Louis Armstrong art banner at Cafe Aroma. A summer jazz student wrote a song about a club in New Orleans where Sachmo hung out. It will be played at the IAF Theater on Saturday.

 

By Marcia E. Gawecki

The slow, distinct jazz sound came wafting into the reception area at Idyllwild Arts. Unmoved, the girl behind the desk kept typing on her computer. But like the smell of home-cooked meal, it was drawing me in.

“It’s the jazz band practicing for Saturday’s concert,” the girl said.

I snuck in during one of their numbers, and sat in the back row. There was no one else in the large auditorium.

Onstage, a student with a saxophone around his neck was directing the group of 11 young students, mostly teenage boys and one girl. In total, there were three saxophones, two electric guitars, two trumpets, two trombones, two drummers and one pianist.

“Play loud so I can hear it,” instructed Ben, their student leader.

Ron Stout, their jazz band leader, had to leave early to go to a gig, Ben said later.

The song the group played was called, “Funky Butt,” and it was written by Ben, age 14.

‘Funky Butt’ got its name from the “Funky Butthole,” a New Orleans club in the 1920s, Ben explained. It was kind of a raunchy place, where gangsters, whores, pimps and musicians hung out, including the great Louis Armstrong.

“The reason the song is so slow is because everyone wanted to make the night last as long as possible,” Ben said. “The musicians played all night so everyone could keep dancing.”

Another song the summer jazz students will be playing Saturday afternoon is called, “Blue Rondo a la Turk,” arranged by Dave Brubeck.

“We almost didn’t get to play it, if it wasn’t for Randy,” Ben said.

When someone in the band suggested playing “Blue Rondo” for the conertt, Ron said that he didn’t have all the sheet music. But if someone could arrange it, he’d take a look at it.

That’s when Randy Plummer, age 17, a sax player from Riverside, CA, stepped in. In a day and a half, Randy wrote the other band parts so that everyone would have the “Blue Rondo” music.

“That’s really fast, dude,” Ben said.

Randy, who looks more like a football player than a saxman, was modest about his efforts.

“I just grabbed a pen and paper and started writing,” he said.

Obviously, he was motivated to play the song. For his efforts, you’ll get to hear him play a solo for a few seconds on Saturday.

“How can both of you know so much about jazz when you’re only 14 and 17?” I asked, thinking of Louis, Miles and Ella, whose health and looks took a toll.

“People tell me that I’m an ‘old soul,'” Randy said.

“Funky Butt” and “Blue Rondo a la Turk” will be part of the music lineup at the Youth Jazz Concert on Saturday, July 23, at 1 p.m. at the IAF Theater.

All concerts at Idyllwild Arts are free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jul 21, 2011 @ 12:58

 

 

 

 

 

 

 

 

 

 

By Marcia E. Gawecki

Yesterday, the photography class from the Idyllwild Arts Summer Program went on a field trip to Los Angeles. Like their B&W photography, it was a trip of direct contrasts.

They went from the elegant art studios at Bergamot Station to the eclectic outdoor chaos of Venice Beach.

Most of the 11-to-13-year olds in the class had never been to either place. At Bergamot, they were encouraged to visit the galleries dedicated to photography, including the Peter Fetterman Gallery and the Rose Gallery.

There, the students had to do their homework. Each had to select one photograph and critique it.

“There’s a whole laundry list of things we have to look for,” explained Alex, a student from Idyllwild Arts Academy who is also taking this summer photography class. “Basically, they want us to see what works and what doesn’t.”

“Make sure that you ask the gallery if it’s OK to take photographs,” advised Eric Metzler, their photography instructor, who also teaches at Idyllwild Arts during the school year.

In the Peter Fetterman Gallery, one student was critiquing a photo by Elliott Erwitt, entitled, “Man with Two Dogs.”

The black-and-white photograph featured two large bulldogs with their owner seated on the steps of a Brownstone, possibly in New York.

The artist’s twist was that the second bulldog, sitting on the man’s lap, totally obscured his image. (All you could see was his left ear). In short, it looked like Sci-Fi hybrid of a bulldog’s head with a man’s body.

“I think the artist is trying to say that men are dogs,” said the young female student.

Several other famous photos of Elliott Erwitt’s were on display in the gallery, notably couples kissing.

“They’re definitely staged,” said Jenny Kirchner, one of the van drivers on the trip, who is also an award-winning photojournalist. “That’s OK, they’re still great.”

French photographer, Henri Cartier-Bresson, the master of photojournalism who perfected “street photography,” didn’t stage his photos. He just had a keen sense of when things would appear, his wife said in an article.

