Marshall Hawkins once played with Miles Davis. Image by Marcia E. Gawecki

By Marcia E. Gawecki

“Four,” a song by jazz trumpeter Miles Davis, is considered to be among the lineup for the final Idyllwild Arts student jazz concert Tuesday night, May 22, at 7:30 p.m. in the Bowman Arts building.

It stands to reason that Jazz Chair Marshall Hawkins would pick a song from Miles Davis. As a jazz musician, composer, and band leader, Miles is considered to be one of the most influential jazz musicians of our time.

It is also well known on campus that Marshall once played with Miles.

However, the details of the experience haven’t fully come to life. The jazz students say it’s a cool fact, and perhaps Marshall’s esteem is boosted even higher in their eyes.  But they don’t push him for details.

Hopefully, Marshall will write about Miles in his memoirs one day.

In the meantime, however, we’ll get to enjoy “Blue Haze: Four” as one of the songs that will be performed by Marshall and the students tonight. The key word is “possible” because the lineup and music selection changes all the time. Sometimes, the students don’t know the lineup until just shortly before the concert begins.

“It doesn’t matter,” said Randy who plays the saxophone. “We know the music already. It’s just a matter of which order Marshall wants to take it.”

Walker, a graduating senior who normally plays guitar, will switch to bass for Tuesday’s performance because one of the bass guitar players hurt her finger.

“It’s a totally different instrument, but I’m up to the challenge,” said Walker.

According to the Jazz Education web site, “Blue Haze: Four” was recorded in 1954, just after Miles had overcome his drug addiction. It features Horace Silver, Percy Heath and Art Blakey.

Interestingly enough, “Four” was usally attributed to Miles Davis, but it was actually written by Eddie Vinson for Miles Davis. Today, both are usually mentioned as authors. This is an interesting solo, as Miles articulates almost aggressively. Miles’ solo features a hard sound right from the pickup, which he was not known for before.

Idyllwild Arts alumni Caleb Hensinger and Jacob Scesney will be also playing at Tuesday’s jazz concert. Both attend the Burklee School of Music in Boston. Caleb will likely do a nice job with Miles’ “Four,” since he has a similar round sound.

Caleb would play with Marshall and Paul Carman at Cafe Aroma on an occasional Tuesday night, and sometimes steal the spotlight.

“There was one woman in particular who would only come when Caleb was playing,” said Frank Fero from Cafe Aroma. “He really charmed the ladies.”

Another twist to the Tuesday night jazz concert will be a collaboration with a string quartet. The classical musicians include SaSa, Howard and Tiffany. The fourth one Randy couldn’t recall.

“Marshall is going to put us all on stage and build a symphony,” Randy said.

Whatever Marshall and company are up to will turn out to be a wonderful evening of jazz–with some surprises. Although the IAF Theatre in Bowman offers ample seating, it’s still best to arrive early Tuesday night.

Copyright 2012 Idyllwild Me. All rights reserved.

 

By Marcia E. Gawecki

At Idyllwild Arts, some jazz students get music gigs long before they graduate from high school. American Idol heartthrob Casey Abrams, and former grads Caleb Hensinger and Jacob Scesney (who now attend Berklee College in Boston), and currently, Lake, a guitar player, have all played with Marshall Hawkins and Paul Carman at Cafe Aroma.

Jazz students have also performed at public high schools, for competitions like Spotlight and the Berklee Jazz Festival, during auditions for summer music festivals, at weddings, country clubs and other gigs throughout the year. However, Cafe Aroma remains constant.

Inigo, a junior from Brazil, played there once.

“It was a great experience playing with Marshall,” Inigo said. “I learn so much from him.”

In fact, during that Cafe Aroma gig, Marshall threw Inigo a curve ball.

“We’re playing ‘Caravan,’ which had a 4/4 tempo,” Inigo explained. “He looks straight at his bass and says 6/8.”

Inigo wasn’t expecting that, and immediately had to speed up the tempo. He said later it was a good “real world” experience.

It also showed how intimately connected jazz players are. Sometimes, Inigo said, they only speak with their eyes.

For instance, at his Junior Recital at Stephens Recital Hall on Monday, April 9, Inigo said that the drummer had missed a tempo change, and the bass player stared at him, and he quickly recovered.

“It happens all the time,” Inigo said “At school gigs, we are constantly looking at each other for cues.”

Inigo has eight more performances to go before the end of the school year in June.

“Last year, Caleb, a horn player, told me to accept all requests for being an accompanist,” Inigo said. “He said that you’ll learn something new from each one.”

