By Marcia E. Gawecki

‘Bong of the Dead,’ ‘Chopper Chicks in Zombie Town,’ ‘Dead Men Don’t Die,’ ‘Flesh Eating Mothers,’ ”Oh, My Zombie Mermaid,’ and ‘Plan 9 from Outer Space’ are among the more curious titles of zombie movies listed on the internet.

You could say the world doesn’t need another zombie movie.

“But it’s not just a zombie movie,” insists Armani, a sophomore film student at Idyllwild Arts. “It’s got a decent storyline.”

Armani is talking about “Life After Death,” his short film that was “green lit” recently. (Green means ‘go’ in the film world). The high school students that make up his crew began shooting yesterday.

There’s no ‘zombie’ or zombie reference in the title of his film, which was intentional. In fact, Armani doesn’t even want to discuss zombies.

“I don’t want to speak of it,” he insisted. “Everyone has their own opinion of zombies.”

However, he will talk about is his storyline.

“It’s about a guy who convinces a girl to leave her 5-year-old brother at home so that she can go out with him,” Armani explained.

Zombie drama ensues.

“‘It’s more about the story between the sister and brother,” Armani said. “I’m fighting hard to keep that part alive.”

“Life After Death” is not the first film at Idyllwild Arts that was written one way and turned into quite another.

Two years ago, “Prima Ballerina Assoluta,” Dhavit’s 18-minute short film about ballet dancers, started out as a Kung Fu ninja fighters movie, with lots of death and fight scenes. (See “Kung Fu Ballerina” blog post dated 4/20/10).

“But then Isaac (Webb) and I realized that the only ones on campus athletic enough to carry off a fight scene were the dancers, so we had to change it a bit,” Dhavit said.

Armani has plenty of students willing to turn into zombies for him, but he wants to make sure they don’t take over the movie. The familial relationship is key.

“No, it’s not a true story,” Armani laughs, when asked. “My sisters didn’t leave me home alone until I was 10.”

Kai, a former film student at Idyllwild Arts, said that horror films and night shooting takes a lot of work.

“You have to light every step,” Kai insisted. “Sometimes it’s better to rewrite a night scene.”

Armani said that most of “Life After Death” will be shot during the day or inside the house at night, so lighting isn’t going to be a problem.

“We’re shooting at Bruce Ryan’s son’s house in Idyllwild,” Armani said. “It’s practically across the street from us.”

Bruce Ryan donated the funds for the sound stage, and his son often lets film students use the house when they’re away. And it’s secluded enough that you wouldn’t see zombies roaming on Tollgate.

Not too long ago, zombies were roaming around on campus. They were not the undead, but students playing a Humans vs. Zombies tag game that lasted more than a week.

“You can stun a zombie by throwing a sock at him,” explained a faculty member at a recent All-School Meeting. “Inside is safe, but outside anywhere is fair game.”

Throwing socks seemed harmless enough until one dancer lost her balance in all the excitement and dislocated her shoulder.

“The sock didn’t hurt her, but her heavy shoulder bag pulled her down,” explained a student who witnessed the fall.

As a heavy fog rolls up the mountainside, Idyllwild appears to be the perfect setting for a zombie movie. Likely, the students have already wrapped up shooting. But in this small town, where many residents believe in fairies, ghosts, and Idyll-Beasts, it’s possible that zombies already roam Hwy. 243.

“Life After Death” and other student shorts will be screened at the end of the school year. The film screening is free and open to the public. For more information about the film department at Idyllwild Arts,  visit www.idyllwildarts.org.

Copyright 2012 Idyllwild Me. All rights reserved.

 

By Marcia E. Gawecki

Always fashionable, Bella, a senior Visual Artist at Idyllwild Arts, was looking a little tired. Which is rare for students on their 2-week Spring Break. There was no time for Bella to go shopping or sight-see. In fact, she never left Idyllwild.

“My senior show is coming up, and I must be ready,” she said.

Along with five other senior Visual Artists, Bella will be showcasing her work at the Parks Exhibition Center on Friday, April 20 (as part of the second senior class art show. The first one opens this Friday night.)

Bella, who has already been accepted to a fashion college in England, is focusing her small ceramic sculptures on the societal role of the Japanese geisha. Some are kneeling in kimonos, and are headless. Only one is standing tall.