Likewise, Erwitt’s photos were not staged, argued Margaret, another student.

“They’re ingenius, like the one of the couple kissing in the sideview mirror,” she said. “Most photographers would photograph themselves, but he got out of the way and took one of them.”

After Bergamot, armed with their 35 mm cameras (no digitals allowed), rolled film, tripods and lenses in hand, the group of young photographers then set out to capture Venice Beach. Eric gave them ample time for their “plein air” photography experience, from 1 p.m. to 7 p.m.. They would leave L.A. just before sunset.

Like Cartier-Bresson, many of the students took pictures of bodybuilders, skateboarders and basketball players. None wanted to “tip” to Spider Man and Elvis for their photos as they walked along Venice’s Boardwalk.

“Bye, Spider Man!” shouted a young girl walking hand-in-hand with her mom. “I know you’re not really Spider Man, but a man in a suit.”

“Aw, you really don’t believe that!” said Spider Man, as he sat rubbing his feet.

Other candid “photo opportunities” on the Venice Boardwalk included: a man with multitude of hats stacked on top of one another; a snake charmer on a ladder holding two green snakes; a man with a cardboard sign offering passersby the opportunity to “Kiss My Ass for $2,” medical marijuana huts; a peripeligic on a skateboard; and young girls in bikinis shopping.

With her digital camera, Jenny took pictures of skateboarders doing tricks. Then, she handed them her card and said that they’d be posted on her web site later on that evening.

“If they like the photograph, then I’ll just charge them a nominal amount for printing,” Jenny said.

In her web site, Jenny has a built-in security device that won’t allow people to steal her images.

In the backdrop, of course, was Venice Beach–with it’s miles of coastline, surfers, swimmers and seagulls.

I found a “No Swimming” area where the surf sprayed over some large rocks. It would happen only occasionally, like a humpback whale coming up and spouting air, but it was a wonderful cascade!

On the way back, some of the students groaned about having to develop their film in the darkroom. Cartier-Bresson despised printing his own prints too.

“I get nervous whenever I go in there,” admitted Margaret. “So I give myself little pep talks, saying, ‘You can do this!'”

Amelia, another student agreed.

“I always manage to get chemicals on my fingertips, so they make smudges on my prints,” she confessed. “I don’t think I’ve ever come up with a ‘perfect print.'”

How did their Venice Beach photos came out?

You can actually view their photos at an exhibit at the end of next week. The details of the students’ one-day exhibit TBA.

For more information on the Black-and-White Photography class or other Summer Programs, visit www.idyllwildarts.org or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

 

 

 

 

 

 

 

 

 

 

By Marcia E. Gawecki

Students from the Native Plants class at Idyllwild Arts were going to look at rock paintings that were estimated to be 300 to 500 years old.

This is one of the many classes available during “Native American Arts Week” held July 10-16.

Daniel McCarthy, a Tribal Relations Manager from the U.S. Forest Service, stood next to a placard in the Idyllwild, CA, County Park, about 20 feet from a fenced-in boulder.

“This is an improvement from 40 years ago,” he said. “The fence will keep rock climbers out, but it prevents anyone from getting close.”

Daniel explained these rock paintings were not graffiti, but a sacred component of a coming-of-age ceremony by Cahuilla Indian girls.

They had created a variety of symbols with red paint, but it was difficult to determine what they all meant, but likely they were created over time.

“There may have been a ‘gap’ year or ten years,” Daniel said. “It all depended upon the acorn harvest.”

Near the rock, he pointed out several grinding stones.

The second rock painting featured two small handprints and no fence. Above, Daniel pointed out the white chalk marks.

“Here, rock climbers are practicing their skills, and below, there’s a 110-year-old rock drawing at risk,” he said.

He added that it was up to the County Parks Service employees to educate the public and warn climbers.

Abe Sanchez, their Native American co-teacher, discussed harvesting chia seeds.

“They’re high in protein, easier to digest than flax seeds, and could keep you from getting hungry,” he said.

Peg McClure, an Orange County firefighter, agreed.

“We were fighting the Laguna Fire, and didn’t have any food for about 36 hours,” Peg said. “So I chewed chia seeds and really wasn’t hungry.”

Originally, Peg admitted to taking the class for smoothies’ recipes, but has learned much more.

Even the young Cahuilla Indians were looking at native plants with new eyes.

“They’ve eaten our bad Western diet, and now have diabetes and heart disease,” said Evan Mills, another student. “Now they’re turning to their native plants for health benefits.”

