinary Arts (IM) and other music students at Rush Hall on campus. And, at 7:30 p.m., she will perform with Ashi, a jazz student and percussionist at the same location.

Courtney has toured with John Mellencamp, Sean Lennon, Yuka Honda, and Tracy Bonham. Her group, Kaiser Cartel, is a low-fi, song-driven, harmony-heavy Brooklyn-based duo. Their music appears on popular TV shows as “Private Practice,” “Bored to Death,” “Exiled’ and “Alter Ego.” You can also hear her music on Starbucks’ “Have You Heard?” music compilation.

In her Master Class from 4 to 6 p.m. this afternoon, Courtney will focus on what makes a song successful and how lyrics can induce the musicality of a song.  Although the class is geared toward Interdisciplinary Arts majors, all students are welcome to participate. Courtney suggested that they bring a set of lyrics they love to the class. During that time, they will learn the intricacies of how songs become memorable.

Courtney has been playing and writing her own music since her early days in an arts high school. So she is especially fond of working with fellow arts students at Idyllwild Arts. And, to further the connection, two songwriting students will be chosen for a mentorship with Kaiser Cartel. They will receive feedback from Courtney and, at the end, participate in a music recording session and have their own CD.

“Our students are looking forward to interacting with a nationwide touring musician,” said Katherine Factor, head of the IM Department and poet-in-residence. “Her show promises to be both endearing and electrifying.”

The show, with Courtney and Ashi, will be at 7:30 p.m. tonight at Rush Hall on campus. It’s free and open to the public. For more information, contact Idyllwild Arts at (951) 659-2171 or visit www.idyllwildarts.org.

Copyright 2011 Idyllwild Me. All rights reserved.

“The Relationship of One Half, One, Two,” a poem by Austin, a Creative Writing Student at Idyllwild Arts Academy, appears in the January issue of Quill & Parchment, an online poetry magazine.

“The title is symbolic of the hierarchy of life,” Austin explained. “One-half is representative of a dog’s life, one a human, and two God.”

The poem is about a neighbor’s dog who was killed by a car. Austin had left the gate open and the dog got out.

“Writing the poem was a way to learn from the experience,” Austin said. “But it didn’t help alleviate the guilt. Not really.”

Here is an excerpt:

“We are

Dogs to the universe. Ready to be run over by a car.

God bless you, Liam. I hope you find it better there.

After that, we went up to the mountain

and scattered his ashes in the snow.

Guilt eroded onto my head like a river.

And on a walk, I pondered dogs’ lives,

and what they might live for, if anything.”

Austin got his poems published because of his father heard a story on National Public Radio about a Las Vegas gallery owner, so he told her about Austin. Later, Austin read some of his poetry at her house, where he met the Quill & Parchment contact.

“Getting my work out there into the world so strangers could read it is astounding. It was a major goal for me,” Austin added.

His other poem, “Rise of the Jellyfish,” about the WWII parachutes that hang over the Holmes Ampitheater on campus, will appear in the June issue of Quill & Parchment.

“That poem is a lot lighter,” Austin said, of the poem that he read at Coffee House, an open mic night on campus.

Here is an excerpt:

“What would it be like to live in a jellyfish

city, nebulous blobs suspended in water,

unrestricted by the Law of Gravity? Can you see it

gentle tendrils moving, slipping, finger-licking.

What kinds of secrets would jellyfish share?

The fall of man would most certainly bring about

the rise of the jellyfish.”

Copyright article & photo (but not poems) Idyllwild Me. All rights reserved.

“The two soloists from the concert last night did remarkably well,” said Maurice Mysenberg, a college professor from La Habra.

He and his friend, Priscilla, drove more than two hours to hear the “Young Virtuoisty” concert at Idyllwild Arts Saturday night, Feb. 5. The final performance will be held today at 2 p.m.

“After his solo, the young man (Xiao Fan) took a bow, but kept a smile on his face throughout the rest of the concert,” Maurice added.