“They are obeying the roles of the geisha,” Bella explained about the headless geishas. “There are many limitations.”

Bella has studied geishas a bit. She said most people know about geishas from the popular American movie, “Memoirs of a Geisha” (2005).

“The lead actress wasn’t even Japanese,” said Bella. “She’s Chinese.”

Geishas are traditional female Japanese entertainers, whose various skills include singing, dancing and performing classical music. As portrayed in the movie, geishas could also be quite theatrical and egomaniacs.

According to various web sites, there was a significant decline in geishas during WWII because many women had to work in factories, and most of the teahouses and bars shut down.

Geishas start out as apprentices or maiko, and learn their craft from established geishas.

“The most beautiful geisha isn’t necessarily the most high-ranking geisha,” explained Bella.

She pointed to her standing geisha sculpture, that hadn’t even been painted yet.

“She is the most noticable,” Bella said. “But another one could be more beautiful.”

Beautiful, educated, and cultured, geishas inhabit another reality.

Bella said that she identified with geishas a bit, but didn’t elaborate. She also didn’t want her picture taken because she wasn’t wearing any makeup. Yet, this is the same girl who sported a neon pink wig to her junior show. Will she be wearing a full kimono on April 20?

Regardless, Bella’s six ceramic geishas will be on display during Senior Show II, at 6 p.m. on Friday, April 20 at the Parks Exhibition Center on campus. Like all Idyllwild Arts events, it is free and open to the public. However, don’t miss the Senior Show I this Friday, April 6 at 6 p.m.!

For more information, call the Parks Exhibition Center at (951) 659-2171, ext. 2251.

Copyright 2012 Idyllwild Me. All right reserved.

By Marcia E. Gawecki

“It’s not easy being green,” sang Kermit the frog from The Muppets.

Students from the ‘Green Team’ at Idyllwild Arts can identify. The ideas they plan to propose for their school will take time and effort, but the payoff will be well worth it.

Four of them, including Devin, Alex, Michelle and Katherine, recently attended the ‘Green Schools National Conference’ in Denver with faculty member Shannon Jacobs. They wanted to help their school become more eco-friendly.

During their All-School meeting on Friday, March 9, the group presented a 5-minute video they had created about the experience.

Devin, an Interdisciplinary Arts (IM) major, was the one who interviewed many attendees on camera. They didn’t just interview students, but families and older people as well.

“Why is the environment important to you?” Devin asked.

“Because we live in it,” one student said.

“It’s the only thing that we have left,” quipped another.

An older woman said that it was an important for her to hand over the earth in a good state to her children.

“We need to give a beautiful gift to them,” she said.

The video also showed B-roll of the breakout sessions, lectures, and some new environmental products.

“They also shot about five minutes of Michelle eating french fries,” teased Isaac, a friend of Michelle’s, a dance major.

She said that she enjoyed the conference because of all of the ideas presented there. The Green Team is currently looking over many of them, including growing a garden.

Devin said they’re considering growing garlic, and maybe selling it to Idyllwild merchants, such as Cafe Aroma at a reduced price.

“I worked on a garlic farm for a week, and its surprisingly easy to grow,” Devin said.

The Green Team is also looking into hosting a guest lecture series to learn more about recycling and the environment. They’ve heard there are groups in town, such as Sustainable Idyllwild, that perhaps they can collaborate with.

Although most of these ideas are still in the planning stages, the Green Team actively searches out new ideas from other students and the faculty. Brian D. Cohen, the school’s headmaster, is a strong proponent of recycling and saving energy.

Just this year, the academy’s cafeteria saw a big change. Signs went up about food waste, and they even weighed the garbage cans to prove it.

Then there was an effort to help save water and energy by not using food trays, but carrying your dishes to the table. Once finished, everyone was encouraged to scrape their plates and separate them into bins.

Just the act of standing over a trash can and scraping away your leftovers made students aware of what was being wasted.

“I started gaining more weight because I didn’t want to throw any food away,” said one van driver.

Everyone is encouraged to ask for less portions, and those who want more must go through the line a second time.

Besides the cafeteria, the offices got a change with energy efficient lighting. They’re the kind of lights that come on automatically, and shut off after you leave. That way, no one is walking into a dark bathroom or hallway.