The next day, the class had to cook a traditional Cahuilla meal, including sautéed nettles, acorn mush, pumpkin flowers, maze tortillas with elk sausage—and grasshoppers.

“They taste kind of nutty,” one student admitted.

The final rock painting was located three miles away in Fern Valley. The images were the most detailed and elaborate of the three, including red and black dyes.

The red dye came from hematite, an iron ore, which was ground into a powder.

“What were some of the bonding agents they could have used?” Daniel asked.

No one knew.

“Egg whites, blood, urine or any kind of animal protein,” Daniel said.

Some of the marks on the rock were more distinct, while others had faded.

“There is snow up here, so there’s natural erosion,” he said.

One time, Daniel found remnants of a campfire below the painting. He cleaned it up, and wiped the singe marks from the rock.

“Fire could cause stress to the rock, which would eventually erode the paintings,” he said.

There was no marker on this site, but Daniel said the neighbors knew about the paintings.

“With education and diligent caretaking, we can preserve this site’s cultural value for many years to come,” he said.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jul 13, 2011 @ 17:32

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

By Marcia E. Gawecki

“‘Our Town’ is one of the most beloved American plays of all time,” said Suzanne Avalon, head of the Isis Theatre Company of Idyllwild. “We are Grover’s Corners.”

Suzanne was talking about a play which opens tonight, one that has many similarities to Idyllwild. It’s set in a small New Hampshire town and focuses on the daily lives of its residents. Although it’s set in 1901, Suzanne said it’s a timeless piece.

“Sure, we have a lot more technology now, but it’s about what we do in our everyday lives–our attitudes, how we cope and treat our neighbors,” she said.

“One thing that this play teaches us is that things go by quickly, and we forget to pay attention to how wonderful it al is,” Suzanne added.

The three-act play focuses on a young couple, as they go through life’s stages of falling in love, marriage and death.

“The playwright, Thornton Wilder, broke barriers with this play,” Suzanne explained. “He looked at things askew.”

“Our Town” is portrayed with minimal props and costumes, and audience members are not distracted by pageantry, thereby focusing on the words, she said.

Gemini Anderson plays the female lead, Emily Webb. She is a current theater student at Idyllwild Arts, now on summer break. In fact, Howard Shangraw, who heads up the academy’s theater department, is also in the play.

“He plays plays Simon Stimson, a drunk choir director,” Suzanne said.

In the past, Howard has directed and acted in many Isis Theatre productions, including “I Am My Own Wife,” about an East German transvestite. However, this is the first Isis production for Gemini.

“Gemini is a treasure, and Rebecca, Zora and Chris,” Suzanne said of the young actors. “They found themselves and even though it’s a period piece, they have embodied their characters.”

In one rehearsal, Suzanne said she was so enthralled by their performances that she missed her cue. As a favor to the director, she’s going to play Emily’s mother. It’s also a tribute to her own mother who once played Emily.

There are 18 actors in the “Our Town” production, including many “extras” from Idyllwild.

“We had about a half dozen show up for the audition,” Suzanne said. “Some had never acted before, and wanted to try it and ‘see how it feels.'”

She gave many of them speaking parts, and only turned one or two away.

“I think it’s important to incorporate our town into ‘Our Town,'” Suzanne said.

Emily Heebner, a veteran Broadway actress, directs the show. Susan Hegarty is the stage manager and moderator. The cast includes Howard Shangraw, Suzanne Avalon, Marshall Smith, Chris Morse, Gemini Anderson, Jeri Greene, Jim Crandall, Duane Minard, Ana Lia Lenchantin, Chris Murphy, Zora Schoner and Chad Jones.

Performances begin at 7:30 p.m. this Friday, July 8 and run through Sunday, July 10. A pre-curtain reception starts at 7 p.m.

Tickets are $18 for general admission, or $15 for seniors and students. The Caine Learning Center is located at 54385 Pine Crest Avenue in Idyllwild.

For more information, call (951) 692-9553 or visit www.isistheatrecompany.com.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jul 7, 2011 @ 23:35

By Marcia E. Gawecki

When jewelry artist Amanda Clark Taylor closed Artisans, her art gallery in Idyllwild, it wasn’t her only loss.  Family members, including her beloved mother, had died all within a short time period. To cope, Amanda found solace in her jewelry making.

“I had lots of time on my hands when I was closing up my father-in-law’s house in Iowa, of all places,” Amanda said. “But I fell in love with the area and the people.”

At first, Amanda was frustrated because she couldn’t find her normal bead supply stores, or even the brighter colors in her artist’s palette. So she began working with square beads in earth tones and took a few classes.

