By Marcia E. Gawecki
One of Idyllwild Arts’ own came back last week not only to perform, but to spread good cheer. Liang Wang, principal oboist for the New York Philharmonic, is living proof that an Idyllwild Arts high school education is key to acceptance in top schools that can eventually lead to a promising career.
At age 26, Liang is the youngest principal oboist in the history of the New York Philharmonic. He’s kept that slot since 2006, and you can bet he didn’t get it on his good looks alone. After four years of studying oboe at Idyllwild Arts, Liang was accepted to the coveted Curtis Institute of Music, where he won fellowships, grants and awards. Later on, he played for the San Francisco Ballet Orchestra and the San Francisco Symphony and worked his way up to the NY Philharmonic post.
“Liang gets to tell the other oboists what to do, and he’s much younger than all of them!” exclaimed Howard, a sophomore violist from Taiwan now studying at Idyllwild Arts.
Liang spoke to the Idyllwild Arts Student Orchestra after a rehearsal last week. He was candid about his time at the academy, including some mistakes he made (such as getting caught after curfew in the girls’ dorm). Most importantly, Liang offered the students some good advice.
“He said that he doesn’t get nervous onstage because he won some competitions, so he’s earned the right to be there,” said Tiffany, a senior who plays cello. “He looks so relaxed.”
Some of Liang’s achievements included a fellowship position at the Aspen Music Festival. He also was a second prize winner at the 2003 Fernard Gillet International Oboe Competition and a prizewinner at the 2002 Tilden Prize Competition.
Tiffany also said that besides thinking positively, Liang advised them to come to all of their performances prepared. And that means hours of practice.
“When you know your work, you’ll be confident in your playing,” Liang told them.
During his Dec. 3 and 4 concerts at Idyllwild Arts Academy, Liang performed Mozart’s “Concerto Oboe in C Major, K 314 (25d).” Advance press in the Idyllwild Town Crier, the Press-Enterprise, and the Idyllwild Herald, brought large crowds during both performances. The Sunday, Dec. 4 afternoon concert was standing room only.
The oboe concerto was lively, and Liang played most of the time, even to the point of flush in his cheeks. According to the program notes, the Mozart Oboe Concerto in C was composed in the summer of 1977, but the manuscript was lost until 1920. It had a striking resemblance to a flute concerto of Mozart’s. Finally published in 1948, it remains the least-known of Mozart’s entire concerto output.
The notes stated that the Oboe Concerto was rather French in style with cheerful outer movements.
In fact, Liang looked rather French and lively onstage, lifting his oboe like a horn to give the audience its full sound. He was also keen on taking cues from Peter Askim, Idyllwild Arts’ music director. No prima dona he! You could tell that he knew that the fine performance was a group effort.
“I’m in love with him!” exclaimed Camille, an oboist and senior at Idyllwild Arts. “He brought such notoriety to our instrument!”
Camille was among those who got to attend Liang’s master class that weekend. She said that Liang gave her lots of good input about her playing, which comes at the perfect time when she’s applying to colleges.
He even agreed to give Camille a lesson when she visits the Manhattan School of Music over winter break. He is currently on the faculty there.
Ryan Zwahlen, head of the Music Department at Idyllwild Arts who also plays the oboe, was instrumental in securing Liang’s performance at the school.
“He gets great reviews on his sound and control,” Ryan said. “Having him perform with our students will show them what hard work could get them in the future. It’s also a great recruitment thing for the school helping us to raise our profile.”
Copyright 2011 Idyllwild Me. All rights reserved.
Published on: Dec 9, 2011 @ 11:57
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