Priscilla said that Maxine, the other soloist, obviously had a command of the piano, and played beautifully.

From where they were seated in the audience (second rise, left side) they could see the entire stage, with a good view of the piano.

“Her fingering on the keyboard was just incredible,” added Maurice, who is learning to play piano later in life.

Last night, they switched the program around to let Xiao play first, Maurice noted. He couldn’t get over how young both of the soloists were compared to their proficiency.

Today, Xiao will be playing Sibelius’ Violin Concerto in D Minor, Op. 47, while Maxine will play Franz List’s Piano Concerto No. 1 in E Flat Major. Both pieces are the ones that helped them win the annual Concerto Competition.

The second half of today’s concert features “The Firebird Suite” from the 1910 ballet by Igor Stravinsky (which was choreographed by Michel Fokine). It is based on Russian folk tales of the firebird, a magical glowing bird that is considered both a blessing and a curse to its captor.

Maurice said the harp and the enhanced brass section (with guest artists) made “The Firebird Suite” sound wonderful.

Since the music was created for ballet, this part of the concert has piqued the interest of many of the school’s dancers.

Amira, a sophomore dance major, was looking forward to the concert. Last night, she was rushing back to her dorm room to change after a long day of dance auditions in Long Beach.

“It’s always great to hear ballet music performed live,” Amira said.

The final performance of the “Young Virtuosity!” Concert will be held today (Sunday, Feb. 6) at 2 p.m.  The concert is free and open to the public, but come early to get a seat. It will be held in the IAF Theater (located inside the Bowman Building) on the Idyllwild Arts campus, at the end of Tollgate Road. For more information, call (951) 659-2171, or visit www.idyllwildarts.org.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

Last night, they came out in droves to celebrate one of their own.

The Idyllwild Arts’ Fireside Room was packed with excited students and faculty on Wednesday night, Feb. 3. They came to see the man of the hour, ’09  alumn Casey Abrams, audition for “American Idol” in Austin. He’s one of the top 40 contestants for Season 10.

“He did great!” said Kevin Sullivan, Director of Residential Life/Music Faculty, who attended the event. “There was standing room only, with everyone clapping and cheering for him.”

Kevin immediately posted a New York Daily News article about Casey on his Facebook page.

“They were saying good things about him,” Kevin said.

In fact, the Daily News reported: “The show-stopper was a Seth Rogen lookalike: 19-year-old Casey Abrams. He scatted and wailed Ray Charles’ “I Don’t Need No Doctor” out of the room.”

This morning, there were more: The Huffington Post, Fox 11 News, the Press-Enterprise, and the Idyllwild Town Crier, all sang Casey’s praises.

“You can see Casey’s audition right now on You Tube,” said John Newman, Dean of Students at Idyllwild Arts. “And all of the comments are positive.”

You Tube commenters said that Casey’s got “soul,” and that he put in a good name for Ray Charles. One woman has even started an “Abranism” movement in Boston.

Back in Idyllwild, an “American Idol” film crew has been on campus lately, John said, talking to people about Casey.

“They must really be interested in him,” John said. “All this attention is good for the school.”

If you haven’t seen Casey’s “American Idol” audition yet, you’ve got to see it on You Tube. It’ll make you proud.

He chose, “I Don’t Need No Doctor,” a jazz song made popular by Ray Charles. He put his melodica down, but kept snapping his fingers. Each of the three judges, Jennifer Lopez, Randy Jackson and Steven Tyler, got into the groove. Before the song was over, however, Randy interrupted Casey, saying that their decision was unanimous.

“You’re going to Hollywood!” he shouted, as Casey gave a huge sigh of relief.

Let’s just say that Casey had a few things going for him. First, he’s from Idyllwild, a small town in California. People love to discover small town folks. Secondly, he brought along a good prop, namely a melodica (which looks like an oversized harmonica) that no one had seen one before, namely Steven Tyler.