“I drove to a bead class in Iowa City, which was four hours away,” Amanda said. “The trip wasn’t so bad because there were frozen custard stops along the way.”

The result was an impressive wall hanging made out of square beads.

“It started out as a 3-by-7-inch bracelet,” Amanda explained. “And then I just kept going, and made it into a square. Well, that didn’t look right, so I made it into a larger rectangle.”

Right now, she’s in the process of making the 26-by-13-inch sculpture so it can hang on a wall. She’s weighted the bottom and is attaching a backing to the top so that it can take a hanger.

“Ribbons,” the Iowa-inspired wall hanging is shown on her personal web site, Bead by Bead by Bead, but there are no prices listed—yet.

“I didn’t put any prices on my web site because they were all for sale at Artisans Gallery,” Amanda said.

At her gallery openings, she was famous for wearing her own large, colorful jewelry with the price tag hanging out. When well-intentioned people would tell her to hide the tag, she’d laugh and tell them it was for sale.

“I sold a lot of pieces that way,” Amanda joked.

Over the Fourth of July weekend, Amanda and her friend, Tawny Crist of Banning, were selling their excess bead supplies at Oh My Dog Gallery in Idyllwild, which is right next door to where Artisans Gallery used to be. It’s now The Hub, a new bike shop.

Amanda has no bitterness about being so close to her former location.

“I miss the artists, but not the business end of running a gallery,” Amanda said.

But she talked about her transformation as an artist.

“I am now an artist who uses beads, instead of a beader who did artwork,” she said.

Tawny was sitting cross-legged on the floor of Oh My Dog Gallery looking at several of Amanda’s necklaces. The two she most wanted were made of Venetian coils about 15 years ago.

“There’s just something so special about the colors that she uses,” Tawny said. “She’s a true artist.”

Amanda’s new art emphasis will not be on the beads, but the sculptures that she creates with the beads.

Another piece that she had created during a workshop last year depicted a round, dark stone in the middle. The “wrap,” or beaded attachment, was a challenge, Amanda said, because it broke three times.

“The first time, the thread wasn’t strong enough, and then the stitch wasn’t right (too open),” Amanda explained. “Now the wrap is made with 14-pound fishing line with a peyote stitch.”

She said that the stone, which has a natural white line carved into it, weighed about 10 pounds.

Amanda plans to use more organic material like stones into her future work. Right now, she’s working on a beaded nest for a large ostrich egg. And she’s also making a patchwork quilt with 2 1/2-inch squares made with her leftover beads.

With the money she made by selling her leftover beads, Amanda is planning on taking a class with Betsy Youngquist of Chicago, whom she met through a friend.

On her iPhone, she showed us a picture of “Otto,” an octopus Betsy created with beads. (You can see the image on www.byart.com).

“Isn’t that wonderful?” Amanda said with glee. “Of course, we won’t be making octopuses like that right away. They’re starting us off with spoons.”

Taking this class will help Amanda move her art in a new, and more challenging, direction, she said.

To view Amanda’s art, visit Bead by Bead by Bead at www.beadbybeadbybead.com.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

As summer settles in Idyllwild, there is one formidable nemesis. Actually billions of them: biting flies.

They can come upon you without warning, leaving red welts that sometimes itch for days. Instead of spraying insecticides, some Idyllwild locals are just staying inside.

“I was raking the yard and one bit me in the hand,” said Dan Carpenter, a local from Fern Valley. “It swelled into the size of a walnut for a couple of days.”

Others who are trying to abate their yards have changed their schedules to raking only in the early morning or at dusk, before the flies really became a nuisance.

“I’ve never seen the flies so bad,” said Lindsay, a counselor from San Francisco who has worked at the Idyllwild Arts Summer Program for the past three years.

During Family Camp this week, she said they’re moving a lot of activities inside because of the flies.

“We used to host dinners for the families under the canopy in the Holmes Ampitheater, but the flies are too annoying,” she said.

Although most Family Camp members at Idyllwild Arts have been coming back year after year, they won’t be disappointed at the change, Lindsay said.

“Bugs are part of the camp experience,” she said. “They understand that.”

When we asked those at the Idyllwild Ranger Station about the flies, they didn’t have any new answers.

“We had a wet spring, so that’s why there’s more flies around,” said one of the volunteers at the front desk. “We just put on Off!”

Insect repellants like Off! only work for a short time, claimed another local.

“On fly bit me right through my shirt,” he said, exposing a red welt that looked like chicken pox.

Domestic pets are not immune to the biting flies either. They swarm, biting their backs and causing them to jump. Sherman, the horse on Hwy. 243, has had a hood on every day.