“They detect motion, so they’re not going to shut off after a few minutes,” explained Angela, the school’s receptionist.

She said she likes the new improvements, and its nice to know they’re saving energy.

Another idea the Green Team are considering is healthy vending, which means healthy alternatives in the vending machines and in the school’s bookstore.

He encouraged everyone to check out their Facebook page called, “Idyllwild Greenies.”

Copyright 2012 Idyllwild Me. All rights reserved.

 

 

By Marcia E. Gawecki

The Idyllwild Arts Spring Dance Concert, held for three days this week, featured a nice mix of ballet, modern and jazz.

Standout pieces included Cinderella, and contemporary ballet and hip-hop pieces from two guest choreographers.

However, the final piece, featuring video and poetry from the seniors, was an emotional good-bye.

The show opened with a grand production of ‘Cinderella,’ with their own twists. After being told that she cannot go to the ball, Cinderella (Madison) consults with cats (instead of mice). But its the seasonal fairies who convince her to go. Big show stealers were male dancers Cemiyon and Gilbert, as the wicked stepsisters, with stepmother Gerard, all dressed in drag.

The fairy godmother (Lani) and spring/summer/winter/fall fairies (Gina, Giovanna, Cheyenne and Adrianna) were all played beautifully by senior dancers.

The fairies’ ballet costumes were not the traditional starched variety, but colorful and flowing, making one yearn for spring. (Ten inches of snow arrived the day after the show’s end).

Will Dingledein, a 2011 dance grad, was in attendance for all three shows. He laughed his head off when Gerard, as stepmother, scolded Prince Charming (Mauricio).

“He stole the show!” Will said during the first intermission.

“Le Papillon,” a modern ballet by guest choreographer, Josie Walsh, was funded by a grant from the AEL Foundation. Given the title, one expected to see butterflies, but the opening showed dancers rolling other dancers wrapped in cocoon-like materials.

The piece, which also featured the original music by Josie’s husband, Paul Rivera, Jr., featured sound effects like echoes, which piqued your interest.

The costumes, sheer peach long dresses, were elegant, yet functional. In the end, dancers wrapped themselves in the same material as capes that were stepped on by other dancers.

It was artfully choreographed, and a treat to watch its transformation.

‘Lotus,’ by guest choreographer Brandon Aiken, told a different story. Borrowing from “West Side Story,” the hip-hop piece featured a dance-off contest between two rival dance gangs. Torn between the two were star-crossed lovers, played by Allison and Gilbert.

Paris, who was adamantly opposed to the pair, was perfectly theatrical. Hip-hop music by Chris Brown, Lil Jon, young Jeezy and Wale kept the crowd enthralled.

‘A Leaving,’ the last piece, featured an emotional good-bye from seniors, Adrianna, Cheyenne, Natalia, Lani, Mauricio, Gina, Giovanna, Delaney, Allison, Madison, Sorrelle and Gerard. Each took their turns at the microphone, citing poetry and memories over the past four years.

“I am a bird, high up in these trees,” Cheyenne said. “I am home.”

“We stuck our heads in the earth,” Delaney said in a voice over during her dance solo.

“Lizard dust fills my mouth,” Madison added. “Making it hard to say good-bye.”

Towards the end, a full-screened black-and-white video depicted the dance seniors walking away in the snow. Voice-overs talked about first loves, heartache, gratitude and self-actualization.

It was also peppered with humor.

“Even after four years, people still don’t know if I’m Gina or Giovanna,” Gina quipped.

At the final bow, the audience was on its feet, clapping, cheering and shedding some tears.

Wednesday night’s concert was featured on U Stream on the academy’s web site, www.idyllwildarts.org.

Angela, the school’s receptionist, was glad to be able to watch the dance concert from the comfort of her own home.

 

Copyright 2012 Idyllwild Me. All rights reserved.

 

 

 

By Marcia E. Gawecki

Idyllwild Arts’ Spring Dance Concert will showcase the choreographic talents of two guest artists, including hip hop and ballet.

The two-hour show opens tonight (Wednesday) and runs through Friday. Expect the dance students to be enthusiastic, not just because they love their craft, but because it’s only days before Spring Break.