“That was wicked good,” Steven told Casey after the audition. “Now let’s hear you play that thing.”

Thirdly, Casey looks a lot like actor Seth Rogen, of “Pineapple Express.” They have the same hefty build and full beard. Lucky for Casey, he can ride on Seth’s coat tails for awhile.

Aside from all of those “Idol” gimmicks, however, what it really comes down to is talent. Not only can Casey sing, but he can write music too. (Last year, he wrote a film score for one of the student films.) He’s grounded, well rounded and went to a great arts school. If “American Idol” is looking for a jazz musician, Casey’s got it in the bag.

Up next are “American Idol” auditions in Los Angeles and San Francisco, where Julie Zorrilla, another Idyllwild Arts alumn, is auditioning.

“Julie Zorrilla went to Idyllwild Arts for two years,” said John, “but we didn’t offer enough courses in pop music, so she left. While she was here, though, she was a classicly trained singer.”

The best thing Casey has going for him now is the support of his fellow artists at Idyllwild Arts. With a fever pitch, they will email, twitter and post all the news about Casey on Facebook and other social media sights.

All of this “American Idol” audition hype looks like it came out of left field. At school, Casey was always the quiet bass player, content to sit in the background playing jazz. Now, he’s a frontrunner in on the “American Idol” stage. According to Casey, everything was going according to plan.

“I’ve been practicing my whole life for this audition,” Casey told a reporter.

Look for Casey on TV again this Thursday, Feb. 10!

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

During Spring Break this year, honor students from Idyllwild Arts won’t be basking on the beaches, but building houses for migrant farm workers.

This co-ed group of about 10 students who attend this high school arts boarding school are giving up their coveted one week spring break (from March 20 to March 27) to build houses for Habitat for Humanity in Oxnard, California, where there is a large population of migrant farm workers.

Habitat for Humanity was chosen because it is unrivaled in its organizational structure and specializes in dealing with students who are new to volunteerism.

“In a culture of Facebook and fast food, it is far too easy to loose touch with those in need in world around us,” said Chris Wegemer, a Physics teacher at Idyllwild Arts and one of the three chaperones. “We will experience California from a perspective that we have never seen before, exposing us to poverty and injustice right on our doorstep.”

He added that it is a great way for the students to address controversial immigrant and migrant worker issues. This is not the first time that Idyllwild Arts and migrant farm workers have crossed paths.

For years, the Idyllwild Arts Summer Program, along with the Monterey County Office of Education (MCOE), have been providing scholarships to migrant worker’s kids from California. Idyllwild Arts picks up the classes, room and board, while MCOE picks up the students’ flights and guardianship, said Diane Dennis, the registrar at Idyllwild Arts.

“In working together, we can cause change here and now, with our own two hands,” Chris added.

Over the past two weeks, the students hosted a bake sale on campus. There were cookies, brownies, pound cake and trail mixes made by students and faculty alike. Nothing was priced, but all donations went into a cardboard box in the shape of a house.

So far, they’ve raised $600, which is only a fraction of their $3,300 goal. However, other fundraising events are  planned, including a “coffee house” style concert on campus to raise awareness for Habitat for Humanity.

The high goal comes from the need for each of the 10 students to bring a $145 donation fee. The fee goes to supplies for the houses, which covers everything from drywall to electrical sockets to plumbing.

Chris said that the students do not need practical carpentry experience, only a willingness to help.

“They are an amazing group of kids,” said Chris. “All of them have done some kind of service work in the past, and they’re eager to use their hands and get dirty to help others.”

The students and other two chaperones, including Daniel Grey and Phil Dunbridge, will live at a community center where they will sleep in sleeping bags.

Chris has told the students how such volunteer experiences can be life changing, how it builds character, forms lasting bonds, and creates a deeper sense of empathy for all those in need.

For more information on the Habitat for Humanity honors project, call Chris at (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.