One woman who was out raking her yard with her two cats tried to offer them some relief. She didn’t want to put Off! (made for humans) onto their fur, but sprayed on cat tick repellant instead.

“But that only worked for a short time until the cats rolled into the dirt and licked it off,” she said.

Yet, the Rotary’s Fourth of July Parade on Monday morning will have some respite.

Weather conditions are calling for cloudy skies with a chance of thunderstorms, said Sue Westphal, as she walked her dog, Sam.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jul 4, 2011 @ 16:58

 

By Marcia E. Gawecki

When he was signing books afterwards, you couldn’t help but notice the large veins in his muscled arms. They stood out like a river’s arbitraries and pituitaries. Then you noticed his eyes, dark and knowing. Like someone who has seen a lot, and not necessarily good stuff. You earn those kinds of eyes.

On Thursday night, July 30, bestselling author James Brown read from his new book, “This River,” on the deck at Cafe Aroma. It was the seventh installment of the popular Idyllwild Author Series, but the first at this venue.

After his introduction by moderator Eduardo Santiago, James said that he came to Idyllwild because of Frank Ferro (Cafe Aroma’s manager/owner). They have been friends for a long time.

“I came because of his nice smile on the poster,” admitted Anna Ancheta, a youth orchestra conductor from Mountain Center.

Others were there because they’ve read his many books, including “LA Diaries.” They mingled in with the diners on the deck, who were chatting at first, but became captivated when James Brown started reading from his latest book, “This River.”

James described the Chetko River, located in Oregon, about 800 miles from his home in Southern California. He talked about fishing with his three boys for the first time, and hearing his father’s voice in his head.

“It reminded me a lot of ‘Big Two Rivers,’ by Hemingway,” Anna added. “Some rivers speak to people.”

Yet, James’ unassuming title, “This River,” doesn’t fully prepare the reader for what lay bare inside. It’s a memoir about James’ dysfunctional family life, his mentally ill mother, and alcoholic father, brother and sister, all of whom committed suicide. In the book, James describes how he put his brother’s ashes into the Chetko River, by wading waist deep and releasing them in handfuls.

“Of course, I didn’t file a permit to release my brother’s ashes,” James read. “This is a river of dreams, and stories of his childhood.”

He then closed his eyes and prayed to no one in particular. He was grateful for having known his brother, Barry, a talented Hollywood actor.

“Many of you may have known Barry from the film, ‘Daisy Miller,'” Eduardo said. “He had a promising career and was headed for the likes of James Franco.”

According to the IMDb web site, Barry Brown, who died at age 27, was also an author and playwright. Peter Bogdanovich praised Brown’s contribution to the film, describing him as “the only American actor you can believe ever read a book.”

“He was enormously talented. He had an IQ of 170, which includes only about 150,000 people in the world,” James said.”But he was an alcoholic, and when he died, he didn’t kill Barry; he killed the drunk.”

“I’m the last one standing,” James said.

In one evening, James Brown laid bare his own troubled life, including his struggles with drugs and alcohol.

“You may ask me if writing this book was cathartic,” James said. “It wasn’t. I didn’t want to return to those dark places, but they were the most defining moments that shaped my character. I knew that I had to get through it or I wouldn’t write another book.”

Eduardo said that James’ mother also had her share of troubles.

“She committed arson and homicide, but went to jail for tax evasion,” James said.

Yet, he nursed her in her old age, after a series of strokes.

“There was nothing to be afraid of anymore,” James said. “She was old and frail. But we talked and I got to know her better.”

“If you were an alcoholic, how do you know that you’re recording it as it really was?” asked one audience member.

“I can’t recall things that happened 20 years ago sober,” James said. “But in memoir writing, there’s always a distortion, but we write to the best of our abilities. I like to think of it as ‘an emotional truth.'”

A waiter from Cafe Aroma, who had read James’ “LA Diaries”, asked him about forgiveness.

James said that he didn’t want his books to be negative, but redeeming.

“I have to learn to forgive myself for my bad behavior,” James said. “And forgive my brother and sister for taking their own lives. That way, I can love them more fully.”

Afterwards, Anna jumped up from her chair to purchase “This River.” B’s Books, which also sponsors the author series, had them available for sale. Some of the diners added the book to their bill.

“He’s a gracious man with a large vision,” Anna said. “His imagery is just beautiful.”

Next up in the Idyllwild Author Series will be “Deus Ex Machina” by Andrew Foster Altschul on Sunday, July 3rd at 2 p.m. at B’s Mountain of Books. Andrew lived in Idyllwild for some time, but he still returns every summer with his family.