Brandon was a recent guest artist in the Dance Department and choreographed the hip-hop piece.

“I”m not sure who Brandon was a backup dancer for,” said Gina, a senior. “Maybe Madonna, but he’s definitely a great dancer and choreographer.”

Becca, who knows about hip hop (but isn’t in Brandon’s piece), said, “It’s like Brandon recreated a club ‘dance off.”

Skye, a dancer from Santa Barbara, will be in four pieces, including the hip-hop, modern, jazz and ballet.

“Most of the dancers are in three or four pieces,” Skye said. “It’s going to be a long show, but it moves really fast.”

Gilbert, one of six male dancers at Idyllwild Arts, bought pantyhose in town for the Cinderella ballet piece. They were nude, Queen-sized with reinforced toes.

“I don’t want to spoil anything, but some of the male dancers will be dressed as women for the Cinderella piece,” Gilbert said. “It’s really funny. We’re going to be wearing wigs and full makeup.”

At 13 years old, Gilbert is the youngest student at Idyllwild Arts.

“You hae to come see the hip hop piece and the ballet piece,” said Gina. “It was really wonderful working with professionals.”

Both guest artists taught Master Classes and worked closely with the dance students with their choreographed pieces.

The Spring Dance Concerts starts tonight, Wednesday, March 14, at 7:30 p.m. in the IAF Theatre at Bowman. Like all events at Idyllwild Arts, it’s free and open to the public. But you might want to get there early to get a good seat. The show continues Thursday and Friday nights at 7:30 p.m.

Copyright 2012 Idyllwild Me. All rights reserved.

 

Portraits of street artist/activist Shepard Fairey by Sidney M.

By Marcia E. Gawecki

She’s always carrying a camera, taking pictures of her friends or capturing Idyllwild’s natural beauty. On weekends, young couples pay her to shoot their weddings.

And when street artist Shepard Fairey came to Idyllwild Arts, she got five minutes alone with him.

As a photography student at Idyllwild Arts, Sidney knows what it takes to be good.

However, in June, she’ll be traveling outside her comfort zone on a 2-week missionary trip to Nairobi, Kenya. It’s sponsored by her church, Community Christian, in Hemet.

“There are one million people in Nairobi living in one square mile,” Sidney said. “We’re going to help improve their living conditions.”

According to various web sites, Nairobi is the most populous city in East Africa, with an estimated population of 3 million.

To help fund the trip to Nairobi, Sidney must raise $3,600. With her freelance gigs over the past year, (in addition to her academic and arts classes), she’s earned most of it, but she’s about $1,500 short.

So she’s offering 15-minute photography sessions for $25, which is much less than her normal $100 asking price.

“For these sessions, you can bring a friend, your pet, props or a change of clothes, if you’re quick about it,” Sidney said.

Portraits appear to be her forte, capturing the essence of a person. For more samples of this, visit www.signeymorganblog.com.

With Shepard Fairey, she worked with him to get the right shot. She set him against a gritty black wall and asked him to lean forward.

“I think it made a stronger statement,” she said.

Recently, she photographed a young mother-to-be in a sheer blue lingerie, exposing her protruding belly.

She said that the couple was so excited about the baby, they wanted to capture every moment. A sample of that portrait is also on Sidney’s blog site.

Yesterday, she planned to photograph a few Idyllwild Arts students at the the Nature Center. Sidney picked the Nature Center (which is popular for weddings) because of its privacy, natural foliage and ample light.

So far, only a few students and locals have signed up for the mini sessions, but Sidney is confident she’ll get more as she announces them on Facebook.

In Nairobi, Sidney will be taking hundreds of photos of the locals.

“It’s going to be a lot different than taking pictures in Idyllwild,” she said somberly.

All of the details haven’t been worked out yet, but Sidney also hopes to get an art grant afterwards so that she can make a Nairobi slide presentation.

“Those photos will help tell their plight,” she said.

In the meantime, Sidney is working hard to line up the 15-minute mini sessions, until she reaches her $3,600 goal.

For more information on Sidney’s photography, call (951) 760-8754 or visit www.sidneymorganblog.com.

Copyright 2011 Idyllwild Me. All rights reserved.