So Inigo said “yes” to nine other students this year, including Randy, Kat, Walker, Tyler, Alex, Ken, Nick (vocal), Tiffany and Katy (who left the school).

He said he doesn’t always like their music choices or how they play them, but welcomes each new experience.

“Sometimes, I get to play some of my favorite jazz standards,” he said.

For his April 9 recital, Inigo’s play list included: Straight, No Chaser; Four on Six; Nica’s Dream; How My Heart Sings and Impressions.

In June, Inigo is going to Bangkok, Thailand, for the first time, with his girlfriend, Tierra, a Musical Theatre grad, who lives there. For three weeks, he’s going to play at the Maple Hotel, which is owned by her family.

“Tierra said that Thai people are crazy about Boss Nova (Brazilian music), so I’ll be playing guitar and singing in Portuguese,” Inigo said. “I’m an average singer.”

When he returns to Sao Paolo, Brazil for the rest of the summer, Inigo will likely get his regular gig back. It’s at a small bar called O Barsinho, where he accompanies a singer.

“Alicia Santas is about 30 years old, beautiful and really nice,” Inigo said.

When Alicia first met him, she asked him what type of music that he listened to.

“I knew all of the songs that she liked,” he said. “So she said, ‘Perfect!’ and hired me on the spot.”

But when Alicia’s onstage, she’s all professional.

“She just turns around and announces the name of the song, and expects me to know it,” Inigo said. “I’ve been lucky so far.”

Their song set generally remains the same, but once when the crowd asked for an encore, Inigo was sweating bullets.

“I was just hoping that she’d request a song that I knew,” he said.

As it turns out, an audience member requested a song that he knew. This summer, he’ll keep building up his repertoire of songs.

Inigo said all of these performances at Idyllwild Arts and at Cafe Aroma in Idyllwild, at the Maple Hotel in Bangkok and at the O Barsinho in Sao Paolo, all help him build his confidence and gain ‘real world’ experiences as a musician.

“When you play, you’ve got to make it look easy,” he said.

He quoted famous jazz bass player Charles Mingus who said, “Making the simple complicated is commonplace; making the complicated simple , awesomely simple, that’s creativity.”

To view Inigo’s April 9 jazz recital, and others, check out the U Stream link on the Idyllwild Arts web site, www.idyllwildarts.org.

Mark your calendars for the next Idyllwild Arts Jazz Concert on Tuesday, May 22 in the IAF Theatre.

Copyright 2012 Idyllwild Me. All rights reserved.

 

 

By Marcia E. Gawecki

On Saturday, March 10, four jazz students from Idyllwild Arts Academy will be attending the Berklee High School Jazz Festival in Boston. Last year, two brought back Outstanding Musician and Superior Musician Awards.

The four jazz musicians who are going this year are: Lake (guitar), Luca (piano), Mary (bass) and Max (drums). Lake and Mary are seniors, Luca is a junior and Max is a sophomore.

“I know that a piano, bass, guitar and drums sounds like an unusual jazz combo,” Max explained. “Even though we don’t have a horn player, we sound pretty good.”

Lake, the only one who will be attending the Berklee Jazz Festival both years, doesn’t feel the pressure to win more awards. He’s racked up a few of his own this year, including a Young Artist Award, a Downbeat Magazine Award (June issue), and an Honorable Mention at the Music Center’s Spotlight Competition.

Although a little arrogance would be expected, Lake remains humble.

“There are so many deserving musicians out there,” he said.

Not to be outdone, Luca, the jazz pianist, just won a songwriting award. But they won’t be playing his original music at Berklee. The jazz combo will be playing three songs, including “Moment’s Notice” by John Coltrane, “Monk’s Mood” by Theolonious Monk and “Straight Up and Down” by Chick Corea.

Max, from Russia, is looking forward to the Berklee Jazz Festival, but is a little nervous about playing before large crowds at the Hynes Convention Center. It’s his first competition, and he’s relatively new to jazz. Before coming to Idyllwild Arts this year, Max hadn’t played jazz before.

He said he looked up Idyllwild Arts online, and received a great scholarship. He likes living up in the San Jacinto Mountains, but it’s not as rustic as Russia.

“In Russia, there are more bears there than there are squirrels here,” he said.

He knows about bears firsthand. When he went canoe camping with this father, he heard “crunching” sounds outside their tent late at night.

“I just knew that it was a bear,” Max said.

In the morning, there were fresh bear paw prints all around their tent and campsite.

He said he’ll never forget that sound. Perhaps it might work its way into one of his drum solos in the future? Max only laughs.