“His new book is called, ‘Deus Ex Machina.'” Eduardo said. “It’s a fancy title for a fabulous novel about the effects of reality television on our culture.”

For more information, visit www.eduardosantiago.com or call B’s Books at (951) 659-5018.

Copyright 2011 Idyllwild Me. All rights reserved.

 

 

 

 

 

 

 

 

 

 

 

By Marcia E. Gawecki

More than 25 artists from the Idyllwild Arts Summer Program showcased a variety of works at the Opening Reception at the Parks Exhibition Center on Monday night, June 27.

The featured artwork came from instructors who are teaching workshops during Metals Week, Hot Clay, and Native American Arts Week, as well as select faculty artists and staff members. The items included jewelry, pottery, paintings, sculptures, and Indian artifacts and toys. The show ends this week.

“Everyone helped out to make this show a success,” said Christy Scott, who works at the gallery this summer. “David Wells (guest curator) came and helped us out, and so did his assistant, Ian Erickson-Kery. Kristin Coffin helped us arrange all of the jewelry. It was a group effort.”

Christy said that about 120 people showed up on Opening Night and several items were sold. Among them two female figurative sculptures by Debra Fritts, a studio artists from Georgia. Her husband, Frank Chelton, a painter/poet/teacher, was there taking pictures of her artwork, while she was teaching her figure class.

“By the Wings of the Raven,” a multiple fired stoneware of a nude woman inside a vessel. Debra’s price tag was $3,600 dollars, and it sold. “White Wing,” a larger nude female torso, sold for $3,200 dollars.

Although the facial images on Debra’s pieces looked similar, Frank said that it’s not anyone in particular.

“She’s just perfected the image over the years,” he said.

“Her work is incredible,” added Jessica Schiffman, an Idyllwild illustrator and painter, who teachers a summer class. She attended Opening Night and said that Debra’s work stood out.

Other items that sold were jewelry from Metals Week instructors, including Kristin Coffin, from Los Angeles. Last year, we featured a story on her jewelry making (see Idyllwild Me post entitled, “Metals Week at IA” on June 27, 2010). She had started to sell her jewelry on Etsy, a specialty web site for handcrafted gifts.

Since then, Kristin’s jewelry has become more specialized, making mostly wedding bands, said Jackie Ryan, her roommate in LA who is also a painting assistant in the Summer Program.

Alison Yates, from Idyllwild Arts Academy, was there looking at Kristin’s rings a couple of days after the show.

“I just love her work, and her prices are reasonable,” Alison said.

She purchased a gold band of Kristin’s for $65 dollars.

Another popular jeweler is Emma McMenamin, from the Summer Program. Her stone and glass beaded jewelry already has a signature style. One of her necklace-and-earrings ensembles was called, “Rain Forest.” Its green and gold beads and jewels was a fitting tribute to that marvel of nature in South America.

Ian read from Emma’s tag:

“It has jasper, Czech glass beads, Czech and Japanese seed beads, and gold-filled earrings,” he said. “It costs $525 dollars.”

At closer inspection, we noticed that the “Rain Forest” earrings were not identical. In fact, the styles were very different.

“That’s edgy,” exclaimed Ian.

Did Emma do that on purpose, or did she simply run out of beads?

“I thought since the necklace was asymmetrical, then the earrings needed to follow suit,” Emma said.

Although there are hundreds of beads in the necklace, Emma said that it only took her about 20 hours to make.

“I started it while watching ‘The Sound of Music,’ and it just took shape quickly,” Emma said. “It was actually one of my first tries at freeform bead weaving – a form that does not have a set pattern, but rather it takes on a life of its own.”

When a woman tried it on, it was surprisingly lightweight, even with the multitude of beads woven into it.

Emma said that she thinks her jewelry will remain in the case until the end of the summer.

Christy and Ian said that the Monday, July 4th show will focus on “Hot Clay” images.

The summer exhibition season at the Parks Exhibition Center runs from June 27 to August 20. Opening Receptions will be held on Mondays July 4, July 11, and July 18; and on Tuesdays July 26 and August 9.

For more information, call the gallery at the Parks Exhibition Center at (951) 659-2171, extension 2251, or visit www.idyllwildarts.org and click on “Summer.”

Copyright 2011 Idyllwild Me. All rights reserved.