By Marcia E. Gawecki

“Past to Present,” Idyllwild Arts’ alumni arts exhibition, ends today, Friday, March 2 at the Parks Exhibition Center on campus.  Although most of the hoopla of the show was focused on Shepard Fairey’s work (’88), there were 19 other alumni artists in the show.

Yesterday, five of the artists from the show (who live in Idyllwild) participated in a panel discussion whose topic was, “Making Art After School: Creating Art as a Lifelong Pursuit.” Daniel Gray, Erin Latimer, Alison Yates, Paul Waddell and Youree Jin all work at the academy and fielded questions from students and faculty at 3:30 p.m. at the Parks Exhibition Center.

“Three weeks ago, the opening was so packed that it was hard to talk to the artists,” said Mallory Cremin, who curated the show.

She said that she was sorry that Jonathan Taube and Tada Kono (both from ’06) left without talking much about their work. Their work from WIKI Studio featured two installations of organic materials. “Chametz Roulette” featured loaves of bread “That may nor may not contain mortal shrapnel.” Loaves were $11.99 each.

Taube and Kono’s other installation, “Within Limbo,” featured pieces of prickly pear cactus attached to a pole.

“Each cactus is intended to be a collectible living object,” the pair wrote in the information about the show. “They are for sale for $6 each.”

When Mallory opened the gallery several days before the end of the show, several of the cacti had rotted and fallen from the pole.

“This is not part of the installation,” Mallory said, as she scooped up the debris.

Since the students didn’t get to speak with Kono and Taube, Mallory said that she wanted to give the local artists the opportunity to speak about their work before the show ended today.

Erin Latimer (’02) and Alison Yates (’03) both showcased artist books. Erin’s books were small and portable (3 x 3 inches and 2 x 5 inches). “Mythology” and “Refugee. Evacuee. Survivor,” featured linobloc prints.

The images depict a profile of a woman with an oversized heart falling down to her feet. She is shrouded, so it could depict a Middle Eastern woman’s plight, or it could depict an American woman, for example, who is “cloaked” in darkness?

It could also be telling a story about work or even love relationships.

Alison’s artist’s book title, “Housework,” was understated. It was actually wonderfully crafted paper cuts on wood panels. The palette of her paper cuts was limited to only three colors, red, black and white. Which was telling because they are the colors of ashes, fire and smoke.

Note that she used uniform square wood panels as pages for her art book. Threads loosely bound them.

“Sweeping crumbs or sweeping ashes,” was the text that Alison repeated on several panels, yet her compelling images in red, white and black showed a housewife going from brushing up crumbs to turning into toast.

On one of the panels, Alison asks, “Was it intentional?”

The threat of fire is part of the Idyllwild fabric, even for the students who live on campus. Matches are banned from the dorm rooms. You can’t even light candles on a birthday cake. Hopefully, during the panel discussion yesterday some of the students asked Alison if her art book told a true story?

Youree Jin’s installation of small, framed etchings of “Closet,” showcased how she took one image and used various materials, including glass, paper, fabric, ink and thread, to create totally different effects. Some looked like collages, while others looked like x-ray negatives (if that’s possible!) of a closet!

More text to come

 

 

 

By Marcia E. Gawecki

For the first time in 24 years, (Frank) Shepard Fairey, a now famous graphic designer / street artist, returned to his old high school, Idyllwild Arts Academy.

During an hour-long lecture on Feb. 10, Shepard showed slides and told how he raised hell, worked hard, believed in causes, got arrested, got lucky and gained some fame from his 2008 Barak Obama poster and 2010 documentary, “Exit Through the Gift Shop.”

Students, faculty and Idyllwild town folks packed the IAF Theatre and mobbed him for photos at the art show afterwards. It was his “Welcome Back, Kotter” moment.

“This is the best thing that’s happened to visual artists,” said Kevin, a senior visual artist from Korea, as he stood in front of Shepard Fairey’s posters at the show. His friend took his picture with Shepard Fairey, which likely was later posted on Facebook.

“I’ve got one of his stickers,” beamed Bella, a senior fashion design major from China. “And it’s signed!”

Back in 1987, when Shepard Fairey attended his senior year at Idyllwild Arts Academy, he was “stagnating” (according to his parents) with interests only in punk rock and skateboarding. When he got kicked out of North Carolina School of the Arts during the summer, he came to Idyllwild Arts.