In Boston, the group, including jazz instructors Marshall Hawkins and Paul Carman, will meet up with former jazz students, Caleb (trumpet), Jacob (saxophone) and Ashi (drums), who now attend the Berkelee College of Music in Boston. In 2011, Jacob brought back an Outstanding Musician Award and Lake received a Superior Musician Award.

They got a jump start at Idyllwild Arts, and played regular gigs at Café Aroma in Idyllwild. When their schedules would allow, Caleb, Jacob and Lake would perform with Marshall and Paul on Tuesday nights. On a few occasions, they played with bassist and jazz grad Casey Abrams before he entered the 10^th Season of American Idol, and catapulted into the world’s stage.

This weekend, Casey will be performing at the Idyllwild Arts Spring Gala in Los Angeles.

Whether these four will bring back more awards from the Berklee Jazz Fest is anyone’s guess. We’ll find out soon enough at the next jazz concert.

When they performed together at the last jazz concert, Stephens Recital Hall was packed. Their concerts have become so popular that they’ve had to move to the IAF Theatre in Bowman for the next one.

For more information on the Jazz Department at Idyllwild Arts, visit www.idyllwildarts.org or call (951) 659-2171. And more about the Berklee High School Jazz Festival, visit. www.berklee.org.

The original Casey Abrams acrylic banner, 7 x 9 feet, is for sale for $900. However, the Marshall Hawkins banner is sold. Email:

id*************@gm***.com











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Copyright 2012 Idyllwild Me. All rights reserved.

 

By Marcia E. Gawecki

The Tuesday night, Dec. 13, student jazz concert was the place to be in Idyllwild. Everyone was there. And not just parents, faculty and students. Hubert Halkin and Frank Ferro from Cafe Aroma were there, and musician Barnaby Finch, along with countless others who packed Stephens Recital Hall at Idyllwild Arts Academy to over capacity. It was standing room only three deep to the door. No one seemed to mind and no one left at intermission.

One look at Marshall Hawkins’ face, and you’d know he was pleased with the turnout. (After all, that guy never smiles).

“My friend is in the chorus and he’s also Korean,” said Kevin, a Visual Arts student.

“I came to support Marshall,” said Peter Askim, Idyllwild Arts music director.

“I think Casey Abrams brought a lot of popularity to jazz, even on campus,” said Mary, who was taking pictures for the academy.

“I came to see what great jazz musicians this school is cranking out,” said Hubert. “We want to talk them into playing at Cafe Aroma soon. We’ve already got Lake.”

Regardless of their reasons for coming, there was a festive mood about the place.

When I arrived (30 minutes late), the new Idyllwild Jazz Choir was performing, “Centerpiece.” Anne Farnsworth, their vocal instructor, introduced the piece from the piano bench. The group of nine was dressed up and crowded around a half circle onstage.

“There isn’t much stage room because of all the instruments on stage,” Mary explained, as she maneuvered to get better photos of them.

The overhead spotlights weren’t great for taking pictures either. The lights were least effective in the back of the multi-purpose room.

Towards the end of “Centerpiece,” each of the students took turns and “scatted” one line each. All of them were good, and left you wanting them to scat a little more. And maybe move around a bit too. But I had to keep reminding myself that this wasn’t Billie Holiday, but teenagers at their first concert.

The Jazz Choir continued with “You Send Me,” “Shenandoah,” and the shorter “Tenor Madness,” arranged by Anne.

Throughout each song, one well-dressed middle aged guy closed his eyes and shook his head to the beat. He was happy in his own little jazz world. Barnaby was listening intently to each word. Some students in the audience were hugging each other and singing along.

After a brief intermission (in which no one left or gave up their seats!), Paul Carman’s Combo took the stage. According to the program, the night was split up into three parts, including Marshall Hawkins’ Combo (which I missed!), the Jazz Choir, and now Paul Carman’s Combo. Paul works closely with Marshall, and, according to the jazz students, each has his own teaching style.

Paul’s Combo was comprised of Lake (guitar), Luca (piano/keyboards), Mary (bass) and Max (drums). Paul introduced the group, and then quickly bowed out.

“This is Lake’s group,” Paul said.

Lake looked every bit the boss. He was dressed in a white blazer, dark shirt and a new haircut. His expression was serious, but the group could “read” his cues from behind him.

They played “Windows,” a modern Chick Corea tune, to start. It was a decent effort, and the crowd was enthusiastic and appreciative. But the four entertainers never smiled. This was serious jazz.