 

 

 

By Marcia E. Gawecki

When he arrived in California from Amsterdam after WWII, sculptor Jan Jaspers-Fayer took a job in a glass factory. At the time, it helped pay the bills for his growing family. Later, the thick glass that he worked with made its way into his steel sculptures that adorn his steep back yard in Idyllwild. In the spring and summer, garden clubs, schools and other groups enjoy touring his Idyllwild Sculpture Garden.

Many of the sculptures featured in the garden are his older works, such as the old man, that measures 12 feet high and is made from forged steel. It must be 15 years old now, but just as beautiful as the day it was cut from the same steel plate.

“There’s no title, just an old man,” said Jaspers-Fayer, 82.

In the back of his sculpture garden, a large steel-and-glass sculpture catches the sunlight and reflects a prism of colors onto the ground.

“That’s the glass that I used to work with,” Jaspers-Fayer explained. “Diachronic glass is hard to cut, so I end up breaking it in pieces, and then sanding the edges.”

Over the years, Jaspers-Fayer has created many stained-glass images with diachronic glass, including one at the Episcopal Church in Idyllwild.

However, the new sculptural creation that he’s excited about doesn’t have any glass in it at all. It’s a large wire sphere made up of interconnecting images. His artist’s prototype hanging from a large oak tree in his backyard is comprised of 12 butterflies. The sphere has about a 15-inch radius.

“I can make these spheres any size,” Jaspers-Fayer said. “Some people like them larger for outside in the garden, or smaller, to hang on your porch.”

Other art sphere themes that he’s working on include: acrobats, flowers, and birds.  Since he lives among nature in Idyllwild, Jaspers-Fayer often draws from nature for many of his sculptures, paintings and prints that decorate his home and area galleries.

To make the spheres, Jaspers-Fayer first draws the image out by hand on cardstock. He then cuts them out and tapes them together. After close inspection, he’s ready to move from cardboard to making the metal spheres. The pieces are cut out of a sheet of metal with an electric saw and then powder-coated paint is applied for long-lasting durability. Jaspers-Fayer said that he previously painted them with acrylic paint, but found that powder coating (which chemically bonds paint to metal) had more vibrant colors that worked best for his images.

Jaspers-Fayer said that his art spheres are also easy to disassemble and transport.

“They arrive in pieces, but anyone can put them together with a screwdriver,” he said.

Sphere prices range from $1800 on up, depending upon the size. Already several are on back order, and more came after his May show at Honey Bunns and Joe Bakery in Idyllwild.

For more information on Jaspers-Fayer’s artwork or for a free group tour of his Idyllwild Sculpture Garden, call (951) 659-5240 or visit idyllwildartandsculpturegarden.com.

Copyright 2011 Idyllwild Me. All rights reserved.

 

 

 

 

 

By Marcia E. Gawecki

“Metals Week” at Idyllwild Arts Summer Program begins today, June 26, and lasts until Thursday, June 30th. Jewelry makers and metal smiths come from all over the country to teach their craft in Idyllwild. They bring with them a wealth of information about how to make jewelry.

Many who attend “Metals Week” are professionals and hobbyists alike. More importantly, they are loyal followers who come back to the same class and instructor year after year.

Fred Zweig, a self-taught metal smith and jeweler from Tucson, was proud that his class, “Hinges & Articulations,” filled up fast. (Idyllwild Arts limits its classes to 12 students so they can receive better one-on-one instruction.)

The first year, Fred said only six students signed up. The second year, he reached the limit, and this year, his class filled up the first day.

This is a sigh of relief for summer teachers during this economical downturn. When classes don’t fill up, sometimes they go away. That’s why Fred takes an active role all year in generating students for his workshops.

“I post my workshop notices on Facebook and other jewelry groups,” admits Fred. “Jewelers are a pretty close-knit community.”

Other times, when he’s completed one of his own pieces, he’ll post a photo of it on Facebook.

“Most artists hate to do it, but you have to continually market yourself,” Fred said.

On his buttoned down shirt, Fred was wearing a medium-sized silver pin of own creation. He said that he doesn’t cast (melt down metal into molds) to make his creations, but forges them (melts the metal with soldering tools).

“My wife also wears my jewelry,” Fred admitted, although he doesn’t give her a commission if she sells one. “It’s all in the power of suggestion.”

In the description of his class, “Hinges & Articulations,” the summer brochure states that: “Hinges are essential to making other objects that conform to the body, or make a flexible connection between two or more parts.”

The “flexible connection” description is also the way Fred approaches his networking online.

He posts on Facebook, and on various jewelry groups, such as Jewelry and Metalware, The Arts & Crafts Society and The Arts & Crafts Movement, among others.