“When I met one of my art teachers, David Amico, he was wearing biker boots and a Ramones (punk rock) T-shirt,” Shepard said during his slide presentation/lecture. “For the first time, there was no adversarial relationship with my teachers. They treated me like one of their peers.”

Ellenie, his former 2D design teacher, said that Shepard was an average art student.

“But being average at Idyllwild Arts means that you’re among the top three percent of young artists in the country,” she clarified. “He also had to be reminded about the rules a couple of times.”

That year, he studied black-and-white photography, but then used color photography to make fake California Driver’s Licenses with his friends. Later, he used that same fake ID to get into LA clubs to post his “Obey” posters.

Shepard also told how he jammed the color printer at Kinko’s with a paperclip and printed off hundreds 11 x 17-inch posters in black and red, but only paid for six copies.

He’s not saying that it was right, but it’s what he had to do to as a struggling arts student to get his message (of questioning authority) out to the masses.

A the Rhode Island School of Design, he remained active in the skateboard /punk rock culture. One day, he was showing a friend how to make stencils, using a newspaper photo of Andre the Giant. His friend refused thinking it ridiculous, but Shepard’s interest in the wrestler took off. And so did the popularity of his art.

He stylized the image, and put it on buildings and walls around Providence. It made the local news.

“I realized that the only things occupying the public space were government signs and advertising,” he said.

He filled that public space with his “Obey” campaign.

“But then I realized that scale was important,” Shepard told the crowd. (After all, Andre was over 7 feet tall and weighed 525 pounds).

He saw an opportunity to paste over a large billboard featuring a local politician in full scale pointing his finger. The headline read: “He Never Stopped Caring About Providence.”

The next day, Andre the Giant’s face covered the politician’s, who also had mob connections. The billboard ‘makeover’ made the news again, but Shepard had to apologize.

“It took him about four minutes to figure out who did it,” Shepard said, shaking his head.

That incident didn’t stop Shepard from promoting his “Obey” campaign all over U.S. cities and towns, and getting arrested 16 times along the way.

This wasn’t your average street artist “tagging” for his own fame, but a serious conscious objector using his art to bring issues to light.

Some of them he showed during his slide presentation, including anti-war images featuring then-president George Bush with a Hitler moustache, and a young girl carrying a grenade in her hand. Other issues included the oppression of the Tibetan monks, air pollution, and water pollution. Yet, his anti-war slogans were most prominent.

“We spend a lot of money on the military in the U.S., rather than education,” Shepard claimed.

He showed a poster of new parents proudly cradling a bomb. Another one featured a gas mask with bold text: “I don’t want my taxes to pay for the new world order.”

After showing the last slide of a giant tyrant boot ready to crush masses of people, he softened a bit.

“All I’m saying is that you can use your art to speak up,” Shepard told the Idyllwild Arts students. “Few people have the courage to do the heavy lifting. Be brave, OK?”

He spoke not just to the visual artists, but to young musicians and writers as well.

“It doesn’t have to be perfect,” he said. “You could build music on your laptop or write a blog.”

He’s doing what we’ve always told our students to do, said Ellenie. Take something that you believe in and show it through your art.

Although Shepard became most famous for his 2008 Barak Obama poster, Shepard didn’t spend much time on it. He said he was impressed with then-candidate Obama’s speech at the Democratic National Convention and decided to create a poster. He was lucky that it was sanctioned by the Obama campaign by a former skateboard friend.

“That poster rose to the national spotlight like none other,” he said.

Early in Obama’s campaign, Shepard was identified as the artist who created the iconic poster. When asked if he was mad that others were taking his image and profiting from it, Shepard said, “no.”

Since then, Shepard has become disappointed with some of President Obama’s politics, but said that he’s the best candidate around.

Shepard’s work has appeared in galleries and museums around the country. He illustrated Time magazine numerous times.

Even with all of his success, Shepard was “at home” among the artists at Idyllwild Arts.

“I saw him sitting in the cafeteria eating lunch,” exclaimed Peter. “This was my big moment! So I sat down next to him and told him what a big fan I was.”