Katie, dressed in a black halter dress, looked every bit the part of an up-and-coming jazz singer. She introduced the Duke Ellington tune, “Solitude,” from behind her long bangs. After the first line, she had everyone in the room captivated.

For Christmas, I wished for a spotlight for her.

Next, Lake lead the group with the favorite Thelonious Monk tune, “Criss Cross.” He seemed to ease up a bit and moved his lips to playing the tune. Luca was moving his lips too. Guess that’s what jazz musicians do.

“Marshall does that too,” exclaimed another student. “It’s funny, but you don’t notice it after awhile.”

When the Korean singer (don’t know his name!) introduced the next song, “The Way You Look Tonight,” it drew a loud “Awwww!” from the women in the audience.

His Beatle haircut and close microphone made it hard for Mary to take his picture. But the crowd was pleased with his version of the famous Jerome Kern tune. He wasn’t afraid to use the microphone.

Some of the other jazz musicians appeared shy and a little unsure about being onstage, however. After the next two tunes, “Monk’s Mood,” and “Moment’s Notice,” Marshall orchestrated the Daniel Jackson song, “Wisdom,” bringing all 14 jazz students onstage.

Three of them recited some words about what wisdom meant, including Walker, who was from Marshall’s Combo. Most of the words of wisdom sounded pretty deep, like poetry.

“Marshall’s going to lead everyone in the group by just pointing to them,” Paul announced to the audience.

Katie, Emily, Paul and the Korean guy were scat singing, which wasn’t an easy feat over all those instruments, including a keyboard, piano, violin, French horn, saxophone, guitar, electric guitars, bass and drums. “Wisdom” wasn’t chaos, but a nicely-orchestrated song. Marshall brought everyone into the tune at the right time.

A few players, such as Lake, Randy, Inigo and Max, got to perform standout solos during “Wisdom.” Afterwards, everyone in the audience showed their appreciation. Everyone around me was certain that Max would get a girlfriend after his standout drum solo. He was just oozing jazz confidence.

“That was a lot of fun,” remarked everyone as they left Stephens Recital Hall Tuesday night. It was dark, damp and cold in Idyllwild, but no one seemed to notice. They had been warmed on the inside from a night of good jazz.

Copyright 2011 Idyllwild Me. All rights reserved.

Published on: Dec 14, 2011 @ 17:41

 

 

By Marcia E. Gawecki

Tonight at 7:30 p.m., two Idyllwild Arts music students will ‘wow’ you at their senior recital. Regina will play oboe, while Helga will sing a selection of jazz and pop songs–with the help of one popular local musician.

For “Both Sides Now,” Helga’s accompanist will be local pianist Barnaby Finch. Since 1982, Barnaby has been a touring member of Lee Ritenour’s band, and has recorded with such notables as George Benson, Lionel Ritchie and Earl Klugh. He also writes his own music and has produced his own albums.

“I was lucky that he was available,” Helga said Sunday, as she headed to meet him for rehearsal. “He was in New York last week.”

Helga, who switched from classical voice to jazz last year, is originally from Sweden. Her mother arrived yesterday for her recital and graduation.

Helga said that she wanted to sing, “Both Sides Now,” but didn’t like the darker tone of Joni Mitchell’s rerelease of that song in 2008. She mentioned this to Paul Carmen, a jazz staff member and saxophone player.

“Oh, Barnaby Finch has a better rendition of that song,” Paul told her. “Barnaby even plays in a band that only performs Joni Mitchell songs.”

Paul set up the meeting with Helga and Barnaby, who agreed to perform at her recital tonight.

After their rehearsal, Helga was glowing with excitement.

“Everything went great! He’s such a nice man, and I love his interpretation of ‘Both Sides Now,'” she said. “I can’t wait for everyone to hear it tonight.”

Barnaby Finch has always been a big supporter of the Idyllwild Arts Academy. At graduation each year, he gives a scholarship award to one outstanding student. He plays at the “Jazz in the Pines” concert in the fall and occasionally at Cafe Aroma.

“Regina is working hard too,” Helga said of the classical oboe player who will also perform tonight.

Regina and Helga’s senior recital, with guest pianist Barnaby Finch, will be held tonight at 7:30 p.m. at Stephens Recital Hall (at the end of Tollgate Road) on the Idyllwild Arts campus. Like all recitals, it’s free and open to the public. For more information, visit www.idyllwildarts.org or call (951) 659-2171.

Barnaby Finch and Paul Carman photos courtesy Idyllwild Arts Academy.  Copyright 2011 Idyllwild Me. All rights reserved.

Published on: May 23, 2011 @ 10:38