He also helps out friends in need. And, along the way, he said he learns a thing or two. That knowledge helps him to become a better teacher. He’s been actively working in metal and teaching others for more than 30 years.

SHARE YOUR EXPERTISE

A friend of his recently asked him to help a woman who wanted to sell a certain piece of jewelry. She wasn’t sure of its worth, and wanted his expertise.

She sent Fred some pictures, and he asked for one more, to see the artist’s signature or stamp. He called around to his colleagues in the industry, and found out that it was worth about $1,000. He even found her a buyer.

“A colleague of mine just bought a similar piece,” Fred said. “She answered my question about the materials. Her necklace had silver and copper balls, which the studio of the artist incorporated after his death.”

His colleague confirmed it, and even offered to buy the piece.

Fred didn’t charge anything for that legwork, but he could have. He said that he enjoys learning new things, and connecting people with each other. That luck has landed on his doorstep many times.

ANTIQUES ROAD SHOW

He once found a lovely bronze sculpture of an Asian girl at a flea market.

“It was in mint condition, except there was something missing from her hand,” Fred explained. “It must’ve been a bird or a ball.”

He paid $35 for it, knowing that he could sell it for more.

“I estimated that I could get about $1,000 dollars for it,” Fred said.

As it turns out “Antiques Road Show” was in Tucson, and he brought the Asian girl sculpture with him. Immediately, they pulled him aside, and asked how he obtained the piece and how much he paid for it.

“Do you have any idea of what it’s worth?” the appraiser asked him.

Since he knows the value of metals, Fred had a good idea it could be worth $1,000. Well, they asked him to be on the show, and put him in the “Green Room.”

“They didn’t tell me what they thought it was worth,” Fred said. “They really like the element of surprise.”

As it turned out, the appraiser estimated the Asian girl sculpture would garner $3,000 to $4,000 dollars at auction. Fred and his wife couldn’t be happier.

The week after the show, Fred called the appraiser and asked to put the item into auction.

“It took awhile because they had to find the right auction,” Fred said. “You know, ones that specialize in Asian art.”

As it turned out, the Asian girl sculpture sold for $1,400 dollars. The auction house got their cut, and Fred got $1,000 dollars.

“So when my wife sees “Antiques Road Show,” and they say that something is worth a lot, she laughs and says that’s not always the case,” Fred said.

BUYING FROM EBAY

But the entire experience was a good one, and makes for a good story to tell his students. He also buys and resells things on Craig’s List and eBay.

Recently, a friend of his called and told him to buy enamel and copper bookends on eBay. They were identical peacocks.

“But they were also $350 for the pair, which is a steep price for us,” Fred said.

However, he figured that he could resell them easily.

“My wife thought I wanted to buy bookshelves, so she said, ‘Go ahead,'” Fred said.

When the package arrived, however, Fred had a bad case of “buyer’s remorse.”

“We really didn’t have the money for extra things like that,” Fred said. “I’ve been out of work from my engineering job for more than six months.”

He didn’t even open the package for an entire day.

Yet, when he finally opened it, the bookends were far better than he expected. (See the photo at www.forum.arts-crafts.com).

“The detail was incredible,” Fred said. “I knew that I had something special.”

The bookends came from the Arts & Crafts Movement, a period ranging from about 1870 to 1925.

However, he had his work cut out for him. The original black patina had been rubbed away, so Fred planned on restoring that. Yet, at close inspection, he saw that there was a faint signature on one of the bookends.

“During that time, there were maybe three artists signing their work,” Fred explained. “And Gertrude Twichell of Boston was one of them.”

Gertrude Twichell, from the Boston Society of Arts & Crafts, had signed both pieces, which added to its value. He figured they were worth about $1,000 for the pair.

So did Fred get to work to restore and resell these bookends?

“Oh, I probably won’t resell them for about 10 years,” he said. “I just want to enjoy them now.”

On his web site, Fred posted: “Gertrude Twichell was an extraordinary craftsman. I am ecstatic to own one of her works. The enamels are foil backed and not embossed. What looked like cell walls was gold enamel applied with a brush. The plaques are in perfect condition.”

Others posted, “These are stunning, Fred. Well done!”

Fred’s been collecting certain types of collectables for years now. You can find his web sites at www.fredz49.blogspot.com. For more information on Metals Week, June 26-30, and the other instructors, Harold O’Connor, Sandra Noble Goss, Charity Hall, Joanna Goldberg, and Pauline Warg, at the Idyllwild Arts Summer Program, visit www.idyllwildarts.org, and click on “Summer,” or call (951) 659-2171.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Jun 26, 2011 @ 14:08