He allowed Sidney, a photography major, five minutes before his lecture to take several portraits of him.

“He was so nice and casual,” Sidney said. “You can see how natural he is in the pictures.”

View the pictures that Sidney took on her blog, www.sidneymorganblog.com.

Eric, from Mexico, spoke to him about filming him in the future.

“I’ve been saving up for my own video camera, and told him that if he needed an extra guy to shoot, I could do it,” Eric said.

Shepard gave Eric his contact information, and since he was hanging around, he was interviewed by Gail Wesson for her Feb. 11 Press-Enterprise article.

When asked if he had seen Shepard Fairey’s lecture before coming to the alumni show, Hubert Halkin of Cafe Aroma replied, “Of course I did! I saw it in the comfort of my own home–on UStream!”

Shepard Fairey’s posters, including the 2008 Obama poster, remains on display at the Parks Exhibition Center on the Idyllwild Arts campus. Call (951) 659-2171, ext. 2251. To hear his one-hour lecture in its entirety, visit www.idyllwildarts.org, and click on UStream, or visit the latest issue of the Idyllwild Herald at www.idyllwildherald.com.  For Shepard Fairey’s art, visit www.obeygiantart.com.

Copyright 2012 Idyllwild Me. All rights reserved.

Published on: Feb 16, 2012 @ 12:39

 

 

By Marcia E. Gawecki

His iconic ‘Hope’ poster of Barak Obama united a fractured nation, and help send the first African American to the White House.

Before then, Shepard Fairey, a successful graphic designer, was better known for his Andre the Giant ‘Obey’ posters that would “appear” on buildings around Los Angeles, Chicago and New York.

This past year, Fairey’s work was featured in a 2010 documentary about street artists called, “Exit Through the Gift Shop,” which was nominated for an Academy Award.

However, this Friday, Feb. 10, Shepard Fairey will be returning to Idyllwild Arts for the first time since his graduation in 1988.

His 3:30 p.m. lecture at the IAF Theatre is a much-anticipated event, especially by the Visual Arts students. Some of them have been seen wearing “Obey” T-shirts and sweaters to class. Peter, a visual artist originally from China, was grinning from ear to ear when discussing the upcoming event.

“I never thought I’d get a chance to meet Shepard Fairey in person. He’s kind of my idol,” Peter said. “And now he’s coming to our school.”

Peter was trying to think of a good question to ask Fairey during the Q&A portion of the lecture on Friday.

“I was going to ask him what it was like to be a student here,” Peter said. “But that was way back in 1988, so that was a long time ago.”

Even though Shepard Fairey’s Obama “Hope” poster was popular with supporters, the Associated Press (AP) whose photo Fairey used as inspiration, was not. AP sued over copyright infringement, but they came to a settlement. That’s what prompted Peter’s question:

“With the availability of images all over the internet these days, how does copyright fit into an artist’s work?” Peter will ask. “Otherwise, no artist can create an image of a famous person unless he takes the picture himself. That would mean we could only paint portraits of our family and friends.”

Obviously, controversy doesn’t scare Fairey. After all, his “Obey” images are spray painted and stenciled on office buildings all over Los Angeles, Chicago, and other cities. Some start on the rooftops, so he can’t be afraid of heights or getting caught.

“I think he was arrested once,” Peter added with a gleam in his eye.

You can bet Fairey is revered even more now.

According to web sites, Fairey has been arrested numerous times. In 2009, he was arrested in Boston for “tagging” two properties with his “Obey” image, including a railroad trestle. The police grabbed him on his way to his “Supply and Demand” show at the Museum of Contemporary Art.

So the rebel artist is coming home to Idyllwild for the first time in 24 years. After graduation, he attended the Rhode Island School of Design and graduated with a Bachelor of Fine Arts in Illustration.

At the Friday show, Fairey be featuring 16 pieces, including serigraphs and one print that also includes works by Nate Lowman and other Visual Arts alumni.

Fairey’s pieces were picked up Tuesday from his Los Angeles studio on Sunset Boulevard., down the street from Disney Hall. The studio also houses a gallery of Fairey’s work that he’s created over the decades.

Mallory Cremin, an arts teacher who also runs the Parks Exhibition Center on campus, invited Fairey to speak at Idyllwild Arts more than a year ago with no definite plans. This past September, however, she and her printmaking students visited his gallery.

“Afterwards, the students were so excited, they couldn’t wait to get back and try making their own prints,” Mallory said.

She was persistent in emails with Fairey’s associate, Dan.

“Until one day, our schedules finally came together,” Mallory said.

While wrapping and loading up the artwork, Dan said that Fairey owns the original Obama “Hope” image, but a rose print is featured in the National Portrait Gallery (in Washington, D.C.) He said Fairey also got to meet the president.

The 16 pieces, which were created by Fairey from 2001 to 2010, with prices ranging from $500 to $1,000 each, are not for sale, Mallory said. Those who are interested in his prints can buy them online.

“I don’t think we’ll be selling the smaller prints because we just have a limited amount,” Dan added. “But if someone is really interested in the bigger prints, maybe we’ll sell those.”

The Alumni Show should remain up in the Parks Exhibition Center for several weeks.

Fairey’s work can be found at the Irvine Contemporary Gallery in Washington, D.C., the Museum of Modern Art, the Los Angeles County Museum of Art and the Victoria and Albert Museum in London.

“I just hope the students don’t mob him afterwards for autographs,” Mallory added as she assessed Fairey’s framed prints. “We’ll have to make an announcement.”

Shepard Fairey’s lecture at Idyllwild Arts begins at 3:30 p.m. at the IAF Theatre. Like all Idyllwild Arts events, it is free and open to the public. However, arrive early to get a good seat. At 6 p.m., there will be an artist’s reception at the Parks Exhibition Gallery on campus.

For more information on the event, call (951) 659-2171, or visit www.idyllwildarts.org. Shepard Fairey’s artwork, clothing and collectibles can be purchased online at www.obeygiant.com.

Copyright 2012 Idyllwild Me.

Published on: Feb 8, 2012 @ 6:49

 

 

“Is your most famous celebrity still living in Idyllwild?”

It was Saturday night, Jan. 14, and we were chatting at the Bill Anson Gallery in the Backstreet Art District of Palm Springs.

Sorry, Casey, but I instantly thought of “The Bronze Buckaroo,” Herb Jeffries, and not you. Although she was pretty, this woman was middle-aged.

“We just loved watching Casey each week on ‘American Idol’ (Season 10),” exclaimed Brenda Friend, of Palm Springs. “My friends and I even went to Los Angeles where they taped the show to meet him and get an autograph, but it never happened.”

She was almost giddy.

“Then we were thinking of going up to Idyllwild to meet him, if he still lived there.”

Going from relative obscurity to instant celebrity must be a surreal thing for Casey. To find middle-aged fans like Brenda who are willing to travel great distances to meet him. But the young ones are rabid too!

Remember when the ‘American Idol Live’ Tour ended Sept. 20-21 in The Philippines? Bianca King, a young actress, was hell-bent on meeting Casey, so she turned to her Twitter fan base to help get a backstage pass.

They hit it off and had a good laugh when Bianca told him that if he dyed his hair black and got a spray tan, he’d make it as an actor in The Philippines. She then posted pictures of the two of them on her blog site.

Back at the Art Walk in Palm Springs, I told Brenda Friend that Casey’s parents still lived in Idyllwild, and Ira Abrams worked with me at Idyllwild Arts.

Then I found myself promising I would try to get Casey’s autograph.

I secretly hoped it was possible.

Brenda wrote down her Palm Springs address, and then rushed over to tell her husband and friends.

The funny thing was that Brenda hadn’t even heard about Casey’s latest You Tube video announcing his record deal with Concord Records. It’s the same label as Carole King and Kenny G.

Casey’s mom, Pam Pierce, sent an email saying there was an Idyllwild Arts connection to the video. The song was written, recorded and produced by Casey (all instruments and voices). The video was shot and edited at Idyllwild Arts by Nick Cain and Sean Stromsoe of Persistent Vision (former Idyllwild Arts film students).

“Oh, he’s so natural and fun-loving in front of the camera,” Brenda exclaimed. “His parents raised him right.”

To view Casey’s announcement video, click here: Casey_Abrams_Signed-1

Copyright 2012 Idyllwild Me (text and images, but not video). All rights reserved.